USA Networks reboots Mr Robot
NBC Universal cable channel USA Networks did a strange thing this week. It commissioned a second season of cyber-hacker drama Mr Robot before the first season has even begun.
It’s not unusual for channels to renew dramas after a few episodes of the first season have aired, when they have had a chance to crunch the audience data, but why did USA Networks act so precipitously?
The answer is that it had already released a sneak preview of the pilot online. Since May 27, it has been available via Xfinity On Demand, USANetwork.com, Hulu, YouTube, iTunes, Amazon Instant Video, Google Play, Vudu, Xbox Video, PlayStation Video, IMDb and Telemundo.com, to name just a few.
The result was a very impressive 2.7 million views and a positive critical response. It was on this basis that USA decided to greenlight an additional 10 episodes for 2016.
“We knew from the moment we read Sam Esmail’s provocative script, and witnessed the brilliant performances of Rami Malek and Christian Slater, that Mr Robot is a stand-out series that is unlike anything currently on television,” said USA Network president Chris McCumber, announcing the renewal.
“The overwhelmingly positive fan reaction to the pilot and the broad sampling of it reaffirms our confidence in the series, and we’re excited to see where this drama will take us for season two.”
The show, for those yet to view it, sees Malek play a computer programmer who is a cyber-security engineer by day and a vigilante hacker by night. He finds himself at a crossroads when the leader of an underground hacker group recruits him to destroy the firm he is paid to protect.
“Sam Esmail has captured and distilled our ongoing cultural conversation about identity, privacy, value and self-worth,” said Jeff Wachtel, president and chief content officer at NBCUniversal Cable Entertainment. “We are all talking about the central themes of Mr Robot – Sam has just done it in a completely original and uniquely compelling way.”
Elsewhere in the NBC Universal family, flagship free-to-air network NBC announced this week that it had cancelled Hannibal, the Silence of the Lambs spin-off that is currently in its third, and now final, season.
In a statement, NBC said: “We have been tremendously proud of Hannibal over its three seasons. (Showrunner) Bryan Fuller and his team of writers and producers, as well as our incredible actors, have brought a visual palette of storytelling that has been second to none in all of TV – broadcast or cable. We thank (producer) Gaumont and everyone involved in the show for their tireless efforts that have made Hannibal an incredible experience for audiences around the world.”
By and large, the show has been well received by critics, but its cancellation is the result of low ratings. For an ad-funded channel like NBC, no amount of glowing reviews can justify persisting with a show if it isn’t delivering enough 18-49 adult impacts.
However, the fact NBC is pulling out does not necessarily mean this is the end for Hannibal. The show was initially picked up by Sony Pictures Television (SPT) for its international cable channel AXN, with NBC coming in as a US acquisition. So if SPT and AXN decide Hannibal is worth preserving, they and producer Gaumont could go in search of a new US partner for season four.
While the show is unlikely to attract the other major networks (ABC, NBC and CBS), it might appeal to a US cable net or streaming service. Not only does it have a high quotient of murder and mayhem, it also has the kind of in-built brand equity that would help it stand out from the crowd.
Fans of the series are already campaigning for Hannibal to find a new home, with the hashtag #SaveHannibal trending on Twitter.
The obvious partner would be SVoD platform Amazon, which already holds the rights to air the first two seasons of Hannibal and has a track record in reviving axed shows – such as Ripper Street, for example.
Fuller (who is also commencing work on American Gods for Starz) would welcome a reprieve and has suggested there is a chance it might happen. He told Deadline: “I would say 50/50. Because I’ve been down this road before and there’s that brief wave of ‘Oh it could be possible’ and then it just doesn’t happen. But it feels like the way this particular show is set up there is potential for a deal to be done. I know conversations are being had. It’s just a matter if they can come to an agreement that is mutually beneficial to the studio and the distributor.”
This week also saw the long-awaited launch of True Detective season two on premium cable network HBO in the US. In ratings terms, it started well – with its audience of 3.17 million making it the top cable show on Sunday night.
The show also had a good launch on Sky Atlantic in the UK. To capitalise on pre-launch buzz, the channel elected to air the show at the same time it was on in the US – which in the UK meant a 02.00 transmission time. This gave it an audience of 131,000. It then replayed the episode at 2100 on Monday, securing a further 251,000 viewers. While the latter figure is only marginally ahead of the channel’s 2100 slot average, the combination of the above two figures is a decent 382,000.
A couple of weeks ago, we discussed the prospects of Paul Abbott’s offbeat police procedural series No Offence, which airs on the UK’s Channel 4. While the ratings declined quite quickly after a strong opening, our view was that there was enough of a spark in the set-up for it to justify a second series.
This week, C4 confirmed that the show will return for another eight-episode run in 2016 – with a story involving warring crime families. Despite the audience dropping from around 2.5 million to just over one million, C4 head of drama Piers Wenger said: “No Offence is not just unlike any other cop show on TV, it’s unlike any other show on TV. Paul and the cast have set the bar high in terms of thrills, spills and belly laughs this year.”
The renewal is good news for FremantleMedia International, which holds the distribution rights and has already sold the first season to the likes of the ABC in Australia and Denmark’s DR. However, Abbott is going to have to find a way to breathe life back into the ratings if No Offence is to last as long as Shameless.
Sticking with C4, the strong performance of the show’s new futuristic drama Humans was confirmed this week with the release of consolidated ratings data. After the initial wave of results showed the Kudos-produced robot thriller achieved a record-breaking four million viewers for its debut episode, that figure has now been recalculated to take account of time-shifted viewing. The result is an aggregate audience of approximately 6.1 million, making Humans the biggest original drama on C4 for 20 years.
As we have mentioned in previous columns, the UK’s niche channels have become a useful testing ground for non-English language drama seeking to get a foothold in the international market. C4’s sister channel More4, for example, has started airing The Saboteurs (aka The Heavy Water War), a six-part World War Two drama about Allied attempts to foil the Nazis’ plans to build an atomic bomb.
The series attracted an impressive 1.7 million viewers when it debuted on NRK in Norway. On More4, the debut episode attracted 336,000. This was well ahead of the slot average, though the fact that a third of the audience was aged over 65 probably dampened More4’s enthusiasm.
While there is an understandable temptation to focus on the ratings performance of new shows, it’s always worth keeping an eye on how schedule stalwarts are holding up. It’s interesting, for example, that the top-rated US cable show of the last week was Rizzoli & Isles, a TNT detective series based on the novels by Tess Gerritsen.
Starring Angie Harmon as police detective Jane Rizzoli and Sasha Alexander as medical examiner Dr Maura Isles, the show started its sixth season on June 16 with an audience of 4.4 million. Judging by its past performance, the show’s ratings are likely to tail off slightly after a few episodes but, with 18 episodes in the upcoming series, it’s a very reliable part of the TNT schedule.
Looking back over historical ratings, Rizzoli & Isles has been a top-five basic cable show for the last five years. In 2014, it was actually the top-rating basic cable series, with an average of 7.6 million viewers in Live+7. With its strong ratings record and an episode count just shy of 100, it’s no surprise the show also does well in international distribution. Networks that have aired it include Net 5 in Netherlands, Vox in Germany, UK network Alibi and Rete 4 in Italy.
Away from the drama scene, another noteworthy international story is the news that US sitcom Everybody Loves Raymond is being remade in Hindi for Indian entertainment channel Star Plus. Raymond is a global phenomenon, spawning local versions in Russia, Egypt, Israel and the Netherlands, and selling to numerous other territories in its original form. Steve Skrovan, a writer on the US series, is working with the show’s Indian scribes to help get the adaptation right.
tagged in: Channel 4, Everybody Loves Raymond, Hannibal, India, More4, Mr Robot, NBC Universal, No Offence, Rizzoli & Isles, Sky Atlantic, Star Plus, The Saboteurs, TNT, True Detective, UK, US, USA Networks