Articles about SyFy
Devlin’s Ark
Science-fiction grandee Dean Devlin welcomes DQ aboard The Ark, his latest series, to discuss how it’s a love letter to the genre and share the lessons he has learned from a career that has included Stargate, Independence Day and Leverage.
Vampire Batalon
Spider-Man’s ‘Guy in the Chair’ Jacob Batalon is standing up for his first lead role in a TV series with supernatural drama Reginald the Vampire. He tells DQ about getting his teeth into the production both on screen and behind the scenes.
High school heroes
DQ goes to class with Astrid & Lilly Save the World stars Jana Morrison and Samantha Aucoin to learn about their roles in the high school-set supernatural drama, chemistry tests and the power of positive representation.
Class act
Rick Remender, creator and executive producer of Syfy horror-action series Deadly Class, talks about bringing new, often riskier ideas to television and the appeal of adapting his own comic book for television.
Dystopian blues
The television landscape is awash with series set in alternative – and not particularly bright – futures. Stephen Arnell casts his eye over the dystopian series on screen, and also finds sci-fi series with a more optimistic outlook.
Space odyssey
Since beginning his television career on Star Trek: The Next Generation, Naren Shankar has worked across the spectrum of science fiction drama. Now helming Syfy’s The Expanse, he discusses adapting the source novels and the increasing demands of being a showrunner.
A slice of the action
Rock star Meat Loaf does battle with his demons as he continues to build his extensive acting career with a starring role in paranormal drama Ghost Wars.
Baying for Blood
Blood Drive may be the most extreme, bloody and downright original drama this year. DQ chats to star Christina Ochoa about playing the femme fatale in Syfy’s Grindhouse thriller.
Home from home
A small town serves as a sanctuary for a group of people with secrets to hide in supernatural mystery Midnight, Texas. DQ speaks to showrunner Monica Owusu-Breen about adapting Charlaine Harris’ novels and the show’s political parallels.
Kept in the dark
The crew of the Raza face new battles as space opera Dark Matter returns for a third season. DQ hears from the cast about why the sci-fi show is resonating with fans.
Sci-fi high
Science fiction has a long association with television, but it’s now more visible than ever. DQ explores how a shift in storytelling has pushed the genre into the mainstream.
Classic sci-fi novels – TV’s new frontier
News that Robert Heinlein’s iconic book Stranger in a Strange Land is to be adapted for TV signals a growing interest in the potential for adapting classic science-fiction novels.
Warner’s DC Comics enjoys boom
Warner Bros’ iconic DC Comics division has proven a valuable source of scripted TV ideas. This week, we explore the extent of DC’s influence in the free-to-air and cable schedules.
Amazon boards D83 sequel
As Mipcom 2016 gets under way, Amazon has secured rights to the Deutschland 83 sequel and Eccho Rights is hoping to emulate its Turkish formats success with Indian drama titles.
Syfy ushers in VR’s Halcyon days with first hybrid series
Television storytelling is set to enter new territory with Syfy’s Halcyon, a crime drama described as the first ever hybrid VR scripted series. DQ takes a closer look.
West spies Korea opportunities
Amazon and Warner Bros are the latest Western companies to target Korean drama following similar moves by Netflix and NBC.
The will to Wyn
The supernatural meets the American Wild West in US comic book adaptation Wynonna Earp. DQ catches up with showrunner Emily Andras as she begins work on season two.
Watch all the best teasers and trailers from Comic-Con 2016
Comic-Con never fails to deliver when it comes to sneak peaks of new show, this year whetting fans’ appetites by teasing clips of shows ranging from the TV version of The Exorcist to long-awaited Neil Gaiman adaptation American Gods.
Le Carré and Les Misérables in le news
The Ink Factory is preparing a follow-up to John Le Carré’s The Night Manager by adapting another of the author’s works, while screenwriter Andrew Davies has finally been given his chance to tackle Les Misérables.
Nielsen peels away Orange audience mystery
Nielsen data-crunching underlines the success of Netflix’s flagship drama Orange is the New Black, AMC shows faith in Preacher and Syfy gives a surprise recommission to 12 Monkeys.