Articles about Showtime
Writers and executive producers Alex Kurtzman and Jenny Lumet tell DQ about their latest collaboration – updating Walter Tevis’s classic sci-fi novel The Man Who Fell to Earth – working with an all-star cast and why humour is the show’s secret weapon.
Dexter showrunner Clyde Phillips tells DQ about returning to the Showtime crime drama for new event series Dexter: New Blood, working with star Michael C Hall and why the character’s return was inevitable.
It took something special for movie star Paul Giamatti to sign up for his first leading role in a TV drama. As Billions heads into its fifth season, he tells DQ about making the show and working with the “geniuses” behind it.
Veteran showrunner Tom Fontana tells DQ how his latest series, Showtime’s City on a Hill, tackles uncomfortable issues and explains why the 1990s-set show speaks to the present day.
Ben Stiller talks about directing Showtime miniseries Escape at Dannemora, based on the true story of two convicted murderers who staged a prison break in Upstate New York, with help from a married female prison employee.
Screenwriter David Nicholls, director Edward Berger and executive producer Michael Jackson tell DQ about adapting Edward St Aubyn’s Patrick Melrose novels into a five-part limited series for Sky Atlantic and Showtime.
Casting director Shaheen Baig and executive producer Katie Swinden tell DQ about tapping a host of British stars to appear in Guerrilla, John Ridley’s six-part study of race relations in 1970s London.
As Twin Peaks returns to television after a 26-year absence, DQ explores the wide-reaching impact the series had on the shows and creatives that came after it.
Guerrilla stars Babou Ceesay and Freida Pinto discuss the love story at the heart of Oscar-winner John Ridley’s examination of race relations in 1970s London.
Oscar-winning screenwriter and American Crime creator John Ridley realises a long-held ambition to tell a story about race relations in the UK with Guerrilla, a six-part series for Sky Atlantic and Showtime.
Content chiefs at AMC, Netflix, Showtime, Starz and Bad Robot will speak at C21 Media’s Drama Summit West, which takes place in LA on Friday May 19, bringing together the global scripted business to facilitate new productions and partnerships.
Star, Lee Daniels’ follow-up to Empire, has got off to a shaky start – with critics mostly giving the show the thumbs down. But there was good news this week for French drama Baron Noir.
The CW has signalled the end of its Mary Queen of Scots drama Reign – however, the TV industry’s interest in royal subject shows no sign of easing off. This week we look at some of the big franchises to have emerged in recent years.
Season two of The Missing has proved a worthy successor to its acclaimed forerunner on BBC1, while Showtime is in need of a new hit of its own. Andy Fry reports.
European dramas like Medici: Masters of Florence and Trapped are in the news this week. There also seems to be growing trend for the TV business to turn to feature film directors.
US channel Showtime has again shown long-term commitment to its drama series by renewing Homeland for two further seasons, while BBC2 will continue to be the home of lavish French period drama Versailles.
US writer-producer Chip Johannessen shares his approach to writing series television based on his spells on The X-Files spin-off Millennium, Fox hit 24 and Showtime’s Homeland.
Toby Jones turns spy in thriller The Secret Agent, adapted from Joseph Conrad’s novel by screenwriter Tony Marchant.
Show cancelled? Don’t worry, someone else might pick it up. Renewed? Well, don’t get too excited until the cameras start to roll. This week we look at the increasing difficulty of spotting winners and losers.