All posts by DQ

Intimate Industry: How intimacy coordinator Sara Green orchestrates sex scenes in the financial drama

Intimacy coordinator Sara Green discusses her role on HBO and BBC drama Industry and reveals how she worked with actors Marisa Abela, Kit Harington and Kiernan Shipka to create a key scene from the show’s fourth season. In a culture quick to question the necessity of sex on screen, Industry has consistently used intimacy not for titillation, but as a fundamental reveal of character, values ​​and power. Season four, episode three (Habseligkeiten) delivers one such provocative and intimate moment – ​​a scene that demanded vulnerability, sensitivity and incredible skill from its actors. While staying with Austrian fascists on a business trip, Yasmin (Marisa Abela) asserts dominance over her husband Henry Muck (Kit Harington) by orchestrating a sexual encounter with Hayley Clay (Kiernan Shipka). Before bed, Hayley stops by Yasmin and Henry’s room to deliver some paperwork. Yasmin notices the smell of Martinis on her breath and invites her inside. What starts as playful tension and loaded looks quickly escalates as Yasmin commands a threesome, claiming it’s what Henry wants but clearly taking charge herself. The scene features a number of sexual actions between Henry and Hayley, while Yasmin watches and instructs, smoking a cigarette. After Henry and Hayley finish, Yasmin herself pleasures Hayley, and we get a devilish cut to Yasmin slurping oysters the next day. As an intimacy coordinator (IC), my first task was to map out the events of the scene to figure out how we’d transition smoothly between sexual actions while using modesty garments and discreet barriers … Continue reading Intimate Industry: How intimacy coordinator Sara Green orchestrates sex scenes in the financial drama →

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Top of the Crafts: Backstage at the BAFTA TV Craft Awards 2026 with winners from Big Boys, Slow Horses, A Thousand Blows and more

Adolescence, Big Boys, Slow Horses, Trespasses, A Thousand Blows and Prisoner 951 were among the scripted series to share the prizes at the BAFTA TV Craft Awards 2026. After the trophies were handed out, DQ was backstage to speak with some of the winners.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Rupert Graves and Samuel Kissous speak up about their collaboration on 5 thriller Missed Call

In 5 series Missed Call, Joanna Scanlan plays a woman searching for her daughter after she vanishes during a trip to France. Fellow star Rupert Graves and executive producer Samuel Kissous tell DQ how they dialled up the tension in this five-part thriller.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Keeping up with Jones: Inside this Agatha Christie-inspired Portuguese whodunnit with creator Bruno Gascon and star Rafael Morais

Portuguese murder-mystery drama Jones introduces a detective who can speak to the deceased in an Agatha Christie-style whodunnit. Creator and director Bruno Gascon joins actor Rafael Morais to tell DQ about putting a fresh twist on a familiar genre, mixing languages and talking to the dead.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

The road to Portobello: Fabrizio Gifuni and Marco Bellocchio tell the true story behind HBO Max’s Italian crime drama

For their fifth collaboration, Portobello, star Fabrizio Gifuni and director Marco Bellocchio chose to dramatise the true story of an Italian TV host at the centre of a miscarriage of justice. They tell DQ about working together, using digital technology and how Gifuni transformed into protagonist Enzo Tortora.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Ahead of the game: DQTV sits down with writer-director John Morton and executive producer Nerys Evans to talk BBC comedy Twenty Twenty Six

In this DQTV interview, Twenty Twelve and W1A creator John Morton and executive producer Nerys Evans reveal how they partnered with Hugh Bonneville’s bureaucratic Ian Fletcher to organise a global soccer tournament in new BBC comedy Twenty Twenty Six.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Hidden Assets writers Mary Fox and Marty Thornton reveal how they dialled up the pressure for season three

With international crime drama Hidden Assets back for a third season, writers Mary Fox and Marty Thornton detail how interview scenes are the show’s “pressure cooker” as they take DQ inside a key scene from episode four.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Japanese series Themis’s Uncertain Court raises the bar for legal dramas

Shintaro Kanbayashi, executive producer of Themis’s Uncertain Court, makes the case for this eight-part Japanese legal drama that centres on a judge with a hidden secret and an unconventional way of determining justice.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Series to Watch: April 2026 – Euphoria, Half Man, The Miniature Wife and more

DQ checks out the upcoming schedules to pick 10 new series to watch this April, from a Handmaid’s Tale sequel and an epic family saga to a Silicon Valley satire and Richard Gadd’s Baby Reindeer follow-up.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Welcome to Kingston-Falls creator Robin Aubert on Québec-set crime drama

Bienvenue à Kingston-Falls (Welcome to Kingston-Falls) writer-director Robin Aubert and producer Isabelle Thiffault preview this darkly comic crime drama and discuss why imperfection is a good thing.

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Hirayasumi: Why this quiet Japanese drama is making some noise

Japanese shortform series Hirayasumi is built on emotion, character and quiet moments of reflection. DQ hears from executive producer Koji Sakabe about making the show, which is based on a manga, and why it might be the series we need in a time of global uncertainty.

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Studio Dragon execs serve up The Legend of Kitchen Soldier

Ahead of the world premiere of Korean drama The Legend of Kitchen Soldier at Series Mania, Studio Dragon chief producers Lee Hye-young and Kim Tae-hoon introduce this genre-bending tale of a man’s journey to becoming an elite army chef.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

DQ100 2026/27 – Part one: Jisoo, David Oyelowo, God of War, Heated Rivalry…

In the first part of the DQ100 2026/27, we pick out a range of shows to tune in for and the actors, directors and writers making them, as well as some of the trends and trailblazers worth catching up with.

ACTORS

Susana Abaitua
The Goya-winning star leads HBO Max’s Spanish drama Infamia, which is based on the novel by Ledicia Costas. In the show, filmed between Madrid and the Basque province of Bisacay, she plays Emma Cruz, a tenacious lawyer in the midst of an existential crisis who becomes obsessed with an unsolved case: the mysterious disappearance of two girls 20 years earlier. What begins as professional curiosity soon becomes a dangerous fixation, fuelled by her own trauma: the tragic death of her sister when they were children, a loss for which she has always felt responsible. In her quest to unearth unspeakable secrets hidden beneath the suffocating and claustrophobic facade of the town, Emma will have to confront her worst demons, while her relentless search will place her in the crosshairs of those willing to do anything necessary to keep the truth hidden. The screenplay is by Manuel Gancedo and Eduardo Torallas, while Agustina Macri (Miss Carbón, Soledad) and Beatriz Sanchís (Nacho, Aquel) direct. Due to air in 2026, the show is produced by Evafilms.

Rosalie Craig
Having fronted the titular rock band in Sally Wainwright’s Riot Women, Craig is now leading a cohort of guest stars joining the cast of BBC drama Sherwood for its third season. Filming in Nottinghamshire, the series returns to the former mining community of Ashfield where the Wood family is the picture of working-class respectability – pillars of the community, volunteers at the local church – with Zoe Wood (Craig), in particular, a passionate campaigner on behalf of her town. When the discovery of a body leads a trail back to her family, the Woods are forced to look back into the past as events conspire to uncover more buried secrets for the family and wider community alike. Joe Dempsie and Kirby Howell-Baptiste are also among the new faces joining James Graham’s series, which is produced by House Productions and distributed by BBC Studios.

Jisoo
A global pop icon as one of the members of K-pop phenomenon Blackpink, Jisoo also established herself as an actor with her breakout role in South Korean series Snowdrop, the story of a man who escaped from a political prison camp in North Korea. She followed up that project with roles in feature films Dr Cheon & the Lost Talisman and Omniscient Reader: The Prophecy, as well as zombie drama series Newtopia. The recipient of this year’s Madame Figaro Rising Star Award at Canneseries, Jisoo will now star in Netflix drama Boyfriend on Demand, a romcom set in the world of virtual reality. In the show, webtoon producer Mi-rae escapes the real world through a simulation programme and finds the boyfriend of her dreams.

Martin Matte
Québécois stand-up comedian and actor Matte has starred in long-running series such as hidden-camera comedy Caméra Café and comedy-drama Les beaux malaises, in which he plays a fictional version of himself. He’s also taken inspiration from his own life for his latest series, Vitrerie Joyal (The Glass House), which he co-writes and stars in as André Joyal, a character based on his father. Here, André is the owner of a glass shop and factory, and attempts to save his declining business while facing up to major family challenges in an ever-changing world. Set in 1990s Québec, the Prime Video series is produced by Encore Télévision and Matte TV for Amazon MGM Studios, with Encore also handling distribution.

David Oyelowo
The Selma, Silo, Lawman: Bass Reeves and Les Misérables star will step into the boots of pirate Long John Silver for a new adaptation of Robert Louis Stevenson’s Treasure Island. Described as a bold, high-stakes coming-of-age adventure series for a new generation, it charts the transformation of teenager Jim Hawkins (Tom Sweet) from sheltered boy to emboldened young pirate. When Jim gets his hands on a legendary treasure map, his mother Bess (Hayley Atwell)’s clever and decisive actions leave him holding valuable knowledge that puts both of their lives in danger. Sailing aboard the Hispaniola, Jim and Bess are then caught between the charming, terrifying pirate Long John Silver and the debonair, duplicitous British agent Aaron Graham (Jack Huston) as Jim confronts a world far more complex and dangerous than he ever imagined. The Paramount+ (UK & Ireland) and MGM+ (US) series is produced by Playground, with Fifth Season distributing.


DIRECTORS

Stefan Golaszewski
A writer who got his big break with comedy Him & Her and Mum, two-time Bafta winner Golaszewski stepped into directing his own work on his second major series, Mum, which starred Lesley Manville as a widow attempting to rebuild her life while surrounded by her problematic family. He then wrote and directed all four episodes of Marriage, which follows Sean Bean and Nicola Walker as a couple dealing with the ups and downs of their 30-year marriage. His latest project is six-parter Babies, which he writes and directs. It maintains Golaszewski’s slow-burn, funny, moving and bittersweet approach to storytelling, this time focusing on a couple in their 30s whose hope is tested when they suffer a series of devastating miscarriages. Starring Paapa Essiedu and Siobhán Cullen, it is produced by Snowed-In Productions and The Money Men Studios. All3Media International distributes.

Sam Miller
Miller (A Gentleman in Moscow, Luther) is reuniting with previous DQ100 entrant Michaela Coel on the actor and writer’s latest project, First Day on Earth, following their collaboration behind the camera on her acclaimed drama I May Destroy You. Commissioned by the BBC and HBO, First Day on Earth stars Coel as British-Ghanaian novelist Henri, who is on the run – from herself, her life, her partner and that weird guy at her book talk. When she ends up in Ghana, her ancestral homeland, she finds herself submerged in an altogether different world. Amid new friends, fresh joy and many different and nuanced relationships, Henri also finds secrets, lies, difficulty and denial – leading her to question everything about herself, her heritage and her family. Created and written by Coel, it is produced by Various Artists Limited and FALKNA, in association with A24. The cast will also include Thandiwe Newton, Maxine Peake, Danny Sapani and Ncuti Gatwa.

Davíð Óskar Ólafsson
Ólafsson (The Valhalla Murders, Trom) directs Hollywood stars Leslie Bibb (The White Lotus) and Anna Chlumsky (Veep) in Cold War thriller Top of the Rock, which is set to be filmed in Iceland later this year. Set in 1983, amid escalating paranoia, the series follows Captain Diane Goodman (Bibb), a US Military Police investigator, and MP Sarah Ellis (Chlumsky), both stationed at the NATO base in Keflavík, after an American soldier is found dead under suspicious circumstances outside the base. Forced to work closely with the Icelandic police, Goodman and Ellis uncover a web of espionage, betrayal and political deceit. Trapped between duty and diplomacy, they must navigate a dangerous network of secrets before more lives are lost. The series comes from Truenorth, Mystery Productions and Vertu. Ólafsson created the series with Jón Atli Jónasson (Arctic Circle) and co-creator Ragnar Jónsson (Black Sands), and directs all six episodes.

Esra and Patrick Phul
The married writer-directors are behind fantasy-drama series All Heroes Are Bastards, an action-packed, stylistic series set in a futuristic, radically divided Cologne, with deepening social division that targets migrant communities. Malik, Dina and Hamza are three unlikely heroes who discover a mysterious artefact that grants them extraordinary powers. When children are suddenly taken from their neighbourhood and separated from their families, the trio join forces to find and rescue them. At the same time, they are forced to confront systemic oppression – and choose between personal revenge or becoming the last hope for a community fighting a corrupt regime. The cast includes Kebir Sargin, David Mayonga, Funda Bostanlik and Pegah Ferydoni. The show is produced by Picture Me Rollin and bildundtonfabrik for ARD Degeto Film in Germany, with Global Constellation holding global distribution rights.

Lea Thompson
Thompson is best known as an actor, most notably for playing Lorraine McFly in the Back to the Future trilogy and for leading roles in Caroline in the City and Switched at Birth. She has also been a director for more than 20 years, but directs a series pilot for the first time with her new project. It’s also a deeply personal job for Thompson, who had been developing crime drama Anna Pigeon, based on the novels by Nevada Barr, for a decade before USA Network and Canada’s Bell Media commissioned a 10-part series. Tracy Spiridakos plays Anna, a former city slicker who leaves her job as a New York theatre stage manager to become a park ranger after a devastating loss changes her life forever. As Anna tries to outrun her demons, her focus turns to solving crimes that have taken place within national park grounds, no matter who or what gets in her way. Cineflix, December Films and Seven24 Films are producing, with Cineflix Rights handling international distribution.


WRITERS

Ole Bornedal
The Nightwatch and 1864 writer-director has boarded The Sound, a series adaptation of Conny Palmkvist’s Second World War novel The Elsinore Crossing. Bornedal will develop the script from the book’s real events to blend 1940-43 occupation history with a storyline set in 2010. The Sound follows journalist Neville Parker, who arrives in Helsingør in 2010 to report on a forgotten 1964 Hamlet production at Kronborg Castle, only to uncover the story of unknown 92-year-old Christian Larsen, a former policeman, whose diaries reveal his pivotal role in Denmark’s extraordinary 1943 civilian rescue of  95% of its Jewish population by rowing them across to Sweden. In 1943, a group of four ordinary men – a bookbinder, a police officer, a rookie cop, and a journalist – masterminded 142 perilous nighttime crossings of the Øresund Strait, ferrying refugees to safety. The show is produced by Finite Films & TV in association with Shoni Productions.

Chris Brancato
He’s investigated Narcos, met the Godfather of Harlem and stayed at Hotel Cocaine. Now US showrunner Brancato is heading back in time to 1980s New York for The Westies, a crime drama revolving around the city’s infamously violent Irish gang of the same name. When the construction of the Jacob Javitz Convention Center on the Westies’ home turf in Hell’s Kitchen promises a financial windfall, the Westies’ legendary brutality and cunning have given them the leverage necessary to share the spoils through a fragile détente with the Five Families of the Italian Mafia. But internal conflict between the brash younger generation and the old-school leadership threatens to set a match to this powder keg, which will sweep the Westies into the FBI’s ever-deepening investigation into the mafia. Brancato created the series with Michael Panes for MGM+, which will air it in the US, UK, Germany, Italy, Spain, the Netherlands, Belgium, Brazil, Mexico, Chile and Colombia. Fifth Season has global distribution rights.

Damon Lindelof
The Leftovers creator is back in the showrunner’s chair for the first time since HBO’s 2019 graphic novel adaptation Watchmen with his latest project The Chain, an adaptation of Adrian McKinty’s novel of the same name. Also for HBO – the first project under the two-year overall deal he signed with the network in September 2025 – it is said to be an expansion of the book that follows a mother who is told the only way to recover her kidnapped child is to abduct someone else’s. Media Res is producing. Lindelof is also one of the co-creators behind HBO’s upcoming Lanterns, based on the DC Comics Green Lantern characters Hal Jordan (Kyle Chandler) and John Stewart (Aaron Pierre). Global peacekeepers with rings that give them extraordinary powers, veteran Lantern Hal and new recruit John investigate a murder in Nebraska, leading them into a dark mystery. Lanterns is due to premiere this August.

Caroline O’Donoghue
Irish author and columnist O’Donoghue is bringing her own novel, The Rachel Incident, to Channel 4, writing all eight episodes of a story about friends, lovers and Ireland in chaos – and a young woman desperately trying to manage all three. In Cork in 2010, Rachel (Máiréad Tyers) is a student working at a bookstore when she meets James (Ellis Howard), and it’s love at first sight. Effervescent and insistently heterosexual, James soon invites Rachel to be his roommate, and the two begin a friendship that changes the course of both their lives forever. When Rachel admits to a huge crush on her married professor, Dr Fred Byrne (Daniel Ings), James helps her devise a launch for his new book at the store, with the hope that she might seduce him afterwards… But Fred, as it turns out, has other desires. So begins a series of secrets and compromises that intertwine the fates of James, Rachel, Fred, and Fred’s wife Deenie (Sarah Greene), an incredibly cool and well-connected literary editor. UCP is producing with Element Pictures, in association with Pageboy Productions. NBCUniversal Global TV Distribution is handling international sales.

Ava Pickett
How to Get to Heaven from Belfast and The Great writer Pickett is adapting her award-winning stage play, 1536, as an eight-part, 30-minute series for the BBC. Set in the heart of Tudor England against the backdrop of Anne Boleyn’s arrest, it centres on Anna, Mariella and Jane: three young women gossiping, arguing and dreaming in an Essex village, desperately waiting for their lives to start. When the news reaches them that King Henry VIII has had his Queen, Boleyn, arrested, the three women never suspect this event will change their lives forever as they try to hold on to their friendship while navigating marriage, relationships, betrayals and births against a rising tide of puritanism and misogyny. Drama Republic is producing.


SERIES

Careless
A gripping and provocative thriller commissioned by Australia’s Stan, in association with the UK’s Channel 4, Careless follows Scottish backpacker Robbie (Solly McLeod) in Sydney, where he becomes the live-in carer for a notorious rock ‘n’ roll legend. But as he grows closer to Mike (Richard Roxburgh), he also grows closer to Mike’s wife Angela (Robyn Malcolm) and becomes their confidante. Soon, it becomes clear there’s something in Robbie’s past that means Mike and Angela could be in serious danger. Created by Helen Fitzgerald and Louise Fox, the series is produced by Easy Tiger Productions and Synchronicity Films. All3Media International is the distributor.

God of War
Ryan Hurst and Callum Vinson play Kratos and Atreus respectively in this live-action adaptation of the hit, ancient mythology-themed PlayStation title of the same name. The story follows the father-and-son pair as they embark on a journey to spread the ashes of wife and mother Faye. Through their adventures, Kratos tries to teach his son to be a better god, while Atreus tries to teach his father how to be a better human. The ensemble cast also includes Mandy Patinkin, Ed Skrein, Max Parker, Ólafur Darri Ólafsson, Teresa Palmer, Alastair Duncan, Jeff Gulka and Danny Woodburn as Brok. With a two-season order and Ronald D Moore (Outlander, Battlestar Galactica) showrunning, God of War is coproduced by Sony Pictures Television and Amazon MGM Studios in association with PlayStation Productions and Tall Ship Productions.

Morfeusz (Morpheus)
This action drama is the latest Polish series coming to European streamer SkyShowtime. It centres on Piotr Leyer, a lawyer who, through a tragic twist of fate, becomes the head of a criminal gang. When he assumes control of the organised crime group previously led by his brother – and before that, his father – it quickly becomes clear that the young Leyer fits remarkably well into the brutal world of crime. The cast is led by Andrzej Grabowski, Kamil Szeptycki, Mateusz Kmiecik and Sylwia Gola. Morpheus is directed by Maciej Migas and written by Michał Wawrzecki. TFP produces.

Royal Blood
Expected to begin shooting in early 2027, this epic royal drama is set to portray the dramatic power struggles between the Scandinavian royal houses during a time of profound geopolitical upheaval from 1807 to 1814. As Europe’s great powers collide, the series follows a small group of ambitious figures in Denmark, Norway and Sweden forced to navigate desire, loyalty, identity and ambition in a world where every personal choice carries national consequences. Produced by Miso Film, the six-part miniseries is the first ever scripted project backed by TV2 Norway, TV4 Sweden and TV2 Denmark, also known as the Scandi Alliance. It has been created by Nanna Westh, Erik Richter Strand, Monica Boracco and Katarina Launing, with Westh and director Strand as head writers. Fremantle is handling distribution.

The House of the Spirits
A magnificent family saga, this Chilean drama is the first Spanish-language television series based on the novel of the same name by Isabel Allende. Blending a multi-generational tale of a family living through the 20th century with elements of magical realism, The House of the Spirits centres on Clara, Blanca and Alba as they deal with family, secret loves and bloody revolution in a conservative South American country shaped by class struggle, political upheaval and magic. The Trueba family’s passions, struggles and secrets span a century of violent social change, culminating in a crisis that hurls proud, tyrannical patriarch Esteban and his beloved granddaughter Alba towards opposite sides of the fence. The show had its world premiere at the Berlin International Film Festival this year and is produced by FilmNation Entertainment with Fabula for Prime Video.


TRENDS & TRAILBLAZERS

Detecting new drama
Dalziel & Pascoe and Lovejoy are among the British crime series being rebooted for modern audiences. Kerry Godliman and Nina Singh (pictured) will take the title roles in Dalziel & Pascoe, an ITV and BritBox crime drama that is a reimagining of the 1990s detective drama based on the books by Reginald Hill. The series centres on the relationship between seasoned Detective Inspector Andrea Dalziel (Godliman) and the newly qualified, by-the-book perfectionist Detective Sergeant Paige Pascoe (Singh). Despite their clashing methods, Dalziel and Pascoe work together to form a formidable partnership underscored by humour, heart and humanity. West Road Pictures is producing the six-part series, which is filming in the North of England in spring 2026. All3Media International is the distributor. Meanwhile, Slow Horses producer See-Saw Films has picked up the rights to Dr John Grant’s Lovejoy detective novels with a view to bringing the titular character back to the screen. A BBC Lovejoy series ran from 1986 to 1994, famously starring Ian McShane as the charismatic antiques dealer with an almost mystical knack for spotting genuine artefacts and scams.

Emergencia 53 (Emergency 53)
Due to air later in 2026 on Brazil’s Globoplay, this medical series claimed the first ever Studio Babelsberg Production Excellence Award at February’s Berlinale Series Market in recognition of its diverse cast and its “vibrant and complex” setting – one deeply rooted in the reality it portrays. Created and produced by Conspiração, it follows the daily lives and challenges of professionals working in a special mobile emergency response unit. It was created by Claudio Torres, Márcio Maranhão and Andrucha Waddington, who also shares directing duties with Torres. The screenplay is written by Torres and Fábio Mendes, while the cast includes Valentina Herszage, Heloisa Jorge, Yara de Novaes, Emílio Dantas, Ana Hikari, Jaffar Bambirra, Raquel Villar, William Nascimento and Emílio de Mello, with a special appearance by Fernanda Montenegro.

Erotic thrillers
TV is getting hot and steamy, with a raft of erotic thrillers spicing up the small screen. After a series based on the 1987 film Fatal Attraction aired on Paramount+ in 2023, starring Joshua Jackson and Lizzy Caplan (pictured), upcoming shows in the genre include Teach Me, a Peacock series in development with Mandy Moore as a teacher who wields power over an impressionable but unreliable student; Hancock Park, a Netflix development project with Bridgerton’s Regé-Jean Page starring as charismatic outsider who invades the lives of a seemingly picture-perfect LA family; Dangerous Liaisons, a contemporary take on the 18th century novel being worked up by Nicôle Lecky (Mood) for Netflix; and Night Float, a drama adapted by Lila Raicek from her own play, Vertebrae, starring Nina Dobrev as a woman who becomes entangled with an older man.

Heated Rivalry
In the age of streaming, Heated Rivalry (also pictured top) is proof – if any were needed – that it is still possible to have a bonafide word-of-mouth smash hit, with this series conquering the globe since its release on Canada’s Crave and HBO in the US in November 2025. Based on Rachel Reid’s novel Game Changers, the romantic drama is set in the world of professional ice hockey, where rivals Shane Hollander (Hudson Williams) and Ilya Rozanov (Connor Storrie) are two of the biggest stars, bound by ambition, rivalry and a magnetic pull neither of them fully understands. But what begins as a secret fling between two fresh-faced rookies evolves into a years-long journey of love, denial and self-discovery as the pair chase glory on the ice while struggling to navigate their feelings off it. Produced by Accent Aigu Entertainment, it is distributed internationally by Sphere Abacus.

Law & Order
It’s not even the longest running series in the storied franchise, but the original Law & Order series reached a major milestone when it returned for its 25th season in the 2025/26 US network season. From creator Dick Wolf, the show became familiar for its trademark cold open, during which a crime is discovered, before a pair of detectives investigate the case and then prosecutors attempt to secure a conviction. Each scene, of course, is punctuated by the show’s now familiar “dun, dun” sound effect. Starring George Dzundza, Chris Noth and Dan Florek, Law & Order debuted on NBC in 1990 and ran for 20 seasons until 2010, before it was pulled from the schedules. It was then revived in 2022 and now continues to air alongside spin-off Law & Order: SVU (airing since 1999) and Law & Order: Organised Crime (since 2021). The 25th anniversary was marked in January 2026 with a special two-hour crossover event with SVU.

tagged in: , , , , , , , , , , , , , , , , , , , , , , ,

Esra and Patrick Phul explain why All Heroes are Bastards in German drama

German writers, directors and producers Esra and Patrick Phul tell DQ about their journey from YouTube to television and how they used true stories and their own background to craft their latest series, the superpowered genre drama All Heroes are Bastards.

Upcoming German fantasy drama All Heroes are Bastards opens with a bold and thrilling animation sequence that outlines the background to this dystopian series.

In the alternative world of the show, Cologne has been radically divided by the Rhine river, with immigrants marginalised on one side. They are banned from using or carrying cash, certain books are forbidden and their daily lives are controlled by a suffocating Homeland Command police force.

When children are suddenly taken from their neighbourhood and separated from their families, three unlikely heroes – Malik, Dina and Hamza – uncover an artefact that gives them superpowers. The trio then join forces to find and rescue the children, while at the same time being forced to confront systemic oppression – and choose between personal revenge or becoming the last hope for a community fighting a corrupt regime.

The series is the latest project from married creative duo Esra and Patrick Phul, who are continuing to build a reputation for genre storytelling blended with socially relevant themes that lean into their immigrant heritage.

Following on the heels of their Grimme-Preis-winning debut series, 2022 rap musical Hype, the YouTube creators turned TV writers, directors and producers are feeling the weight of – and enjoying – the audience expectation this time around.

“When we did Hype, nobody knew us. That was our first show, and we haven’t studied film so we have never really been part of the film industry in Germany,” Patrick tells DQ. “Now, with our second series, we are part of the industry and people know what we’re doing. They know us and they’re hyped about our new series.”

“It’s also a very special TV show,” Esra says. “It’s in the superhero genre, which is very rare in Germany, and I would say there is nothing like ours. That’s why people are excited, because they cannot believe there’s a superhero series coming from Germany.”

Patrick started filming and editing videos when he was 15, before teaming up with Esra to make content for YouTube. But though it was always his “dream” to make a big-budget series for television, “it always seemed so far away, almost impossible.”

Patrick and Esra Phul

“Especially in Germany,” says Esra, “because when you look at the industry, at the people who actually make movies, they’re completely different from us. Most of them don’t have an immigrant background, and we also come from an area which is poor and it’s very expensive to enter the film industry and study. For us, it was like, ‘Yeah, that would be cool,’ but we never dreamed of it because we thought it was impossible for us.”

Even when they set out to make Hype, they imagined it for YouTube. But with support from contacts at radio station Cosmo, the five-part series was picked up by German regional broadcaster WDR and aired on the national network Das Erste – before being acquired by Netflix and later winning that prestigious Grimme-Preis award.

Produced by the couple’s Picture Me Rollin label with Eitelsonnenschein and Cosmo, Hype tells the story of an aspiring rapper and a successful influencer as they attempt to escape the trappings of their deprived neighbourhood to pursue their dreams.

In making a full series, the creators had to learn how to work with a big team, having partnered with just a few friends when making their YouTube content. “We didn’t know all the positions or who did what. This is the main thing we learned, and how the industry works,” Patrick says.

“And I have to say, a lot of people also learned from us, because we made these things differently, which leads to the fact that we were able to produce a show that looks very high quality with less money,” Esra says. “People were always like, ‘No, that’s not gonna work,’ and we were like, ‘That’s how we do it, with no money. It has to work.’ So we learned from them and they learned from us.”

When it comes to storytelling, the pair are keen to share their perspectives of the world around them. They are both German-born Muslims who come from immigrant backgrounds – Esra is Turkish, Patrick is Mexican.

“In Germany, there’s always the same perspectives told, the same voices and the same stories, and we cannot identify ourselves in these movies or series,” Esra says. “We want to give our people the voice and the space to show what we struggle with in this country, and that’s what we are telling in our series.

“There’s also the thing in Germany when there are stories about people like us, about people from our community, it’s always shown from the other perspective. We are always portrayed like criminals, which affects our life in society dramatically. ‘My people are dying on the street.’ ‘The police are attacking our people.’ Movies like that have an impact on society, and we feel a responsibility to portray our people like we really are. While others show us as criminals, we show our people as superheroes, because that’s what we are.”

The idea behind All Heroes are Bastards emerged from news reports from Germany and around the world that left them feeling “powerless.” “We feel like somebody has to be there to rescue us, so we came up with the idea to make a show with a superhero who helps us with all these problems, with police brutality, with wars going on, the press talking bad about us,” Patrick says, “and we invented the story of these three superheroes who are facing the same problems we are facing, but they have the power to resist and make changes.”

“We built a world where we are not so powerless,” adds Esra.

All Heroes are Bastards centres on a superpowered trio hoping to rescue missing children

In fact, the idea of children disappearing was based on real-world reports of Muslim children being taken from their families by German authorities. They then came up with four characters who would gain superpowers after coming into contact with an ancient artefact – three heroes and the show’s main antagonist.

“Our main superhero can control electricity. Then we have someone who controls gravity. She stops bullets, for instance,” Esra says. “We have someone who can change her appearance, and the antagonist has the power of illusion, so she’s manipulating what others are seeing.”

Those weren’t always the powers entrusted to the characters, however, with Patrick and Esra considering numerous other abilities as they wrote the scripts for the six-part series. It is produced by their Picture Me Rollin and bildundtonfabrik (How to Sell Drugs Online (Fast), Pauline) for ARD.

Due to debut this fall, All Heroes are Bastards was screened last month as part of the Berlinale Series Market during the Berlin International Film Festival. It is distributed globally by Global Constellation.

“We didn’t know what was possible [to shoot] with special effects,” Esra says. “But when we found our coproduction partner, which has huge post-production and special effects departments, they were like, ‘Everything is possible, we won’t say no to anything.’”

“Actually, in the writing process, it wasn’t that important which superpowers they would have,” Patrick notes, “because we always focus on the plot, the story, the characters and the emotions. The superpowers always changed a little bit because they weren’t that important – but they are important for the entertaining stuff and the action scenes.”

“The strength of our show is that we are very character-driven and it’s very emotional,” Esra adds. “It’s also important for us to have funny moments, because there are very hard topics, so we let the people have some relief. That is more important than the superpowers.”

Writing the show together, they first focused on which scenes they wanted to see and why they were important. They then built the plot around those scenes. “Because at the end, this is what will stay in mind when people leave the show,” Esra said. “We also had other writers who came in at the last step and supported us. While we were in pre-production, as we were also involved as producers and directors, we needed help because we couldn’t do it all. We also have two kids!”

That means they often take their work home with them, “but it’s with a passion,” says Esra. “We love to talk about our series, our scripts and our characters. It’s fun. We also had these conversations when we were making YouTube just for fun. Now it’s our job. That’s the only difference.”

However, Esra admits she “hates” writing. “At the beginning it’s fun, but at a certain step, I’m like, ‘OK, I’m out. I don’t want to write anymore.’”

Then when it comes to directing, she often focuses on the actors and their performances, while Patrick will be behind the camera establishing the look of the show. They also put a lot of emphasis on rehearsals, as they like to cast actors who have never worked on a set before.

The cast is led by Kebir Sargin (also known as Sero El Mero), who makes his acting debut, alongside David Mayonga (Girl You Know It’s True), Funda Bostanlik (Cinayet-I Ask) and Pegah Ferydoni (A Murder at the End of the World).

“Casting is very important. We cast it ourselves in our office. We always look on social media, and we had a casting call where we invited people to send casting videos,” Esra says. “I would say we’ve found a lot of people who had never acted before who have talent. That’s what people always tell us, that we have an eye for talent. I think that’s true.”

Asked about achieving the look of the show, the pair praise DOP Mahmoud Belakhel, who previously worked with them on Hype and listened to the references and examples they gave him before offering his own ideas. “He’s like, ‘Say no more. I know what you mean,’” says Esra. “He’s also like us, with so much passion behind his work.”

With a limited budget, supported by ARD, the Film- und Medienstiftung NRW and the German Motion Picture Fund, they found that decision-making was key. “During the whole process, it’s all about decisions,” Esra says. “It is very important that we are also executive producers, because we can make these decisions. We don’t have to ask someone else. Normally the producer comes and says, ‘Hey, it’s nice that you want to have this, but you cannot have it.’ Then we have to talk and we decide, and we have the power to make the final decision – and this is important. This made a lot of things better. The power of decision-making is in our hands. That’s why we have such a great show.”

Like Hype, All Heroes are Bastards is shot in Cologne, centring on the Porz neighbourhood where they live in order to showcase parts of the city that aren’t often seen on screen.

“When a show’s about Cologne, they show the tourist places. But we show the hood, where we came from,” Patrick says. “We are proud that we are from there. A lot of people who succeed, they leave the city or leave our hood. But we were like, ‘No, we’re building our office there,’ and we stay there, near to the people. The shoot was actually in front of our office.”

Now considering their next move, Esra and Patrick say they would never write scripts for other people, as they would always want to direct their own scripts. But they would consider directing for others if the right project came along. For their next project, they’re developing a feature film they hope will be the first Ramadan movie, a “positive family romcom” in the same vein as a Christmas film.

“There’s globally no Ramadan movie with positive vibes, and that’s what we want to do. A romcom during Ramadan,” Esra says.

As for the advice they would offer other content creators looking to step into the television and film industry, “connection is everything,” Esra notes. “Networking is everything. It’s not about what you can do or what your talent is. It’s about who you know. It’s really like that.”

Patrick adds: “Also, think big, because we used to think small back in the YouTube days, and then somebody opened the door and now we always think big, because we know everything can be possible. So think big and try to connect with people.”


Like that? Watch this! Suggested by AI, selected by DQ

Dogs of Berlin: Two very different detectives investigate the murder of a Turkish-German football star, plunging into a Berlin underworld of neo-Nazis, gangs and institutional racism that threatens to tear the city apart.

4 Blocks: A Lebanese-German clan boss in Berlin desperately tries to go legit, but a police informant, family loyalty and racist policing drag him deeper into a fight for his community’s survival.

Misfits: After a freak storm, young offenders doing community service develop dangerous powers that reflect their social anxieties, forcing them to decide whether they’ll remain outcasts or become deeply flawed protectors.

tagged in: , , , , , , , ,

Series to Watch: March 2026

DQ checks out the upcoming schedules to pick 10 new series to watch this March, from meeting a young Sherlock Holmes and a group of Imperfect Women to a British cat-and-mouse thriller and the arrival of Jo Nesbo’s Harry Hole.

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

High Spirits

As La casa de los espíritus (The House of the Spirits) has its world premiere in Berlin, Spanish star Nicole Wallace opens up about starring in this adaptation of Isabel Allende’s novel, the success of the Culpables feature films and her talent deal with Prime Video.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Series to Watch: Berlinale 2026

Ahead of the 2026 Berlin International Film Festival, which begins tomorrow, DQ puts the spotlight on five series that are set to premiere in the German capital.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Knight school

A Knight of the Seven Kingdoms showrunner Ira Parker outlines his approach to leading this latest Game of Thrones spin-off, the relatable adventures of its central characters and casting its leading duo.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Series to Watch: February 2026

DQ checks out the upcoming schedules to pick 10 new series to watch this February, from a British spy drama and a New Zealand true crime parody to the new series from Derry Girls creator Lisa McGee and the eagerly anticipated adaptation of William Golding’s Lord of the Flies.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo

Prize plots

As the winner of the Nordic Series Script Award 2026 is announced, read DQ’s interviews with the writers behind all five nominated shows: Jag for ner till bror (My Brother), Ølhunden Berit (A Better Man), Queen of Fucking Everything, Reservatet (Secrets We Keep) and Vigdís.

 

Drama Quarterly subscriber content

Subscribe to Drama Quarterly and stay up to date with the shows you love and the stories behind them HERE

(Subscriptions cost just £7.50/month or £75/year)

Existing subscribers can log in HERE.

Drama Quarterly Logo