Category: SCENE STEALERS
As Sky drama Devils returns for a second season, writer and executive producer Frank Spotnitz outlines the challenges in bringing the financial drama to the screen, including a pivotal scene set on the night of the UK’s Brexit referendum.
Former police officer Tony Schumacher reveals how an early scene in his five-part series The Responder sets out to challenge viewers’ expectations of this Liverpool-set crime drama.
Possessions director Thomas Vincent talks about key scenes in the first episode of the French-Israeli thriller, which combines crime, mystery and the supernatural. The series is produced by Haut et Court TV and Quiddity for Canal+ and Yes TV, and distributed by StudioCanal.
Richard Yee, co-creator, co-writer and director of Sky1 comedy drama Sick of It, discusses a scene from the season two finale that took the production to New York.
Amelia Bullmore, writer of UKTV drama Traces, picks out a sequence of short scenes from the forensic crime thriller in which three people come together to solve a murder case. It is produced by Red Production Company for UKTV’s Alibi and distributed by BBC Studios.
Co-creators Sabri Louatah and Rebecca Zlotowski recall how they partnered for French drama Les Sauvages (Savages) and highlight an opening scene that sets a clash of religion, culture and family politics in motion.
Exec producer Marcel Ferrer outlines a key scene in Spanish-language political drama Preso No 1 (Prisoner No 1), which is produced by Telemundo Global Studios for US network Telemundo. It was co-developed with Keshet International, which distributes with Telemundo.
Sputnik Vostok Production’s general producer Alex Kessel introduces Russian drama The Counted and outlines a scene that pushed the cast to their limits in freezing temperatures.
Anna Friel, Sinead Keenan and Rosalind Eleazar star in ITV’s emotional thriller Deep Water. Writer Anna Symon introduces the series, produced by Kudos and distributed by Endemol Shine International, and discusses a key scene in the first episode that lays the groundwork for events to come.
Director Colm McCarthy breaks down one of the most challenging scenes he had to film for madcap street-race drama Curfew. The series is produced by Tiger Aspect Productions in association with Moonage Pictures for Sky1, and distributed by Sky Vision.
Emma Frost, co-showrunner of Starz drama The Spanish Princess, discusses finding the balance between historical truth and dramatic storytelling in a key scene from the series, which is produced by New Pictures and Playground and distributed by Lionsgate.
Sophie Petzal, writer of Irish drama Blood, reflects on a pivotal scene in this psychological thriller about a woman who returns home to her estranged family following her mother’s death.
Israeli writers Noa Rothman and Ester Namdar Tamam introduce legal thriller Red Lines, which takes viewers into the complex world of the district attorney’s office.
Gal Zaid, from producer Endemol Shine Israel, breaks down his favourite scene from the first season of mob comedy-drama Queens.
Jacquelin Perske, writer of psychological drama The Cry, reveals how she adapted Helen Fitzgerald’s novel for television and tackled one of the opening episode’s most turbulent scenes. The miniseries was produced by Synchronicity Films for BBC1 and is distributed by DRG.
Gigantes (Giants) director Enrique Urbizu takes us through the opening scene of the Movistar+ drama, which focuses on a family that runs a prestigious antiques business as a front for their drug empire.
Counterpart creator Justin Marks picks out a key scene from the Starz spy drama’s opening episode that sets the tone for the rest of the show, which is currently in production on its second season.
Chris Noth, Leven Rambin and Danny Pino explain why US crime procedural Gone stands out from the crowd – and recall filming a tough fight sequence between two of the leading trio.
Matthew Graham, the writer behind the first episode of Electric Dreams, the 10-part anthology series based on the works of acclaimed author Philip K Dick, tells DQ about his favourite scene from The Hood Maker, which is based on the short story of the same name.