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  • Category: WE NEED TO TALK ABOUT

Category: WE NEED TO TALK ABOUT

What are the biggest issues and subjects facing television drama, either on front of and behind the camera? DQ dives into the topics that get people talking.

WE NEED TO TALK ABOUT

Drama gets shorty

Petra Fried, executive producer of Cheaters, discusses how the shortform drama can help the medium go mainstream, before DQ speaks to the creatives behind three more bitesize series – Hacked, It’s Fine, I’m Fine, and Outlaw.

WE NEED TO TALK ABOUT

The hit factory

The winner of three International Emmys in six years, Norwegian broadcaster NRK is pushing a streaming-first strategy for edgy, distinctive scripted series. Head of drama Ivar Køhn tells DQ about its success so far and discusses what’s coming next.

WE NEED TO TALK ABOUT

Production’s virtual future

As Star Wars series The Mandalorian paves the way for new technology to shape how TV series are made, DQ looks at the impact virtual production is set to have in the next few years.

WE NEED TO TALK ABOUT

The Trek goes on

Executive producer Alex Kurtzman reveals how one of TV’s most storied franchises was brought back to the small screen in the shape of Star Trek: Discovery and Star Trek: Picard, and how the latter takes the sci-fi juggernaut in a new direction.

WE NEED TO TALK ABOUT

Intimate relations

Having worked on series including Sex Education, Gentleman Jack and Normal People, intimacy coordinator Ita O’Brien explains why television’s approach to sex scenes has to change.

WE NEED TO TALK ABOUT

Art under attack

Adam O’Neill, art director and the chairman of the British Film Designers Guild, tells DQ how art departments have been affected by the current production shutdown and outlines the biggest changes to his on-set role.

WE NEED TO TALK ABOUT

Production shutdown

In part two of a focus on the effects of the coronavirus pandemic on television drama productions, DQ speaks to three more producers to see how their latest series have been affected and how development has been pushed to the fore.

WE NEED TO TALK ABOUT

Dramatic downturn

In the first part of a focus on the effects of the coronavirus pandemic on television drama productions, DQ speaks to three leading producers and writers to find out how they have been affected as filming around the world is put on hold.

WE NEED TO TALK ABOUT

Character study

While series have a shelf life, some characters become immortal. DQ speaks to a group of writers about how they create the people we watch on screen.

WE NEED TO TALK ABOUT

Must CEE TV

With a number of drama productions from Central and Eastern Europe drawing critical acclaim in recent years, DQ finds out what’s coming next from the region and why it’s ripe for a breakout international hit

WE NEED TO TALK ABOUT

Direct action

DQ speaks to a number of television directors about their latest work and how their role behind the camera is evolving, from working closely with writers to penning and even acting in the shows themselves.

WE NEED TO TALK ABOUT

Seeing is believing

As visual effects become a more prominent – and expensive – part of television, DQ hears about how writers and producers are aiming to meet cinematic standards in high-end dramas and how VFX can enhance storytelling.

WE NEED TO TALK ABOUT

Beyond Borgen

Writers Adam Price, Jeppe Gjervig Gram and actor Birgitte Hjort Sørensen made their names on Danish political drama Borgen. DQ finds out what they’ve been up to since and how the series shaped their careers.

WE NEED TO TALK ABOUT

Story time

It’s been seven years since Netflix first broke into original programming, transforming the way viewers watch drama forever. But how has the arrival of streaming platforms changed the way stories are told? In this special report, DQ explores storytelling in the digital age.

WE NEED TO TALK ABOUT

The best of Belgium

On the back of thrilling series such as De Dag (The Day), Tabula Rasa and 13 Geboden (13 Commandments), Belgium is proving to be the latest global creative hotspot for television drama. DQ hears from those in the business to find out the secret to its success.

WE NEED TO TALK ABOUT

Appy days

There’s more drama than ever – but small-screen storytelling is not just being confined to television. DQ speaks to some of those involved in changing the way drama is made and watched.

WE NEED TO TALK ABOUT

Long haul

International coproductions are nothing new, but as more globally ambitious dramas are emerging, DQ speaks to the producers behind some of these long-distance series to find out how stories spanning multiple countries are made.

WE NEED TO TALK ABOUT

Just one more

In the age of binge-watching, what makes a compelling drama that demands viewers watch the next episode immediately? DQ speaks to a host of writers to find out how they keep audiences hooked to the very end.

WE NEED TO TALK ABOUT

Latin flavour

Buoyed by the success of its US counterpart, HBO Latin America is celebrating its own golden age of drama across the region. Roberto Ríos, VP of original production, looks back on 15 years of storytelling.

WE NEED TO TALK ABOUT

Wonder women

A host of female characters are rewriting the rules for women on television. DQ explores how they are being brought to the small screen to front series ranging from contemporary crime dramas and thrillers to period and historical series.

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    • IN FOCUS
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    • Ones to Watch
    • Remade Abroad
    • SCENE STEALERS
    • SHOWRUNNER
    • SIX OF THE BEST
    • STAR POWER
    • The Director’s Chair
    • The Writers Room
    • Trendspotting
    • WE NEED TO TALK ABOUT
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