Revolutionary Road screenwriter Justin Haythe discusses his move into television as the showrunner of Samantha Morton-led historical drama The Serpent Queen, why Catherine de Medici is “infinitely interesting” and becoming a director.


Revolutionary Road screenwriter Justin Haythe discusses his move into television as the showrunner of Samantha Morton-led historical drama The Serpent Queen, why Catherine de Medici is “infinitely interesting” and becoming a director.

DQ checks out the upcoming schedules to pick 10 new series to watch this August, from a Spanish hospital drama and an Australian psychological crime series to a fresh take on Greek mythology and a small-screen sequel to award-winning Brazilian film City of God.
In this special film, actors including Marta Dusseldorp, Lenny Henry, Gabija Siurbyte and Alexandra Rapaport open up about their journey into production and how they are developing series behind the camera.

Jeremy Allen White, Ayo Edebiri and the cast of The Bear come together to discuss the third season of the Chicago-set, stress-inducing culinary comedy-drama.

From Squid Game to Star Wars, Korean actor Lee Jung-jae tells DQ about using the Force in Disney+ series The Acolyte and joining the legion of Jedi masters.

DQ checks out the upcoming schedules to pick 10 new series to watch this July, from a Spanish sports period drama and a swords ‘n’ sandals gladiatorial epic to a Jenna Coleman-led crime drama and the return of Betty la Fea, the series that inspired Ugly Betty.

The creator of An African City explains how half-a-dozen television series inspired her career as a screenwriter and why representation on screen is so important.

Writing for DQ, producer Sheila Nortley discusses building the young cast of Netflix fantasy drama Supacell and how the series sought to improve diversity and representation on and off screen.

In the second part of the DQ100 2024/25, DQ picks out a range of shows to tune in for and the actors, directors and writers making them, as well as some of the trends and trailblazers worth catching up with.

The return of We Are Lady Parts for a second season about the titular Muslim punk band brought with it a standout cameo from Malala Yousafzai. Series creator Nida Manzoor explains how a song title led to the activist arriving on set for a western-themed music sequence.

As six emerging writers join Jed Mercurio’s mentorship programme, the Line of Duty creator joins Wilderness screenwriter Marnie Dickens to share some of the advice they are passing on to aspiring writers.

Karen Radzyner, executive producer and head of development at Sydney’s Photoplay Films, tells DQ about upcoming drama Song of the Sun God, which is being adapted from Shankari Chandran’s novel of the same name.

Following their success with La Unidad (The Unit), Dani de la Torre and Alberto Marini take DQ inside their new Spanish crime drama Marbella, which dramatises a true story set in the murky underworld of the titular town – a popular tourist spot that has also been described as the UN of organised crime.

As viewers continue to move away from linear TV, what does the future hold for traditional soaps? Director Joan Noguera tells DQ about launching Spanish daily drama Sueños de Libertad (Dreams of Freedom) and why the genre still holds an important position in the television landscape.

Winners from this year’s Bafta Television Awards offer DQ their thoughts as to what it takes to pick up one of the iconic mask statuettes. Spoiler alert: It’s personal.

DQ checks out the upcoming schedules to pick 10 new series to watch this June, from a Star Wars mystery and an Australian psychological thriller to a Tudor-era ‘romantasy’ and Candice Carty-Williams’ adaptation of her own novel, Queenie.

Deborah Ayorinde, the star of Prime Video anthology series Them: The Scare, introduces the series and dissects a key scene that leaves viewers unsure which side of the law her LAPD detective character is actually on.

As British drama The Night Caller launches in the US, executive producer Sam Tipper-Hale explains how themes of loneliness and the power of influence are explored in this story of a taxi driver who becomes obsessed with a late-night radio talkshow.

As the third season of Bridgerton arrives on Netflix, DQ hears from executive producer Shonda Rhimes, showrunner Jess Brownell and author Julia Quinn about returning to Regency London for a new social season.

In Steven Knight’s BBC drama This Town, a group of young people are drawn into the explosive new world of ska music in 1980s England. Executive producer Katie McAleese looks back on making the “unconventional” show and creating its original soundtrack.