Tag Archives: The White Princess

Princess diaries

Showrunner Emma Frost takes DQ into the court of The White Princess, a historical drama she describes as a period version of The West Wing.

As far as sequels go, The White Princess is slightly unusual. A follow-up to 2013’s The White Queen, the series again finds its inspiration in Philippa Gregory’s series of novels that comprise The Cousins’ War, set against the backdrop of the War of the Roses in 15th century England.

There are also some of the same characters – but that’s largely where the similarities end. A brand new cast appears on screen, while the BBC dropped out of the US/UK partnership behind The White Queen, leaving US premium cable network Starz to go it alone. There’s also a new production designer and costume designer, giving the series an altogether different style and look.

That proved to be a breath of fresh air for Emma Frost, a British writer who has found her natural calling within the US showrunner system that gives writers the responsibility of producing their own work.

Emma Frost

“Doing it under the American system meant I was the showrunner and had the creative control that comes with that,” Frost explains. “I was very proud of The White Queen but there were certain things we felt we could do better so we’ve worked very hard to have a coherent creative vision for The White Princess. It looks quite different, it’s more sophisticated. It has a great deal more psychological depth within the characters than The White Queen, which was much more about the history and the sequence of events. With this one, we’ve gone deeper into character, psychology and motivation. In some ways, it’s like a period version of The West Wing – it’s very political.”

The story sees war-ravaged England ostensibly united by the marriage of Princess Elizabeth of York (Lizzie) and King Henry VII, but their personal and political rift threatens to tear the kingdom apart once again. When rumours circulate that Lizzie’s long-lost brother Prince Richard is alive and planning to take the throne, she is forced into an impossible choice between her new husband and the boy who could be the rightful King.

Produced by Company Pictures and Playground, The White Princess is executive produced by Frost alongside director Jamie Payne and Colin Callender, Scott Huff and Michele Buck. Starz distributes the series worldwide.

Frost wrote a detailed series bible and episode outline, laying out her vision for the show. She subsequently penned four episodes and co-wrote a further two, ensuring her vision and voice remained in place across the eight-episode run.

But the development of The White Princess was complicated somewhat by the show’s origins, being based on a book that is itself based on historical events.

“The book is always the guide,” Frost explains. “I go back to history as well and there are certain historical facts Philippa didn’t use that I chose to. For example, the first thing Henry does when he comes to the throne is he backdates his reign [to make him king before his victory over Richard III in the Battle of Bosworth].

Jodie Comer stars as Elizabeth of York

“That was considered an absolutely shocking outrage and blasphemy because it was believed that God was on the battlefield and God determined there and then who he would side with and who would be his next anointed king. So to suggest you thought you were the king before God decided was a real insult to God.

“To me, that was an incredibly explosive and dramatically exciting thing that really happened in history so I put that in the show, whereas it’s not in the novel. There aren’t many things I’ve actually invented. The only things I did invent came out of a necessity to follow a character or narrative arc that we set running in the first season. There are a couple of moments but, for the most part, everything is in history or from
the novel.”

Frost describes history as “a litany of things men did,” which means there is subsequently little focus on women. The White Princess, she says, reappropriates history from a female point of view, with a cast of powerful women all fighting for their own survival.

“What’s interesting for me is it’s an entirely female-driven show that also has incredibly high stakes,” the showrunner says. “If you create a contemporary show that’s entirely female-driven, it can be tough to find those high stakes, but this is a narrative about birth, death, war, betrayal and murder.

“The stakes could not be higher so it’s a fantastic opportunity to write these vivid, bold characters who are fighting for something they believe in and they need. It’s a joy, I have to say. We got to the final episode and myself and one of the other writers said, ‘Shall we just keep going? Shall we write some more?’”

Michelle Fairley (left) and Suki Waterhouse share a joke between takes

Leading the charge on screen is Jodie Comer, who stars as Lizzie opposite Jacob Collins-Levy as Henry. She is joined by Michelle Fairley (Lady Margaret Beaufort), and Essie Davis (Dowager Queen Elizabeth Woodville), while Suki Waterhouse appears as Cecily of York.

Comer caught Frost’s attention with star turns in BBC dramas Doctor Foster and Thirteen. And after seeing her during the first day of auditions, Frost quickly told the actor not to take up any other jobs.

“It’s been a really incredible show for me because every cast member is perfect, they are so good together and they inhabit the same world as well,” Frost says. “Sometimes you cherry pick the individuals that you want and when you get them together, they seem to inhabit different realities in terms of the tone of their performance and the way they resonate on screen. We’ve been really lucky with The White Princess in that everybody feels like they’re of the same world and the same tone and they work really well together.”

Filming locations were largely picked close to the production’s base at Bottle Yard Studios in Bristol, taking in sites across south west England such as Gloucester and Wells cathedrals – but also as far away as Arundel Castle on the south coast.

Frost admits each stage of production is “a mountain to climb,” from balancing the scripts between the source novel and history to keeping the drama relevant for modern audiences.

“It’s an incredible juggling act,” she notes. “I was very keen to find out if people of colour existed at this time because you never see any non-white faces in any of the movies or TV shows that have been made so far of this period. I drove my script editing team completely insane, researching any books they could find that might give us an insight into what the reality was.

“We found these two incredible books and learned unexpectedly there were actually quite a lot of people of colour, particularly in the cities – London, Plymouth, Bristol, all of the big port cities – so that was a really exciting discovery when we realised we could actually bring in a much more diverse cast.”

The White Princess, which debuted on Starz earlier this month, completes the story that began in The White Queen. A decision is yet to be made on a third instalment.

But why do historical and period dramas continue to fascinate the world over? “It’s a very glamorous, inaccessible world people can peer into through drama,” adds Frost, who is now working on feature film Zelda with Ron Howard and Jennifer Lawrence. “Royals were the celebrities of their day. Henry and Lizzie are the equivalent of Posh and Becks, aren’t they? They are these glamorous, unattainable, powerful people. It’s glamour and escapism for the audience, but these stories also have incredible stakes.”

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Apple eyes TV collaboration with Dr Dre

Dr Dre
Dr Dre is developing a scripted series with Apple, according to reports

Assuming it turns out to be true, the biggest content story of the week comes courtesy of The Hollywood Reporter, which says that tech giant Apple is making a six-part TV series with rap legend and Beats Music co-founder Andre Young, better known as Dr Dre.

According to the story, which has subsequently been picked up by a number of major US media outlets, the show will be a semi-autobiographical “dark drama” that will be liberally laced with sex and violence. Apple and Dr Dre have not yet commented on the nascent project, which will be made available via the subscription service Apple Music.

The prospect of Apple moving into content has been mooted for some time. But with Amazon and Netflix rapidly ramping up their original content slates, the company is clearly starting to get anxious it is falling behind. Working with Dr Dre is, however, a great way to signal its ambition. The movie Straight Outta Compton, which looked at Dre’s involvement with the band NWA, grossed US$200m worldwide – suggesting there is a large potential audience for the new show (which will be executive produced by Dr Dre, just like Straight Outta Compton). Fox’s success with Empire and Starz’s success with Power reinforce the idea that the black music industry is fertile creative ground.

Meanwhile, SVoD platform Amazon Prime Instant Video has announced a couple of interesting commissions this week. Echoing developments at its arch-rival Netflix, it is now getting into non-English-language production with a German-language series called Wanted.

Wanted will star German actor-writer-director Matthias Schweighoefer and tells the story of a Berlin convention centre project manager who becomes the victim of a mysterious hacking attack. Schweighoefer’s company Pantaleon Entertainment, Warner Bros Entertainment and Warner Bros International Television Production Deutschland are attached to produce.

Mozart in the Jungle has been given a third season
Mozart in the Jungle has been given a third season

Christoph Schneider, MD of Amazon Video Germany, said: “With our first regional Amazon original production we implement not only the desire of many of our customers for exclusive German content but also extend our service to new audiences and establish Amazon Prime as an important partner for producers and creative professionals in this country.”

This week also saw Amazon order a third season of its Golden Globe-winning series Mozart in the Jungle. Mozart is a show about the politics and relationships in a leading symphony orchestra. Season two began streaming in December 2015.

Over at Netflix, meanwhile, there was also a renewal for Aziz Ansari’s Master of None. The show stars Ansari as Dev, a 30-year-old actor attempting to make his way through life in New York City. Netflix doesn’t release viewing data, but an 8.4 rating on IMDb suggests the show has picked up a pretty loyal audience.

Premium pay TV network Starz has been talking about doing a sequel to period drama The White Queen for two or three years now. Finally, it has committed itself to an eight-episode limited series called The White Princess, which will air in 2017. Like the previous series, this one is based on the novels of Philippa Gregory and will be adapted for the screen by Emma Frost.

Aziz Ansari's Master of None will return to Netflix
Aziz Ansari’s Master of None will return to Netflix

The White Princess, which is told through the eyes of a female protagonist, concludes the story of England’s War of the Roses and charts the rise of the House of Tudor. Starz MD Carmi Zlotnik said: “There is a dearth of programming that tells women’s stories and The White Queen was embraced with great success by audiences worldwide. The fanbase for Philippa Gregory’s historical novels is undeniable, and we are confident The White Princess will become the next must-see fandom drama series.”

The show will be produced by Company Pictures, with Playground’s Colin Callender on board as an executive producer.

In recent months there has been a lot of activity among Italian producers seeking to raise their profile on the international market. One of these is FremantleMedia-owned Wildside. This week, the company announced it is developing a series based on Elena Ferrante’s four acclaimed Neapolitan Novels. The plan is for each of Ferrante’s four female-centred books, which are set against Italian society changes from the 1950s to the present day, to become an eight-episode series (32 episodes in total). The show is being coproduced by Wildside with Domenico Procacci’s Fandango, which owns the rights and originated the project. Fandango was one of the producers on the hit series Gomorrah.

Deadline has also been running an interest story this week suggesting James Bond star Daniel Craig is to star in a new drama series called Purity, based on the book of the same name by Jonathan Franzen. Showtime, FX, Netflix, Amazon and Hulu are all still in the running to secure the series, according to Deadline.

War and Peace has sold to channels around the world
War and Peace has sold to channels around the world, including Russia’s Channel One

Meanwhile, Hulu is reported to have linked up with UK producer Stephen Garrett, who has recently launched a new drama indie called Character Seven. Garrett is developing a London-set supernatural series for Hulu called The Rook, in partnership with Twilight author Stephanie Meyer’s company Fickle Fish and Lionsgate.

Finally, BBC Worldwide (BBCWW) has announced a slew of new sales for its adaptation of Tolstoy’s War and Peace. Pick of the bunch is the sale to Russia’s Channel One, though the show has also been sold across Asia and Scandinavia and to France.

BBCWW president of global markets Paul Dempsey said: “It is fitting that Russian audiences will get the chance to enjoy this thoroughly modern adaptation of Tolstoy’s classic novel. They’ll join millions of viewers around the world who have been enthralled by Andrew Davies’ stunning interpretation of War and Peace.”

Previously, the Weinstein Company licensed the series to the A+E Networks in the US.

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