A large proportion of the international TV industry is attending the MipTV market in Cannes this week, buying and selling shows or doing scripted format deals. So it seems appropriate that the week’s top story should concern Fox US drama House, which has proved popular with broadcasters around the world over the years.
Usually sold in its completed form, this week has seen Fox license the Sherlock-esque medical drama to Non-Stop Production, which is remaking it for in Russia.
Anton Zlatopolskiy, first deputy director of the channel’s parent, Russia TV and Radio, said: “We considered the pros and cons before obtaining the format of such a famous series. It is quite a challenge to create our own version. Neither well-known producers or actors nor a big budget can guarantee success when it comes to a local version. But there are a couple of secret ingredients that make a series outstanding and we know how to make them work.”
Sticking with scripted formats, the drama department of Italian public broadcaster Rai, Rai Fiction, has ordered a second season of its remake of NBCUniversal International’s Parenthood. The 26×60’ second run, produced by Cattleya, will air on Rai Uno later in 2016. The US original ran for six seasons on NBC between 2010 to 2015, so there is scope for Rai’s version to run and run.
Another high-profile scripted format deal this week involves Dutch public broadcaster KRO-NCRV, which has greenlit an adaptation of acclaimed Turkish drama The End. The Dutch version of the show is being produced by Netherlands-based Column Film. Column producer Chantal van der Horst said: “The End has a solid base for adaptation. The cleverness of the scripts and the universal appeal of the storyline makes the series suitable for audiences across the world, including in Western Europe.”
The show was sold into the Netherlands by Scandinavia-based distributor Eccho Rights, which has previously licensed the format to several markets including the US, Russia and France. Commenting on the deal, Nicola Söderlund, managing partner at Eccho Rights, said: “Turkish drama continues to break boundaries and it’s great that a West European version will be hitting screens later on this year. (The show’s producer) Ay Yapim has created a gripping plot that translates well across cultures, which is reflected in the number and range of licences on The End.”
Other interesting greenlights this week include news that Amazon has ordered a third season of Red Arrow’s crime series Bosch. Based on the novels by Michael Connelly, Bosch stars Titus Welliver as streetwise LAPD detective Harry Bosch. Commenting on the renewal, Morgan Wandell, head of drama series at Amazon Studios, said: “Our customers can’t get enough of Harry Bosch. The entire cast and crew have done a fantastic job with season two and we can’t wait to see what they have in store for next season.”
Another big story out of the US is HBO’s decision to order a TV adaptation of Gillian Flynn’s best-selling debut novel Sharp Objects. The eight-episode series will star Amy Adams as a newspaper journalist trying to sort out her life following years of self-harm that landed her in a psychiatric hospital. However, her plan for a new life is derailed when she returns to her hometown and gets caught up in investigating the mysterious murder of two young girls.
The pilot for the TV adaptation is being written by Marti Noxon, who will also be showrunner. Noxon, the co-creator of Lifetime’s critically acclaimed drama UnREAL, will then share writing responsibilities on the series with Flynn, who previously adapted her own novel Gone Girl as a feature film. Jean-Marc Vallée (Wild) will direct.
Meanwhile, the SVoD giants are continuing their aggressive expansion around the world, part of which involves commissioning original local-language series. This week, it’s Netflix’s turn to grab the headlines – with its first original series from Spain.
Set in the 1920s, the show will look at the lives of four women who work as switchboard operators for the state-owned phone company’s central headquarters in Madrid. The series comes from the same stable that created international Spanish-language hits Velvet and Gran Hotel. This includes Roman Campos and Teresa Fernandez-Valdes from Bambú Producciones, director Carlos Sedes and writer Gema Neira, who often works with Campos.
Commenting on the commission, Erik Barmack, VP of international original series at Netflix, said: “We’re delighted to be working with Bambú Producciones, director Carlos Sedes and co-creator Gema Neira on our first original series filmed in Spain. We’re huge fans of their work on Gran Hotel and Velvet – epic romances that have been embraced by our members around the world. We’re certain our members will love this unique and engaging drama from some of the best storytellers in Spain.”
We’ve talked a lot in previous columns about the trend towards movie adaptations, book adaptations and reboots in US drama – all of which are about providing in-built awareness in new projects. But there’s another trend that is creeping into the business – namely the spin-off. We’ve seen examples in cable with Better Call Saul (from Breaking Bad) and Fear The Walking Dead (from The Walking Dead). And Disney-ABC has created numerous movies and TV series rooted in its Marvel universe. NBC is the latest to get in on the act. First came Chicago Justice, a spin-off from Chicago PD, and now NBC has announced plans for a spin-off from The Blacklist. There aren’t many details as yet but it’s an interesting new development that promises to further narrow the number of slots available to original ideas.
Finally, Turkey was country of honour at Mipcom 2015, an event that focused heavily the country’s prolific drama output, and the country doesn’t seem to have lost any momentum coming into MipTV 2016.
Aside from The End deal referred to above, The Fox Turkey drama That Is My Life has also been selling well – with ANTV (Hong Kong), Kanal 5 (Bulgaria), Telemundo (Hispanic US), Moby Group (Middle East), Puls TV (Poland), Kanal D (Romania) and MTG (Russia) all acquiring the Pastel Film-produced show.
Another Fox show, The Intersection, also has a high profile at the market as part of the Endemol Shine International catalogue. Coinciding with ESI’s marketing activity in Cannes, Fox also announced a second season for the series.
tagged in: Amazon, Bambu Producciones, Bosch, Cattleya, Column FIlm, Eccho Rights, Endemol Shine Turkey, Fox, House, KRO-NCRV, NBC, NBCUniversal International, Netflix, Parenthood, Rai, Red Arrow, Rossiya 1, That Is My Life, The Blacklist, The End