Butterworth rules Britannia
Anyone familiar with the work of UK writer Jez Butterworth will know that he has established his reputation primarily through theatre and film.
Although he co-wrote a couple of short films for ITV and Channel 4 in the early 1990s (both with his brother Tom), his breakthrough moments were the 1995 play Mojo and the 2001 movie Birthday Girl, which starred Nicole Kidman. Subsequently, career landmarks include the play Jerusalem (2008) and movies such as Edge of Tomorrow, Black Mass and Spectre.
Now, however, he is set to make a major impact on the small screen as writer of Britannia, the first coproduction between Sky and Amazon. The lavish 10-part drama will star Kelly Reilly (True Detective), David Morrissey (The Walking Dead, The Hollow Crown), Zoë Wanamaker (Harry Potter and the Philosopher’s Stone) and Stanley Weber (Outlander).
Butterworth will again team up with his brother (who has already established his reputation as a TV writer with Fortitude and Tin Star), as well as Richard McBrien (Spooks, Merlin), on the writing.
According to Sky, Britannia is “set in 43AD as the Roman Imperial Army – determined and terrified in equal measure – returns to crush the Celtic heart of Britannia, a mysterious land ruled by wild warrior women and powerful druids who can channel the powerful forces of the underworld.”
The series is shooting on location in Prague and Wales and will appear on Sky1 in the UK and Ireland and Amazon Prime Video in the US in 2017. International distribution rights (excluding the US) for Britannia will be handled by Sky distribution arm Sky Vision.
Commenting on the show, Butterworth said: “Besides being hard, hard warriors, the Celts have a belief system which makes them almost invincible. It’s a deep, heavy magic. Last time the Romans tried to invade, the mighty Julius Caesar took one look, turned round and went straight home. Now, almost a century later, the Romans are back. I’m fascinated in what happens when gods die. When an entire, ancient faith stalls, topples, collapses – and a whole new one grows in its place. New names, new faces, to suit the new times. Here we have a war between two pantheons – the Roman gods v the Celtic gods. It’s the heavyweight clash of all time, the one which most shapes who we are today. And we see it all from a human perspective, of individual survival, ambition, courage, lust, loss, revenge. All the stuff the gods have always loved us humans for the most!”
Another high-profile writer in the news this week is Patrick Harbinson. Although Harbinson’s most recent credit is as a writer-producer on Showtime’s Homeland, he is actually a Brit who broke into the business writing episodes of UK dramas Soldier Soldier and Heartbeat. Since then, he has managed to carve out an impressive career working on both US and UK series such as Person of Interest, Lewis, 24, The Day of the Triffids, Wire in the Blood, Dark Angel and Hornblower.
Now he is working with producer Mammoth Screen on a six-part series for ITV entitled Fearless. The show, starring Helen McCrory (Peaky Blinders), centres on Emma Blunt, a solicitor known for defending lost causes. She is investigating the killing of a schoolgirl in East Anglia and trying to free the man she thinks was wrongly convicted of the girl’s murder. But as she digs deeper, she begins to sense powerful forces, in the police and the intelligence services at home and abroad, who want to stop her uncovering the truth. Harbinson calls Fearless “a legal thriller, but one that’s written in the crash zone where law and politics collide.”
Harbinson said he was first approached by Mammoth Screen MD Damien Timmer three years ago: “[He] asked me if I was interested in writing a legal series inspired by the work of lawyers like Gareth Peirce and Helena Kennedy. I immediately said yes. Much of the work I’ve done in America in the last 10 years has been about life in the post-9/11 world. The so-called War on Terror has put serious stress on the ordinary workings of the law. National security justifies all sorts of police and state over-reach – and the great majority of us are prepared to accept this. So I wanted to create a character who challenges these assumptions, who fights for those outside the normal run of society, and who is uncompromising, difficult and indifferent to unpopularity and danger. The result was Emma Blunt and Fearless.
“I’m delighted Helen McCrory has agreed to play Emma. She is a complex and contradictory character, and I am lucky to have someone of Helen’s wit, warmth and intelligence bringing her to life.”
Fearless will be produced by Adrian Sturges (Houdini and Doyle, The Enfield Haunting, The Disappearance of Alice Creed). Filming will begin in London and East Anglia in September 2016.
Butterworth and Harbinson are currently two of the film and TV industry’s most in-demand writers. However, breaking into the industry in the first place continues to be a struggle for most. One company that has a good track record for unearthing diverse new talent, however, is Disney-ABC though its writing programme.
Organised on an annual basis, the Disney-ABC writing programme accepts submissions from May and selects writers in around December. These writers then participate in a one-year programme that starts in February. If they turn out well, then they are given jobs on Disney-ABC series, examples being Veena Sud (The Killing, Cold Case) and George Mastras (Breaking Bad).
This week, Disney-ABC announced today that all eight of the writers selected for the 2016 programme have been given jobs on TV series. These include Dayo Adesokan (Downward Dog), Amanda Idoko (Imaginary Mary), Andrew Mathieson (Dr Ken), Ron McCants (Speechless), Miguel Ian Raya (Famous In Love), Janine Salinas Schoenberg (American Crime), Christina Walker (Still Star-Crossed) and Jeffery Wang (Notorious).
Commenting on this year’s bumper crop, Tim McNeal, VP of creative talent development and inclusion at Disney-ABC Television Group, said: “We’re proud that our selection of writers proved appealing to not only creative executives but also showrunners.”
One particularly impressive aspect of the programme is the number of writers who continue to build their career after that initial lift-off. For the coming year, 50 alumni will be employed at various levels in the industry, from staff writers to executive producers. Zahir McGhee, for example, is co-exec producer on ABC’s Scandal.
“Just as we pride ourselves by introducing new diverse voices to the creative process at the lower level, we find it equally rewarding to champion the staffing of programme alumni as a means to career longevity,” said McNeal.
In another piece of Disney news, its Freeform channel (formerly known as ABC Family) has greenlit a new scripted pilot called Issues. Inspired by the life of Cosmopolitan editor-in-chief Joanna Coles, it follows three young women who set out to conquer New York City together.
Issues is the brainchild of Sarah Watson, who worked for more than 100 episodes on NBC’s Parenthood, rising from mid-level staff writer to executive producer during that time. Having broken into the business on That’s So Raven (2004), she then worked on shows like Monarch Cove, The Unusuals and About a Boy before her career-transforming six-season stint on Parenthood.