Articles about HBO
Lasting impression
VFX supervisor Stephen James discusses effects studio DNEG’s work on HBO drama The Last of Us, revealing how buildings were destroyed and vegetation grown to create the show’s post-apocalyptic setting.
Breakthrough Baftas
A host of first-time winners were crowned at this year’s Bafta Television Craft Awards. DQ was there to speak to winners including Derry Girls’ Lisa McGee, This is Going to Hurt writer Adam Kay and some of the creatives behind House of the Dragon.
Tourist trail
Australian actor Danielle Macdonald looks back on making Outback-set thriller The Tourist and reveals how she moved to LA as a teenager to follow her acting ambitions.
Staging a Reunion
Six-part mystery thriller The Reunion sees old friendships pushed to extremes by 25-year-old revelations. Director Bill Eagles tells DQ about helming this European production, working with two sets of actors and why he doesn’t want to be typecast.
Rise to the Throne
Ryan Condal, co-creator of House of the Dragon, reveals how he breathed life (and fire) into the eagerly awaited Game of Thrones prequel, which focuses on the Targaryen family 200 years before the events of the original series.
Road to nowhere
Spanish drama Cómo mandarlo todo a la mierda (How to Screw it All Up) follows a group of friends searching for freedom on a spontaneous road trip. Creators Jaime Olías and Pablo Sanhermelando talk risk-taking and speaking to Gen Z with the HBO Max series.
Bringing up The Baby
Lead director Nicole Kassell discusses making Sky and HBO comedy horror The Baby, the show’s mash-up of genres and why it gave her the hardest challenge of her career.
Telling tales
Writer and director Balint Szentgyörgyi discusses the political and cultural influences that inspired A besúgó (The Informant), HBO’s 1980s-set Hungarian thriller about a student living a double life as a government spy.
Job Description: Composers
Composer brothers Rupert and Harry Gregson-Williams discuss their work together on HBO period drama The Gilded Age and reveal how they sought a modern sound for a story set in 1880s New York.
Job Description: Production designer
Bob Shaw takes DQ into the world of HBO’s The Gilded Age and reveals how his own interest in US history helped him build the world of Downton Abbey creator Julian Fellowes’ latest period drama.
Girl power
The Girl Before star Gugu Mbatha-Raw and executive producer Eleanor Moran take DQ inside the making of this psychological thriller and reveal how the actor helped to cast the miniseries in her first producer role.
Making Manayek
Israeli drama Manayek won multiple awards this year for its story of a veteran cop working a police corruption case in which his best friend is the prime suspect. Writer Roy Iddan and producer Yoav Gross reveal how they made it.
Job Description: VFX Supervisor
Emmy-nominated VFX supervisor Justin Mitchell breaks down his work on The Nevers, HBO’s fantasy drama set in Victorian London, and explains how new technology will shape television production for years to come.
Having a Mare
Brad Ingelsby, creator and writer of Mare of Easttown, and director Craig Zobel break down the HBO crime drama and its titular character, a woman celebrated for former glories but now facing up to personal and professional crises.
Bier’s craft
Danish director Susanne Bier opens up about her film and television career, winning an Oscar and working with Nicole Kidman on HBO thriller The Undoing.
Acting royalty
Oscar winner Regina King, fresh from directing her first feature film, shares some of the moments that have inspired her movie and television career, which includes The Leftovers, American Crime and Watchmen.
Who’s who
Acclaimed film director Luca Guadagnino discusses his first TV series, We Are Who We Are, a coming-of-age story about two American teenagers living on a US military base in Northern Italy.
Dark days
Executive producer Jane Tranter and writer Jack Thorne explain why the second season of Philip Pullman adaptation His Dark Materials has a different feel from the first and discuss the pitfalls of bringing the beloved book trilogy to the screen.
Summoning daemons
Russell Dodgson, VFX supervisor on BBC and HBO fantasy drama His Dark Materials, discusses his team’s Bafta-winning work to create a world filled with dozens of fantastical animals.
The real Westworld
Having worked on all three seasons of HBO’s Westworld, location manager Mandi Dillin talks to DQ about finding the real-world settings used in the science-fiction epic.