Articles about Fox
Playmaker Media’s The Commons portrays a world of the near future that grapples with the moral dilemmas thrown up by climate change and biotechnology advances. DQ finds out more from the show’s stars and creative team.
Almost Family executive producer Annie Weisman reveals how the Fox drama was inspired by an Australian series about a woman who discovers she has hundreds of secret siblings.
Liz Heldens, showrunner of US drama The Passage, discusses the two-year journey to bring the Fox series to screen, adapting one of her favourite books and finding the balance between character and a furious blend of science fiction, thriller and the supernatural.
Procedural series were once the bread and butter of US broadcast networks. But international buyers are finding them harder to come by amid the appetite for increasingly serialised storytelling. DQ examines the future of the story-of-the-week format.
DQ enjoys a behind-the-scenes tour at the normally-closed-to-the-public Fox Studios in LA, which has been home to hits including The X-Files, NYPD Blue and House.
As technology continues its assault on traditional television models, success is no longer just about overnight viewing figures. So in today’s crowded drama marketplace, what defines a hit – and how are our views of success changing?
Star, Lee Daniels’ follow-up to Empire, has got off to a shaky start – with critics mostly giving the show the thumbs down. But there was good news this week for French drama Baron Noir.
China seems more receptive than ever to foreign drama – both acquisitions and coproductions. Also, Sky1 and Cinemax announce plans for a new series of action-adventure drama Strike Back.
Neil Gaiman, Alan Ball, Robert Downey Jr, McG and Zadie Smith are among the high-profile talents in the news, while Vimeo is continuing its expansion into the TV business.
Prequels and sequels are the latest attempt by networks to cut through the clutter of competition. Andy Fry looks at their chances of success, with a Big Bang Theory spin-off among those in the pipeline.
Warner Bros’ iconic DC Comics division has proven a valuable source of scripted TV ideas. This week, we explore the extent of DC’s influence in the free-to-air and cable schedules.
With two of the most anticipated new US shows to his name in dramedy This Is Us and baseball series Pitch, Dan Fogelman is hoping to hit a home run this year.
It’s increasingly tough for dramas to gain attention – even if they are great shows. Slow starts for Humans and The Young Pope mean word of mouth and catch-up viewing will be important. Also, finalists for the C21 Drama Awards have been revealed.
With legal dramas still in demand, there are reports this week of a new series based on a classic John Grisham novel. Also, plenty of shows are going into development at the big four US networks.
As content buyers and sellers head for Mipcom, Fox will be pleased with the performance of its movie reboot Lethal Weapon, while HBO’s Westworld and FX’s American Horror Story also shine.
The US autumn schedule has begun well for NBC’s This Is Us and CBS’s reboot of MacGyver. However, the new season has been overshadowed by the death of NCIS showrunner Gary Glasberg.
The autumn season has just started in the US – which means TV executives around the world will be watching with interest to see which new dramas live up to their pre-launch hype. This week, we look at some of the network shows that are buzzing.
When Walt Disney acquired Marvel Entertainment in 2009, there were a few raised eyebrows over the US$4bn purchase price. But, six years on, most analysts agree the deal was a steal.
John Jarratt brings the scares in Australian thriller Wolf Creek. He and creator Greg McLean give DQ the lowdown on the murderous series, which is about to air in the UK for the first time.
As Fox reloads classic movie franchise Lethal Weapon for the small screen, DQ finds out why the show is already being described as one of the best new series of the year.