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  • Tag: Content London

Articles about Content London

CONTENT LONDON

Easy as ABC

The ABC Murders is the latest Agatha Christie novel to be reinvented for the BBC by writer Sarah Phelps and producer Mammoth Screen. The creative team behind the project gathered at Content London 2018 to discuss the adaptation process and casting John Malkovich as Poirot.

CONTENT LONDON

Ripple effect

A year on from winning the C21 Drama Series Script Competition at Content London, Michele Giannusa is on the write track. She tells DQ about the origins of her winning project and offers her advice to this year’s finalists.

CONTENT LONDON

Creative focus

As Content London 2017 comes to an end, it’s clear that talent is now in greater demand than ever. But while a host of A-list names attended the three-day event, delegates also learned about a community of new writers with stories ripe for adaptation.

CONTENT LONDON

Q&A: TF1’s Marie Guillaumond

TF1’s head of French drama Marie Guillaumond tells DQ how the drama boom is building in France and how she hopes to work with streaming giants Netflix and Amazon.

CONTENT LONDON

Q&A: Euston Films’ Kate Harwood

Euston Films MD Kate Harwood tells DQ why international coproductions are the way forward and suggests broadcasters should take a risk on new talent to avoid a talent drain.

CONTENT LONDON

C21 Awards highlight cream of the crop

This week we explore the benefits of winning industry plaudits and look at which titles came out on top at the C21 International Drama Awards. Elsewhere, there’s good news for The Art of More and Into the Badlands.

CONTENT LONDON

International Drama Summit: Round-up

The international drama community gathered at the BFI on London’s South Bank for three days of screenings, panel sessions, case studies and awards. Michael Pickard looks back on C21 Media’s International Drama Summit, part of Content London.

CONTENT LONDON

Writers go global

The message from the C21 Drama Summit is that writers have never had it so good. They are letting their imaginations run riot – with stunning results. But the TV industry also needs to make sure it is nurturing a new generation of writers.

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