Articles about Globo
Éramos Seis (Once We Were Six) writer Ângela Chaves reveals how she brought a modern sensibility to a classic Brazilian novel and explains how music plays an important part in her storytelling.
Daniel Ortiz, the writer behind Brazilian telenovela Salve-se Quem Puder (Run for your Lives), reveals the origins of this romantic comedy about three women who have to change their identities after witnessing a crime.
Paulo Halm and Rosane Svartman, the creators of Brazilian telenovela Totalmente Demais (Total Dreamer), discuss making the 130-hour series about a young girl who looks to escape her simple life by entering a modelling competition.
Carlos Manga Jr, the director behind Globo miniseries Unsoul and Aruanas, speaks to DQ about the changing direction of Brazilian series and the universal appeal of supernatural dramas.
Brazilian drama Onde Está Meu Coração (Where My Heart Is) charts the struggle of a doctor battling a devastating drug addiction. Director Luisa Lima tells DQ about her intimate approach behind the camera.
Carla Faour and Julia Spadaccini, the writers behind Brazilian series Segunda Chamada (Second Call), tell DQ why they wanted to shine a light on the country’s adult education system.
Taís and Pedro face some life-changing decisions when they discover they are about to become parents in Brazilian series Pais de Primeira (First-Time Parents). Writer Antonio Prata tells DQ how the series was born.
Greenpeace, WWF and the UN are among the supporters of Brazilian drama Aruanas, which charts the work of environmental activists who investigate the suspicious activities of a mining company in the Amazon rainforest. DQ meets creator, writer and director Estela Renner.
Brazilian actor Mariana Ximenes discusses taking centre stage in Globo limited series Si Cierro Los Ojos Ahora (If I Close My Eyes Now).
The works of English author Jane Austen are the inspiration for Globo’s latest telenovela. Artistic director Fred Mayrink tells DQ about the drama and his approach to his craft.
George Moura and Sergio Goldenberg, writers of Brazilian ‘superseries’ Onde Nascem os Fortes (Land of the Strong), talk about how the country’s unique landscape inspired this story of love and tragedy.
Maria Camargo, lead writer of Brazilian drama Assédio (Harassment), tells DQ about the real-life themes and issues that inspired this series about a group of women who stand up to the doctor who sexually abused them.
Brazil’s Globo tackles the body-swap format in The Formula, which sees a scientist transform into a younger version of herself. DQ chats to leading actors Drica Moraes and Luisa Arraes about playing very different versions of the same character.
Brazilian screenwriter Walcyr Carrasco tells DQ how he was inspired by Voltaire’s Candide to create Globo telenovela The Good Side of Life and discusses the changing landscape of Brazilian drama.
Ambitious Brazilian telenovela Deus Salve o Rei (God Save the King) goes big on visual effects in a bid to recreate its medieval setting.
Brazilian hospital drama Bajo Presión (Under Pressure) takes the medical genre to new levels of authenticity, using real-life stories and filming at a disused hospital. DQ hears from creator Jorge Furtado and artistic director Andrucha Waddington about producing this ‘genuinely Brazilian’ series.
The great and good of the television industry are once again packing their bags for another week in the south of France. DQ previews some of the drama series set to break out at Mipcom 2017.
Fiction and reality combine in romantic period drama Nada Será Como Antes (Nothing Remains the Same), set during the time of Brazil’s first TV network in the 1950s. Writer Jorge Furtado spoke to DQ.
Brazilian series Carcereiros (Jailers) is building on the current trend for prison dramas by presenting events from the unique viewpoint of those charged with keeping the peace between inmates. DQ hears from the writing team behind the show.