Articles about Gaumont
Payback time
Writer Gabbie Asher invites DQ inside The Revenge Club, her Paramount+ series about six strangers who plot revenge on their exes. She discusses the adaptation process behind the show, the nature of modern relationships and the challenge of writing police procedurals.
Paramount+ opens The Revenge Club
FIRST LOOK: Martin Compston, Aimée-Ffion Edwards and Meera Syal lead The Revenge Club, a darkly comic six-part series coming to Paramount+ in the UK & Ireland on December 12, 2025.
BBC settles in for Film Club
FIRST LOOK: Aimee Lou Wood, Nabhaan Rizwan, Suranne Jones and Liv Hill star in Film Club, a romantic comedy-drama debuting later this year on BBC Three and BBC iPlayer.
New Wives tale
The Wives creator Helen Black recalls the journey to making her first original series, explaining how the drama champions female camaraderie and why writers should “hold their nerve.”
Disney+ has designs on Becoming Karl Lagerfield
TRAILER: Daniel Brühl plays the titular German fashion icon in Disney+ drama Becoming Karl Lagerfeld, a series charting friendships, rivalries, betrayals and passions in 1970s Paris.
Channel 5 names The Wives
Jo Joyner, Angela Griffin and Tamzin Outhwaite will lead the cast of Channel 5 drama The Wives.
In the driving seat
Showrunner Eugen Tunik tells DQ how he wanted to look at the Ukraine war from a new angle with In Her Car, in which a therapist takes her clinic on the road to help a number of characters in distress.
Six of the Best: Vanessa Shapiro
Gaumont’s president of worldwide TV distribution and coproduction shares her six favourite series of all time, featuring a mix of US comedies and international dramas.
Tunnel vision
The search for a missing woman takes two police officers beneath the streets of Paris in Canal+ original series Nox. DQ braves the dark to find out more about this six-hour ‘super-movie.’
Measuring success
As technology continues its assault on traditional television models, success is no longer just about overnight viewing figures. So in today’s crowded drama marketplace, what defines a hit – and how are our views of success changing?