The immigration game
At the world premiere of Starz drama American Gods, showrunners Bryan Fuller and Michael Green spoke of the challenges of telling ‘immigrant stories’ in the current political climate. Adam Benzine reports.
US network Starz previewed its forthcoming fantasy drama American Gods to a rapturous audience at the South by Southwest (SXSW) festival on Saturday, followed by a forthright Q&A with the show’s creators.
The series, based on author Neil Gaiman’s Hugo Award-winning novel of the same name, focuses on a conflict across America between a variety of ‘old gods’ – including Odin, Loki and Bilquis – and new deities, such as the personifications of media, technology and celebrity.
Mixing the violence of past Starz series such as Spartacus with a broad palette of surreal and dreamlike imagery, as well as an often-humorous script, the pilot also features a bizarre sex scene that is sure to be one of the water-cooler moments of the year. The first episode focuses on recently released convict Shadow Moon (The 100 star Ricky Whittle), who crosses paths with the mysterious Mr Wednesday (Deadwood star Ian McShane).
Speaking after the premiere, showrunner Bryan Fuller said the tone of the show changed notably following November’s election of Donald Trump as US president.
“It’s definitely a different show than we set out to make, because the political climate in America, well, shat its pants,” Fuller told the crowd at SXSW in Austin, Texas. “We are now telling immigrant stories in a climate that vilifies immigrants.
“As Americans, we are under a radical political climate that tends to lean cruel as opposed to compassionate. So we are excited to tell compassionate immigration stories, not only as a statement but as part of the ongoing narrative of our series.”
He added that when the team approached Gaiman’s book, as showrunners, “our first task was to make the show we wanted to see as an audience member – we needed to put on screen what was in our heads when we read the book.
“One of the things that was exciting for us in casting the show was that so much of the book is based in other cultures and other ethnicities,” he explained. “It gave us the opportunity to not be colour-blind but to be very colour-focused.”
Fellow showrunner Michael Green, meanwhile, added that Gaiman’s book “is very joyful, it celebrates a lot of things that we really love about America.”
However, the team worked to significantly expand several of the female roles featured in the book, since the novel “can be a bit of a sausage party.”
“We knew going in we needed to have many more female characters,” he explained, noting that Emily Browning (Laura Moon) and Yetide Badaki (Bilquis) were among the actors whose storylines had been significantly expanded.
At the preview ahead of the drama’s April 30 debut on Starz, the showrunners were joined by a large portion of the pilot’s cast, including Whittle, McShane, Browning, Badaki, Pablo Schreiber, Betty Gilpin, Crispin Glover and Bruce Langley (top image).
Offering his take on the pilot, the typically outspoken McShane told the crowd: “I thought it was fucking amazing,” to laughter. “That’s the first frame I’ve ever seen of it; I’d never seen any of the show before… I was riveted, I’ve seen nothing like it.
“I just had a fucking good time. It’s not a bad opening episode, y’know?”