Articles about Arte
Emotional baggage
Lost Luggage screenwriter Tiny Bertels and director Nathalie Basteyns reflect on making the Belgian drama, which is set in the aftermath of the real-life Brussels Airport terrorist attack as one woman takes on the task of returning abandoned luggage.
Good to be bad
The creators of Belgian dark comedy Des Gens Bien (Good People) reveal how their follow-up to crime drama La Trêve (The Break) blends thriller and comedy as a couple’s insurance scam spirals out of control.
Faroese fare
As Faroese drama Trom makes its UK debut, the cast and production team behind the series discuss filming challenges, language complications and why Nordic noir is still in demand.
The incredible Hulík
After winning acclaim with Horícï ker (Burning Bush) and Pustina (Wasteland), Czech screenwriter Štěpán Hulík again draws on real-life events to leave viewers asking more questions in four-part drama Podezření (Suspicion).
Breaking the Silence
Director Dalibor Matanić and actor Kseniia Mishina talk to DQ about Šutnja (The Silence), a crime drama based on real events and set between Croatia and Ukraine.
Roped in
Co-creators Dominique Rocher and Eric Forestier discuss their eagerly anticipated three-part drama La Corde (The Rope) and why TV is better in the cinema.
Making Manayek
Israeli drama Manayek won multiple awards this year for its story of a veteran cop working a police corruption case in which his best friend is the prime suspect. Writer Roy Iddan and producer Yoav Gross reveal how they made it.
Slowing down
Director Eric Toledano opens up about producing En Thérapie, the French adaptation of Israel’s BeTipul (In Treatment), and reveals why this quiet series is the perfect antidote to an increasingly fast-paced world.
Fresh territory
Co-creator Maria Feldman and stars Mélanie Thierry and James Purefoy speak to DQ about how No Man’s Land, an eight-part thriller set against the backdrop of the Syrian War, offers a new perspective of the conflict.
Criminal genes
Forbrydelsen (The Killing) writer Torleif Hoppe speaks to DQ about the genre-defining Danish series and how his latest crime drama, DNA, flips the script on its leading detective.
Under the surface
Director Julien Trousselier tells DQ how he added a splash of realism to French sirens-focused drama Une Île (Apnea), the latest in a slew of shows about the mythological beings.
The Lynč effect
What started as a teaching exercise became a landmark coproduction between Czech Television and Arte in the shape of drama series Lynč (The Lynching). DQ speaks to showrunner Harold Apter about creating the Czech show and bringing the US creative process to Europe.
Staying alive
Writer-director Thomas Cailley introduces DQ to Ad Vitam, a French sci-fi thriller in which two detectives are tasked to investigate a mass suicide in a futuristic world in which death has been ‘cured.’
Stars on show
Television held its own at one of the most prestigious film festivals in the world as an array of talent and some stunning new shows landed in Germany for Berlinale’s fourth annual Drama Series Days. DQ was in town to find out more.
Monkey business
Comedy drama Kim Kong retells an unbelievable and compelling true story for French broadcaster Arte. Thomas Bourguignon from producer Kwai Productions tells DQ about the series.
Storm brewing
Borgen creator Adam Price asks the big questions about life and religion in Ride Upon the Storm, his follow-up to the political series for Danish broadcaster DR. He tells DQ what to expect from the show with star Lars Mikkelsen.
France’s finest
From a pair of mystery dramas and the introduction of the ‘female Columbo’ to the story of a film director forced to make a new version of King Kong for a power-mad dictator, French drama is set to enjoy a breakout year. DQ casts its eye over some of the new series coming to the small screen.
Perfect Storm
A family of priests are at the centre of Herrens Veje (Ride Upon the Storm), Danish writer Adam Price’s follow-up to political drama Borgen.
French drama: Vive la revolution
French drama is evolving at an increasing pace, but while broadcasters and producers are widening their international horizons, the most dramatic changes are taking place at home.