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  • Tag: The Honourable Woman

Articles about The Honourable Woman

THE HONOURABLE WOMAN

Full English

Writer-director Hugo Blick opens up about his latest drama, Emily Blunt-led series The English, how he sought to reimagine the Western genre and why he compares himself and Blunt to John Lennon and Paul McCartney.

THE HONOURABLE WOMAN

Blick magic

Hugo Blick, the writer, director and producer of dramas including The Honourable Woman and Black Earth Rising, reveals his motivation to tell stories and his approach to his craft.

THE HONOURABLE WOMAN

Oliver Stone and the politics of drama

Acclaimed writer/director Oliver Stone was at Cannes Lions this week to talk about his new film Snowden. Here we look at his process and explore whether TV drama might also provide Stone with a creative platform.

THE HONOURABLE WOMAN

Hitting the right spot

Looking for Victorian London? Try Dublin. Or perhaps you’re after the kind of quintessentially Italian setting one can only find in Prague? From tax credits to geography and architecture, DQ examines the factors far beyond plotlines that play a part in selecting drama production locations.

THE HONOURABLE WOMAN

The write way: How can the UK improve its writing practices?

DQ hears from the writers behind several UK dramas about the differences between US and UK writing and production methods, and how the UK could improve its practices.

THE HONOURABLE WOMAN

Time to play the game of Emmys

With Games of Thrones picking up the most Primetime Emmy nominations this week, Andy Fry considers the competition it faces and the omissions from this year’s shortlist, and also looks at two US summer series whose future is far from secure.

THE HONOURABLE WOMAN

Shining bright

SundanceTV has been steadily building its homegrown drama credentials over the past few years. Christian Vesper, senior VP of scripted development and current, tells DQ why he believes the network has turned a corner.

THE HONOURABLE WOMAN

As digital changes the game, where does drama go next?

With the explosion in digital platforms, a sharp rise in investment and more varied content than ever, it’s certainly an exciting time to be working in the drama industry. But where does drama go from here – and what challenges is the new landscape throwing up?

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