Articles about ZDF
Jan Guillou’s literary hero Carl Hamilton is given a contemporary update in Swedish action thriller Agent Hamilton. Star Jakob Oftebro and director Erik Leijonborg reveal how it was done.
The previously untold story of how hundreds of children came to the UK from concentration camps at the end of the Second World War is dramatised in The Windermere Children, a stark and poignant film commissioned to mark the 75th anniversary of the liberation of Auschwitz.
DQ lands in Stockholm to find a city-centre park taken over by filming for spy action thriller Agent Hamilton. The cast and creative team reveal their screen ambitions for Jan Guillou’s iconic literary character.
Period crime drama Vienna Blood stands out as a unique European project, an adaptation of Frank Tallis’s novels that has been produced in English for German and Austrian broadcasters. DQ finds out more.
Swedish drama West of Liberty brings the first book in Thomas Engström’s spy series to television. DQ speaks to producer Gunnar Carlsson about making the English-language series, which is set and filmed in Berlin.
International coproductions are nothing new, but as more globally ambitious dramas are emerging, DQ speaks to the producers behind some of these long-distance series to find out how stories spanning multiple countries are made.
Actor Iris Berben and writer/director Nina Grosse talk to DQ about German drama Die Protokollantin (The Typist), which follows a typist from Berlin’s homicide division as she tries to solve the mystery behind her daughter’s disappearance.
Television held its own at one of the most prestigious film festivals in the world as an array of talent and some stunning new shows landed in Germany for Berlinale’s fourth annual Drama Series Days. DQ was in town to find out more.
Actors Sofia Helin, Friederike Becht and Tom Schilling join writer Paula Milne to discuss German Cold War drama Der gleiche Himmel (The Same Sky) – a series about “ordinary people caught up in ordinary times” and the decisions they make in search of a better life.
One day Jannis Niewöhner was shooting an art-house film, the next he was giving a rallying speech to 150 extras on the set of a German historical miniseries. He tells DQ about period drama Maximilian and Marie de Bourgogne.
Writer Paula Milne and director Oliver Hirschbiegel discuss their upcoming Cold War drama Der gleiche Himmel (The Same Sky), in which a ‘Romeo’ agent is sent on a seductive mission in 1970s Berlin.
As Nordic drama continues to thrive, this week we look at some of the shows making headlines both within the region and beyond.
There’s evidence that US networks are still on the hunt for international formats this week following HBO and NBC pickups. Meanwhile, European historical coproductions also continue to attract investment.
Martin Ambrosch, the writer behind German crime drama Anatomy of Evil and the forthcoming historical series Maximilian, tells DQ about the challenge of meeting his own ambitions on screen.
Subtitles are now a familiar element of many TV dramas, but how are languages changing the stories we watch and the way these shows are made?
There’s no exact science to creating a hit drama, but there are certainly plenty of things you can do to improve your odds. DQ hears from some of the best in the business.
Klaus Zimmermann and Clive Bradley reveal how they kept crime thriller Trapped grounded in its Icelandic setting while navigating the tricky waters around this intricate international coproduction.
A Dangerous Fortune director Christian Schwochow and producer Robin von der Leyen tell Michael Pickard why Ken Follett’s novel was perfect for an adaptation.
Andreas Prochaska, director of Austrian period drama Maximilian, reveals the challenges of realising an epic, action-packed script while sticking to a strict budget.