Tag Archives: Timur Weinstein

Six of the Best: Timur Weinstein

Russian network NTV celebrated its 25th anniversary in 2018. Here, its general producer picks out his six favourite scripted series, which include a pair of comedies, a crime caper and a portrait of gangsters in Prohibition-era America.

Married… with Children
This original US Married… with Children was released almost 30 years ago, when Russia did not even have such a notion as the ‘middle class.’ The story revolves around the everyday lives of ordinary people. Circumstances that are familiar to all of us were portrayed so brilliantly that sometimes it seemed like the screenwriters were just recording real life. Married… with Children is about family life, which we sometimes berate but always value more than anything else. It’s no wonder this show received seven Emmy nominations and seven for the Golden Globes. The series was so successful and popular that it was remade in many countries – and Russia was no exception. This show is important to me also because we produced the Russian adaptation (pictured left and above), called Happy Together, in 2005. We learned to shoot sitcoms while shooting Happy Together.

Friends
David Crane, Martha Kauffman and Kevin Bright started working on Friends in 1993, when the vast majority of television content was soap operas and there were almost no projects about youth. They hit the nail on the head with this show. Friends debuted in 1994 but still manages to make people laugh in 2018. Every scene, line and emotion was played brilliantly. So few people succeed in maintaining such momentum over 10 seasons. It is a challenge to produce popular and quality content for 10 seasons in a row.

Fargo
The blackly comic crime drama from showrunner Noah Hawley has no pop-like nonsense, no mysticism, fiction, vampires or dragons in the series. It is a cynical and extremely exaggerated portrayal of living life on the edge. The characters embody human vices – envy, a thirst for power and hatred – which makes them act with indiscretion. Besides, the series is based on a famous and widely appreciated film of the same name by the Coen Brothers.

The Bridge
At the beginning, the show lured me in with its powerful energy, suspense and conciseness. As a producer, I was interested in working in this style. We adapted this series and set it around the Russian-Estonian border. In our version, the main roles were performed by Russian cinema stars Mikhail Porechenkov and Ingeborga Dapkunaite. We preserved the main characters but made them a little bit more Russian: a simple-minded guy from Russia and a discreet woman from Estonia. They don’t have anything in common and they don’t like each other, but they have to get along. Due to the circumstances, the bridge is a symbol of unity for us. And with the development of the plot, it acquires additional meaning and its own specific colour.

Boardwalk Empire
This series focuses on the romance and cruelty of Prohibition-era American gangsters. It is often described as the heir to legendary movies including The Godfather by Francis Ford Coppola and Once Upon a Time in America by Sergio Leone. But my interest is not only the plot – I enjoy the atmosphere, mesmerising details, costumes and design. I can breathe the air of Atlantic City in the 1920s.

Seventeen Moments of Spring
This is an iconic Soviet TV series shot in 1973, about a Soviet spy operating in Nazi Germany. When this show was broadcast, the streets of the cities became empty. It is still broadcast around the world and is still popular. I am picking it as an example because it explains ‘Russian style’ that many distributors and buyers see and do not like in some Russian TV series. By this I mean the use of a specific colour scheme – sepia. This series was shot in black and white to make the military drama look more like a documentary. I think the decision of the director, Tatyana Lionozova, to make the series this way was the right one, giving the effect of historical authenticity. But times are changing and nowadays Russian series are our way to find something new: our own new style, new stories, new genres and new forms.

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Send in the Calvary

Russian network NTV marked the centenary of the October Revolution with an adaptation of Alexey Tolstoy’s epic saga The Road to Calvary. DQ hears more about the sweeping drama from star Yulia Snigir and network producer Timur Weinstein.

The centenary of Russia’s October Revolution last year was marked on television with an epic period drama based on a novel by Alexey Tolstoy.

The Road to Calvary, which aired on NTV, captures the riotous crowds and the horrors of war, set against the stunning landscapes and architecture around St Petersburg, in a story that centres on the relationship between two sisters set between 1914 and 1920.

The civil war battle scenes involved the digging of trenches, drones and 500 extras

Dasha (Anna Chipovskaya) is stern and idealistic, while married Katya (Yulia Snigir) is careless and unhappy in her marriage. Both women fall in love with poet Alexey Bessonov, but at the outbreak of the First World War, a series of events separate the sisters and tear their family apart as they come to stand on opposing sides of the barricades.

“This is a story about how war kills people in different ways, irrespective of what side you’re fighting on,” Snigir tells DQ. “It destroys lives either way. Katya is lost in life and I think every person can say that at some point in time they made the wrong decision, they took the wrong road. Katya feels that her life is not her life, she’s living a foreign life and that’s what is destroying her. She can’t really understand her own nature.

“So she lives in a world of illusion, she’s inventing herself. She thinks she herself is very complicated and she’s attracted to very strange and complicated things. That’s why she is attracted to this guy, who is also attracted to destruction and death.”

The project was two years in the making, as the broadcaster sought to mark the centenary of the October Revolution. “The Road to Calvary is something that has been known for a long time – we all had to read it in school – and it had already been adapted for the screen twice during the Soviet period,” says Timur Weinstein, general producer at NTV.

“Yes, they were two excellent screen adaptations but they were done long ago and the real emphasis at that time was on the revolution, to ensure the fight and the victory afterwards was the focus. With this modern version, we know there were a lot of young people who don’t know about that period so we thought differently about how it should be written. We thought it should be written about two sisters and what they were dreaming about. They were just ordinary people. We also wanted to show how the revolution and the war destroyed everything – so our perspective was somewhat different compared to the previous versions.”

The Road to Calvary meant a tough winter shoot

Konstantin Khudyakov directed the series, which was adapted by Elena Raiskaya from Sisters, the first novel in Tolstoy’s The Road to Calvary trilogy.

In particular, it was the chance to star in a series based on a classic novel that appealed to Snigir, who has also appeared on the big screen opposite Bruce Willis in A Good Day to Die Hard.

“It’s not that often you’re offered a role from a script that’s based on classic literature,” she says. “A lot of Russian culture is based on Russian literature that’s known throughout the world, particularly both Tolstoys, Alexey and Leo [War & Peace].” The authors share the same surname and are also distant relatives.

The novel had already been adapted twice during the Soviet era

The source material, with the weight of its place in Russian history, also proved to be the biggest challenge for Snigir, who faced filming during the freezing winter and early spring. The inclement weather didn’t hold back the scale or ambition of the production, however. To recreate the battle scenes set during the Russian Civil War, the crew dug trenches and installed 300 metres of fencing.

Drones were used to capture the scale of the battles, which often featured upwards of 500 actors.

“Everyone has their own idea of what these characters are like and how they should be,” Snigir says. “But besides that fact, this is from classic literature, the script was very well written and it was being directed by a very famous Russian film director.”

Anna Chipovskaya and Yulia Snigir star in the period drama

With those elements in place, Weinstein believes the series is also well placed to break out on to the international market. Dori Media is handling global sales.

“Well, we think it’s a universal story – it’s about love, life and the wars,” he adds. “We’ve had a lot of adaptations being made in Russia [such as remakes of Breaking Bad and The Bridge]. But [original] Russian formats have long been deserving of international attention and international viewers.

“In the current market, we think we can overcome any barriers that have existed in the past. This is where we’re headed. I have been involved in a lot of foreign adaptations and I know that the foundation of a successful one is always a good screenplay and an interesting story. I think The Road to Calvary is exactly that.”

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