West spies Korea opportunities
Netflix has made Korea a priority in its quest for global SVoD domination – and now arch-rival Amazon Prime Video is following suit.
Last week, it was revealed that Amazon had boarded The [email protected], a Korean TV series for 2017 that is based on a popular Japanese game franchise from Bandai Namco.
First mooted in spring 2016, the live-action series is about a group of aspiring female singers trying to establish their music careers. As such, it sits at the crossroads of two Asian obsessions – K-Pop and television drama. The TV drama is a no-brainer given the success of the franchise across various platforms. Since launching in 2005 as an arcade game, The [email protected] has inspired animation and manga versions, as well as live concerts and hit singles. It has also been adapted for digital platforms including smartphones.
The series will stream exclusively on Amazon Prime Video from early 2017 and will be localised into several languages, including Japanese and English.
James Farrell, head of content at Amazon’s Asia Pacific Prime Video, called [email protected] “the perfect combination of Japanese idol culture and Korean drama power. The idols include K-Pop sirens, as well as Japanese and other international singers, and we’re confident fans and viewers alike all over the world will become addicted to watching their careers bloom.”
The news continues a growing trend for global companies to exploit the Korean drama phenomenon. Recently we reported on the fact that NBC Universal participated in the financing of Moon Lovers. And this week South Korean media group CJ E&M has formed a partnership with Warner Bros-owned streamer DramaFever to coproduce local dramas for the international market. Under the terms of the alliance, called Studio Dragon, the partners will produce two original series over next three years.
“Studio Dragon is determined to become Asia’s number-one drama studio. To achieve that goal, we plan to work with industry leaders to provide unrivalled content for audiences,” said Jinnie Choi, president of Studio Dragon.
Away from Korea, US channel Syfy has announced that sci-fi series Killjoys and Dark Matter will both be returning for third seasons. Killjoys, which follows a trio of interplanetary bounty hunters, is produced by Temple Street Productions, the Toronto-based firm behind Orphan Black. The show also airs on the Space channel in Canada. In line with the Syfy announcement, Space revealed that it too would be on board the third season of the show.
In terms of audience ratings on Syfy, Killjoys attracts around 650,000 viewers per episode, which makes it a mid-ranking performer on the network. It’s a similar story for Dark Matter, which comes in at around 690,000 per episode. Interestingly, this positioning and ratings differential is broadly reflected by IMDb rankings, which come in at 7.1 and 7.4 respectively for the two shows.
Syfy has struggled to secure a bona fide hit series in recent times and is shifting towards series with built-in brand recognition. This week, it debuted Van Helsing, a reimaging of vampire mythology in which the central character has been switched from male to female (similar to Wynnona Earp).
There was also news this week about Syfy’s planned Superman prequel. Called Krypton, it is set two generations before the destruction of Superman’s home planet. The show is based on a pilot by David S Goyer and will feature British actress Georgina Campbell.
Last week, we discussed the success of 1980s-set thriller Stranger Things on Netflix and suggested it would only be a matter of time before a second series was greenlit.
In fact, a second season was announced the next day. Created by Matt and Ross Duffer and starring Winona Ryder, season two will debut in 2017 and will consist of nine episodes, one more than season one’s eight episodes.
We’ve also looked at Marvel’s expansion recently. The latest news on this front is that Marvel and ABC Studios are plotting a new series called New Warriors. Although a cable/SVoD home is yet to be found for the show, the plan is for it to be a comedy about a superhero squad made up of teenagers. This will follow a recent trend in the superhero genre towards irreverent franchises including Guardians of the Galaxy, Deadpool and Suicide Squad.
In terms of shows that won’t see a greenlight, the big news of the week is that AMC won’t be bringing back its restaurant drama Feed the Beast. Despite having a cast headed by David Schwimmer and Jim Sturgess, the show attracted pretty modest ratings.
In a statement, AMC said: “We have great respect and admiration for the entire team associated with Feed the Beast and our studio partner, Lionsgate. Unfortunately, the show simply didn’t achieve the results needed to move forward with a second season.”
In number terms, season one of the show averaged around 447,000, making it the second lowest-rating scripted show on the network. Interestingly, the show it beat, Halt and Catch Fire, has been renewed through to season three.
However, AMC clearly decided it couldn’t carry two scripted series on such low ratings. This presents a slight conundrum for AMC, which is that it is heavily reliant on dystopian fantasy/horror series (The Walking Dead, Fear The Walking Dead, Into the Badlands, Preacher) and could do with establishing a different editorial beachhead to appeal to a new audience subset.
Finally, DQ’s sister publication C21 is reporting that Spanish producer Boomerang TV has opened a new scripted production division in Chile. The arm will produce dramas for Chilean broadcasters and follows the arrival of Boomerang in the country in 2014. Veteran Latino producer and former Chilevisión drama chief Vicente David Sabatini becomes fiction director, while Cecilia Stoltze, formerly at TVN, has been named general producer.
tagged in: ABC Studios, Amazon, AMC, CJ E&M, Dark Matter, Feed the Beast, James Farrell, Killjoys, Krypton, Marvel, Netflix, New Warriors, Stranger Things, Studio Dragon, SyFy, The [email protected], Van Helsing