There’s a growing trend in the US towards female-led series and movies. And one interesting aspect of this is the reboot of ideas that previously had male leads.

Supergirl, currently doing very well for CBS network, is a kind of example of this trend, since it takes DC Comics’ ‘Super’ mythology and sidelines the traditional male lead character. But even more to the point are upcoming series where the central character is being given a gender swap.

ABC, for example, is working with Sony Pictures on a reboot of Fantasy Island in which the central character Mr Roarke will be recast as a woman. CBS, meanwhile, is taking a similar route with its reimagination of HG Wells’ Island of Dr Moreau and with a planned resurrection of 1980s series MacGyver. All of this is in addition to movie launches such as the all-female Ghostbusters.

This week came news of another gender-swap drama, with US channel Syfy picking up Nomadic Films’ new take on the Dracula story, in which vampire hunter Van Helsing will be a woman. A 13-part series due to launch in autumn 2016, the show will focus on Vanessa Helsing, who must lead mankind against a world controlled by vampires. Neil LaBute is the writer/showrunner.

There was more good news for female onscreen talent this week with the news that BBC1 has commissioned UK hit drama Doctor Foster (starring Suranne Jones) for a second series. The renewal follows a trend in the UK of bringing back successful serials even if they look to have reached a natural conclusion (Broadchurch, The Missing, Safe House and Prey are other examples).

The trick is to leave a loose editorial strand at the end of the first run and then see if the audience is sufficiently interested to justify a follow-up. In the case of Doctor Foster, which is written by Mike Bartlett, an average consolidated audience of 8.2 million across five episodes made renewal a no-brainer, even though the first run seemed to have come to a fairly neat conclusion.

The second season order was announced by Polly Hill, BBC Drama commissioning controller, who said: “Mike has not finished telling the story of Gemma (Dr Foster) and Simon (her husband) and there will be many more surprises in the next chapter of this powerful drama.”

Bartlett added: “I’ve been astounded by the response to Doctor Foster. So I’m thrilled that alongside (production company) Drama Republic and the phenomenal Suranne Jones, we’re going to tell the next chapter in Gemma’s story. Her life in Parminster may look better on the surface, but as she will discover to her cost, every action has its consequences eventually. No one comes through hell unscathed.”

Still in the UK, commercial broadcaster ITV is the latest company to announce a drama revival, with news that it is bringing back Cold Feet. Created and written by Mike Bullen, Cold Feet ran from 1998 to 2003 and was both a ratings and critical success for ITV.

Centred on the lives of three couples, it was credited with addressing social issues in a way not previously seen on British TV. Likened to US shows such as Friends and Thirtysomething, it was also adapted for NBC in the US, although the Stateside version was quickly cancelled.

There aren’t too many details on the new Cold Feet as yet, but media reports seem to suggest it will involve most of the original cast. This means it will be looking at the same characters later in life (presumably with kids), as opposed to using a new cast working with similar but updated scripts to the earlier run.

Interesting stories out of Europe this week include the news that German pubcaster ARD is backing a miniseries about the brothers who founded Adidas and Puma – Adi and Rudi Dassler respectively. Called Rivals Forever: The Sneaker Battle, the four-part production will air in 2016.

The series is being distributed internationally by Global Screen, which has already licensed the show to Scandinavia and Eastern Europe. “Rivals Forever tells one of the greatest success stories of German industry,” says Global Screen head of TV sales Alexandra Heidrich. “At the same time, it is a gripping and dramatic saga, full of love, friendship, mistrust and intrigue.”

Elsewhere, the Turkish drama success story continues with the news that Indonesian channel SCTV is to adapt the Green Yapim drama Elif. The original version of Elif has already been a hit on SCTV, having first aired successfully on Kanal 7 in Turkey. International distribution of the show is handled by Eccho Rights.

Back in the US, cable channel ABC Family is poised to rebrand as Freeform from January. The new name is part of the channel’s attempt to become a “core destination” for people in the 14- to 34-year-old age range (which it calls ‘becomers’ as shorthand).

To support the shift, the channel has given series orders to two new shows. The first is Beyond, a drama about a young man who wakes up from a coma after 12 years and discovers he has developed supernatural abilities that propel him into the middle of a dangerous conspiracy. The second, Guilt, the pilot of which was much discussed because of its similarity to the Amanda Knox story, is about a young American woman in London who becomes the prime suspect in the savage murder of her roommate.

The pilot of Guilt was shot in London and Budapest – and presumably the series will need to follow a similar line. Perhaps it’s too early to call this a meaningful trend, but it seems like a growing number of US cable networks are taking advantage of European production tax breaks. In addition to Guilt, we’ve seen E!’s drama series The Royals come to London, FX’s The Bastard Executioner shot in Wales and Homeland film in Germany. Starz and History have also produced in Europe.

Following another trend, Syfy has decided to do its bit for the undead by renewing its zombie series Z Nation for a third season. Eight episodes into its current 13-part run, the show is proving rock solid with an average audience of around 0.88 million. The show is currently Syfy’s strongest performer among 18-49s.

Finally, this week saw Amazon launch six new drama pilots. Based on their popularity with subscribers these show will either fade away and die or be given a shot at a series.

tagged in: ABC, ABC Family, Alexandra Heidrich, Amazon, ARD, BBC1, Beyond, CBS, Cold Feet, Doctor Foster, Elif, Fantasy Island, Freeform, Global Screen, Green Yapim, Guilt, Island of Doctor Moreau, ITV, Mike Bartlett, Polly Hill, Rivals Forever: The Sneaker Battle, SCTV\, Sony Pictures Television, Supergirl, SyFy, Van Helsing, Z Nation