Clelia Mountford, co-founder of Catastrophe producer Merman, and Feel Good creator Mae Martin speak to DQ about the finding the right mix of laughs and emotion to hit the sweet spot of comedy drama.
The producers behind French true crime dramas Le Mensonge (Something to Hide) and Laëtitia tell DQ about the background to these series and why the genre continues to fascinate viewers.
In the age of fake news, a trend for unreliable characters is fuelling some of TV’s biggest thrillers. DQ speaks to a group of writers to find out how they keep viewers hooked.
As the television industry – and the world – continues to be gripped by the coronavirus pandemic, DQ speaks to the creatives behind The Hot Zone, Cordon and Between to find out how they dramatised viral outbreaks and how future series could reflect current events.
As people around the world self-isolate and heed orders to stay at home amid the devastating coronavirus pandemic, DQ offers a selection of series from around the world to enjoy.
With television now well and truly matching the star power of the movie business, DQ runs the rule over the TV series getting red-carpet premieres at the Berlin International Film Festival, which begins today.
As television drama transports viewers to new worlds, both historical and fantastical, the role of the production designer has never been more important. DQ finds out more about the job from those doing it on shows in the UK, the US, Canada and Australia.
Crime continues to be the dominant force in television drama. DQ speaks to a selection of leading writers and producers about the genre and finds out how their latest series are pushing the boundaries of traditional police stories.
Writing for DQ, Alexandra Modestova, director general of Russian film and television consultancy Expocontent, explains how series such as The Road to Calvary and An Ordinary Woman are leading the rise in female-led dramas in the country.
A lot of noise has been made about how longform serialised dramas are the ‘new novels,’ with numerous episodes that keep audiences hooked until the very end. But what books are now coming to screen and how are they being adapted?
The demand for long-running series is seemingly unstoppable, yet TV movies and one-off dramas are becoming a powerful tool in addressing single issues or themes. They’re also evidence that not every story needs to run to multiple episodes and seasons.
Factual dramas are a staple of the scripted television landscape and can often be relied upon to bring in big ratings. DQ explores how these series are developed and brought to air, with contributions from the writers behind Waco and Kiri.
The television landscape is awash with series set in alternative – and not particularly bright – futures. Stephen Arnell casts his eye over the dystopian series on screen, and also finds sci-fi series with a more optimistic outlook.
Ten years after Forbrydelsen (The Killing) first aired and with the final season of Bron/Broen (The Bridge) starting next month, Nordic crime drama has dominated the international landscape for a decade. But what does the future hold for the genre and where will those who make it go next?
As a host of scripted series find inspiration in the 1980s, DQ speaks to the creatives behind these shows to find out how they recreated the era – and why it remains so popular almost 30 years after the decade ended.
From Hulu’s The Path and the most recent season of FX’s American Horror Story to upcoming series Waco and Raven, TV dramas about cults have caught the zeitgeist. DQ takes a closer look at this trend.
With TNT’s Will and ABC’s Romeo & Juliet sequel Still Star-Crossed airing this summer, Stephen Arnell looks at William Shakespeare’s record as a drama character in his own right.
As Spike launches its adaptation of The Mist, Stephen Arnell explores how TV and film versions of Stephen King’s work have become more popular and prolific than ever.
Science fiction has a long association with television, but it’s now more visible than ever. DQ explores how a shift in storytelling has pushed the genre into the mainstream.