Natpe’s Latin flavour
In 2011, US programme market Natpe moved from Las Vegas to Miami to be closer to the Latin American TV community. So it’s fitting that Natpe 2016 (held between January 19 and 21 last week) provided a platform for so many Latin American scripted TV announcements.
Pick of the bunch was the news that Brazilian media giant Globo is moving into Spanish-language production with a thriller called Supermax. Although Globo has previously coproduced Spanish-language shows with the likes of Azteca in Mexico and Telemundo in the US, Supermax marks the first time it has fully funded a drama in Spanish.
The 10-part series, being produced in-house with Argentinian filmmaker Daniel Burman as showrunner, follows eight characters who travel to a remote prison to participate in a reality show. Although production doesn’t start until April, it has already been picked up by Azteca for broadcast in Mexico.
Commenting, Globo executive director of international business Raphael Corrêa Netto said: “We’ve taken a strategic look at the market and worked out how to leverage our creative capabilities. We wanted to develop and produce (this show) based on our thinking for the global market – from script development to production and design.”
In other Latino news, Mexican media conglomerate Televisa has revealed that it is to adapt four Keshet International Israeli dramas from the original Hebrew into Spanish. One of them is a title we discussed last week, Loaded, which is also being remade by Channel 4 in the UK. The other three are yet to be selected but will be produced over the course of the next three years.
Televisa is also involved in a coproduction with Sony Pictures Television (SPT) that will focus on the life of Alejandro Muñoz Moreno, a Mexican wrestler better known as the Blue Demon. The 65×60’drama, simply called Blue Demon, will air across Latin America on Televisa platforms and before being distributed worldwide jointly by SPT and Televisa.
The show is the latest title to come out of a coproduction alliance formed by the two partners in 2014. Angelica Guerra, senior VP and MD of production, Latin America and US Hispanic for SPT, said: “There is a growing demand in the region for stories about real people and events, a trend that started in Colombia and has made its way to Mexico. Blue Demon will offer audiences an intimate look at one of (freestyle wrestling’s) greatest legends, exploring a complex and turbulent world that few knew about.”
Also coming out of Miami was news that producer Ben Silverman is teaming up with Eric Newman, the showrunner behind Netflix hit Narcos, on a series about Juan Esteban Aristizábal Vásquez, the Colombian singing sensation better known as Juanes. The show, whose English title is Chasing the Sun, will follow Juanes’s early life in Colombia through to his arrival as an aspiring musician in Miami.
The goal is to produce an edgy series, with the press announcement saying it will “stylistically be in the vein of an Entourage-meets-Narcos bilingual drama.” No network is attached as yet, but Silverman has a good track record for bringing Latin American ideas to the world with series such as Jane the Virgin and Ugly Betty. Note that it is being set us as a bilingual series.
In other greenlight news this week, USA Network has given a straight-to-series, 10-episode order to Eyewitness, a drama based on Norwegian crime thriller Øyevitne. The US version will be created by Adi Hasak, whose credits include Shades of Blue. He will work alongside Norwegian series creator Jarl Emsell Larsen.
Øyevitne, which aired on NRK, was one of the most talked-about Scandinavian shows of 2015. It focuses on two gay teenage boys who secretly meet up in a forest. During one such liaison, they witness a shooting and barely escape with their lives. Desperate to keep their relationship a secret and in fear of being found by the perpetrator, they remain silent.
Commenting on the decision to pick up the show, Alex Sepiol, senior VP of original scripted programming at USA, said: “Eyewitness takes a horrific crime and, in compelling fashion, uses it to examine a whole network of unique character relationships. We were immediately drawn to the source material, and Adi has found a very smart way to adapt it into a universal and engaging story.”
The dark tone of the show fits a broader agenda at USA, which is reinventing itself as a more exciting destination for young viewers. Alongside the Eyewitness project, it has Golden Globe-winning hacker drama Mr Robot and Carlton Cuse-produced series Colony. Earlier this week, it also announced another new drama called Falling Water. This series centres on three strangers who realise they are dreaming separate parts of the same dream that has major implications for problems in each of their lives.
“Today’s world demands shows that challenge and reward the audience in spectacular ways,” said Jeff Wachtel, president and chief content officer at USA Network’s parent company NBCUniversal Cable Entertainment. “Falling Water is the type of show that can move the needle of popular culture with its thrilling exploration of the dark side of the mind.”
Meanwhile, Netflix, now up to 75 million subscribers worldwide, continues to commission new shows. Its latest addition is a 10-part sci-fi series based on Richard K Morgan’s book Altered Carbon. Set in the 25th century, Morgan’s novel imagines a world where the human mind has been digitised and the soul is transferrable from one body to the next. The series is being produced by Skydance Television and written by Laeta Kalogridis. Kalogridis’s previous credits include the screenplays for the movies Shutter Island and Terminator Genisys.
Elsewhere, there have been rumours circulating in the last few days that Fox in the US would love to commission a follow-up to its six-part X-Files reboot, which debuted last night in the US. However, the big obstacle to that appears to be scheduling the talent.
In an interview with Variety, male lead David Duchovny said: “Gillian (Anderson, co-star) and I have talked about (doing more episodes), and then we just stop because we get to 2023 and we still haven’t found a date we can do it. It’s like, ‘Let’s just wait and see what happens after this,’ and then we can start to talk seriously about whether we can make it work again.” Possibly, if the ratings are good enough to justify it, there might be room to squeeze in another short run of six or eight episodes.
Finally, the big story on the drama acquisition front is that pay TV platform Sky has done a deal with CBS that means its Sky Atlantic channel will become the exclusive home to Showtime’s original drama series across the UK, Ireland, Germany, Austria and Italy. The agreement covers all new and future series including Billions, which premiered strongly in the US this week, and the forthcoming revival of cult drama Twin Peaks.
Commenting on the deal, Sky content MD Gary Davey said: “This is one of the most important content deals Sky has ever agreed, cementing Sky’s position as the market leader in Europe for world-class drama. The agreement means our customers can enjoy an incredible slate of upcoming new dramas and can also explore hundreds of hours of amazing series such as Dexter, Californication, The Affair and House of Lies on demand from the back catalogue.”
tagged in: Alex Sepiol, Altered Carbon, Angelica Guerra, Ben Silverman, Blue Demon, Chasing the Sun, Daniel Burman, Eric Newman, Eyewitness, Fox, Gary Davey, Globo, Keshet, Loaded, Natpe, Raphael Corrêa Netto, Showtime, Sky, Sony Pictures Television, Supermax, Televisa, The X-Files, USA Network, Øyevitne