Category: WE NEED TO TALK ABOUT
For 20 years, Israeli series have demanded attention from global audiences – both in their original form and in the remakes they have inspired. DQ speaks to those behind shows such as Fauda, Prisoners of War and Tehran about their recipes for success.
It marked the emergence of Welsh-language drama on the international stage, but what came next for the makers of Y Gwyll (Hinterland)? DQ speaks to Ed Thomas, Ed Talfan and Gethin Scourfield about their latest projects.
Petra Fried, executive producer of Cheaters, discusses how the shortform drama can help the medium go mainstream, before DQ speaks to the creatives behind three more bitesize series – Hacked, It’s Fine, I’m Fine, and Outlaw.
The winner of three International Emmys in six years, Norwegian broadcaster NRK is pushing a streaming-first strategy for edgy, distinctive scripted series. Head of drama Ivar Køhn tells DQ about its success so far and discusses what’s coming next.
As Star Wars series The Mandalorian paves the way for new technology to shape how TV series are made, DQ looks at the impact virtual production is set to have in the next few years.
Executive producer Alex Kurtzman reveals how one of TV’s most storied franchises was brought back to the small screen in the shape of Star Trek: Discovery and Star Trek: Picard, and how the latter takes the sci-fi juggernaut in a new direction.
Having worked on series including Sex Education, Gentleman Jack and Normal People, intimacy coordinator Ita O’Brien explains why television’s approach to sex scenes has to change.
Adam O’Neill, art director and the chairman of the British Film Designers Guild, tells DQ how art departments have been affected by the current production shutdown and outlines the biggest changes to his on-set role.
In part two of a focus on the effects of the coronavirus pandemic on television drama productions, DQ speaks to three more producers to see how their latest series have been affected and how development has been pushed to the fore.
In the first part of a focus on the effects of the coronavirus pandemic on television drama productions, DQ speaks to three leading producers and writers to find out how they have been affected as filming around the world is put on hold.
While series have a shelf life, some characters become immortal. DQ speaks to a group of writers about how they create the people we watch on screen.
With a number of drama productions from Central and Eastern Europe drawing critical acclaim in recent years, DQ finds out what’s coming next from the region and why it’s ripe for a breakout international hit
DQ speaks to a number of television directors about their latest work and how their role behind the camera is evolving, from working closely with writers to penning and even acting in the shows themselves.
As visual effects become a more prominent – and expensive – part of television, DQ hears about how writers and producers are aiming to meet cinematic standards in high-end dramas and how VFX can enhance storytelling.
Writers Adam Price, Jeppe Gjervig Gram and actor Birgitte Hjort Sørensen made their names on Danish political drama Borgen. DQ finds out what they’ve been up to since and how the series shaped their careers.
It’s been seven years since Netflix first broke into original programming, transforming the way viewers watch drama forever. But how has the arrival of streaming platforms changed the way stories are told? In this special report, DQ explores storytelling in the digital age.
On the back of thrilling series such as De Dag (The Day), Tabula Rasa and 13 Geboden (13 Commandments), Belgium is proving to be the latest global creative hotspot for television drama. DQ hears from those in the business to find out the secret to its success.
There’s more drama than ever – but small-screen storytelling is not just being confined to television. DQ speaks to some of those involved in changing the way drama is made and watched.
International coproductions are nothing new, but as more globally ambitious dramas are emerging, DQ speaks to the producers behind some of these long-distance series to find out how stories spanning multiple countries are made.