Articles about Acorn TV
Hidden details
Hidden Assets star Angeline Ball discusses her leading role in this crime drama set between Ireland and Belgium and reveals how she uses Pinterest to create the world of the characters she plays.
Job Description: Costume designer
Iain Macaulay tells DQ about his work as costume designer on Agatha Raisin as the series, about the titular amateur sleuth, returns for a fourth season.
Blanc canvas
Actors and co-writers Sally Lindsay and Sue Vincent share their experience of creating Channel 5 and Acorn TV drama The Madame Blanc Mysteries, explaining how they came up with its characters and tackled multiple languages on screen.
Seaside noir
Scandi noir meets the English seaside in Whitstable Pearl, a murder mystery series based on Julie Wassmer’s novels. The author, series creator Øystein Karlsen and executive producer Tony Wood tell DQ about making the six-part drama.
Smooth sailing
Buccaneer Media joint CEOs Tony Wood and Richard Tulk-Hart tell DQ about the creative ethos behind the Marcella producer, with contributions from writers Irvine Welsh, Julie Wassmer and Hans Rosenfeldt.
Serial killer
Acorn TV’s London Kills will quench audience thirst for the kind of episodic, procedural storytelling that is now overshadowed by long-running serialised dramas, claim writers Paul Marquess and Sarah-Louise Hawkins plus Robert Franke of distributor ZDF Enterprises.
Raisin’ the dead
With cancelled comedy-drama Agatha Raisin set to be brought back to life on US streamer Acorn TV, star Ashley Jensen discusses what makes the show special.
A busy August in Edinburgh
The Edinburgh International TV Festival has become a major platform for news about new British drama, while Turkey’s The End is getting another remake.
Nordic drama in good company
The ‘Nordicisation’ of global drama continues with Nevision’s support for new series Midnights, while BBC3 makes its first online drama acquisitions and Amazon picks up AMC’s Preacher.
Out with the new, in with the old
As more original dramas are produced than ever before, DQ finds there’s still a place for classic series to find new audiences.