Tag Archives: The Royals

Reign ends but royalty remains

Reign dramatises the life of Mary, Queen of ScotsOn Wednesday, The CW announced that the fourth season of Reign, which debuts on February 10, will be the last. The news is no real surprise given that the show’s ratings have been pretty modest since launch. Season three averaged 970,000 per episode, which puts it at the lower end of the channel’s typical ratings. An IMDB score of 7.6 also suggests it won’t be massively missed.

For those unfamiliar with the show, Reign is a period drama that chronicles the rise of Mary, Queen of Scots in 16th century Europe. It is not overly concerned with historical accuracy and is generally viewed as a guilty pleasure. It is significant, however, in that it is part of a broad array of TV shows that have placed royalty at the heart of their stories. So this week, to mark the end of Reign, we’re looking at this sub-genre.

thecrownThe Crown Netflix is reckoned to have ploughed US$100m into this exploration of Queen Elizabeth II’s early life. Written by Peter Morgan and directed by Stephen Daldry, the show has received pretty much universal acclaim and is currently sitting pretty with an IMDb score of 9.
A second season has been commissioned and the intention is that the series will run for five or six seasons (though Morgan has not yet committed to such a lengthy run).

victoriaVictoria Vying with The Crown as the best royal series of the year is ITV’s Victoria. Written by Daisy Goodwin, the show has a similar blueprint to The Crown. Starting with the early life of the famous 19th British monarch, the show is intended to follow her through her life, with season two already commissioned.
The show did well in the UK ratings, with an average audience of seven to eight million on Sunday evenings. It has also sold well internationally, although it’s too early to tell how the global market is responding to the show. It will premiere on PBS in the US on January 15. Its IMDb score is 8.3.

tudorsThe Tudors Michael Hirst’s epic series for Showtime helped kick-start the global trade in lavish, semi-fictionalised TV series about monarchy, power, aristocracy and the like. Aired for four seasons between 2007 and 2010, episodes of the show typically attracted an audience of around 700,000-900,000 for the US cable network.
The series starts during Henry VIII’s reign but doesn’t always stick to the facts. Explaining why, Hirst said: “Showtime commissioned me to write an entertainment, a soap opera, and not history. And we wanted people to watch it.” On balance, he argued: “Any confusion created by the changes is outweighed by the interest the series may inspire in the period and its figures.”
US cable channel Ovation recently acquired all four seasons of The Tudors to accompany its investment in Versailles (below). Note: other series to have explored the Tudor period include the BBC’s excellent Wolf Hall and ITV’s 2003 miniseries Henry VIII. The Tudors achieved an IMDb score of 8.1, Wolf Hall 8.2.

versaillesVersailles Set during the reign of Louis XIV of France, this Canal+ drama rated well at home and has sold widely around the world. A second season is on its way and a third has already been commissioned, with production due to start in April 2017.
The first season rated pretty well on BBC2 in the UK and has been renewed. In the US, it aired on arts channel Ovation – which scored its highest ever ratings when it aired the first two episodes back to back (a combined total audience of 557,000).
Dubbed by one critic as the music video version of French history, the show hasn’t achieved the same critical acclaim as The Crown or Victoria, but it is praised for its high production values.

magnificent-century-kosem-10Magnificent Century Timur Savci’s sumptuous period drama was a big hit at home and also been sold into more than 40 territories. It did, however, receive some criticism from conservative elements within Turkey, who called it “disrespectful and hedonistic.”
The show, which ran for 139 episodes between 2011 and 2014, is based on the life of Ottoman Sultan Suleyman the Magnificent. It was followed by Magnificent Century: Kosem, which jumps forward four decades to tell the story of a female ruler who began her life as a slave girl. This show, also produced by Savci, has sold well internationally. Season one of Kosem aired on Star and season two on Fox.

theroyalsThe Royals E! Entertainment’s The Royals is currently into its third season with an audience in the 600,000 range. This after the show averaged one million-plus for season one and around 750,000 for season two.
The show is a novel take on the notion of royalty, since it is based around a fictional British royal family. Elizabeth Hurley plays Queen Helena, a matriarchal figure attempting to maintain the family’s public image while dealing with a range of domestic problems. One of the key plot lines sees her son, Prince Liam, unexpectedly become first in line to the throne after his older brother dies. IMDb gives the show a 7.4 rating.

mary-princessMary: The Making of a Princess The Brits aren’t the only ones with a royal family, of course. In 2015, Network Ten in Australia ran a TV movie about Mary Donaldson, a young Australian woman who married into the Danish royal family after a chance meeting at the 2000 Sydney Olympic Games. The show, produced by FremantleMedia, got a meagre 6.1 rating on IMDb and mixed reviews, but actually rated well with around a million viewers.
Maximilian and Marie de Bourgogne: Historical royal dramas are popular for a few reasons. One is that they are less politically sensitive than stories about current royals. Another is that it is easier to fictionalise a dead royal’s life than a living one’s. And not to be overlooked is the fact that there are more royal families to work with, since a few of them have ceased to exist.
In this lavish production, for example, the focus is on the love story between the son of Frederick III and the daughter of the Duke Of Burgundy in the 1400s. Budgeted at around €16m (US$17m), it is a coproduction between MR Film, Beta Film, ORF and ZDF.

the-queens-sisterThe Queen’s Sister As Mark Lawson observed in an article in UK newspaper The Guardian last year, TV producers tend to take a slightly deferential look at recent royals, saving the controversy for long-dead monarchs (notably Henry VIII). One slight exception to this rule is the Queen’s late sister Margaret, who is generally portrayed in the media as something of a hedonist.
In 2006, Channel 4 told her story in a biopic entitled The Queen’s Sister, with Lucy Cohu as Margaret. Critics were divided over the show, some calling it satirical, others tawdry. It secured a number of Bafta nomination and aired on BBC America. See Lawson’s article here.

powerandpassionCharles II: The Power and The Passion A good example of how historic royals are fair game, this BBC production looks at the feckless and lazy side of this 17th century British monarch, restored to the throne after the death of his father’s nemesis Oliver Cromwell.
Written by Adrian Hodges and starring Rufus Sewell, the show does make an attempt to be historically accurate, relying to some extent on Antonia Fraser’s book Charles II. The show aired in the US and was nominated for a Primetime Emmy. IMDb gives it a rating of 7.6.

tagged in: , , , , , , , , , , , , , , , , , , , , ,

Tour guide

Jeremy Renner will likely appear in Knightfall (photo by Gage Skidmore)
Jeremy Renner will likely appear in Knightfall (photo by Gage Skidmore)

The Television Critics Association’s Winter Press Tour, taking place this year between January 5 and 19, is a star-studded event during which broadcasters, producers, writers and actors talk about new programme launches, imminent cancellations, casting announcements and ideas for turning around underperforming shows. As such, it is one of the key dates in the scripted TV industry’s annual calendar.

A+E Networks-owned History is one of numerous networks to have unveiled new shows during the tour. The pick of the bunch is a 10-part series about the Knights Templar, the elite warriors of the Crusades. Knightfall is being produced by The Combine – the prodco from Jeremy Renner (The Avengers) and Don Handfield – alongside Midnight Radio and A+E Studios. It is expected that Renner will guest star in the show, with additional cast and production details to be announced.

The show was unveiled by Paul Buccieri, president of A&E and History, who said: “We are thrilled to partner with Jeremy Renner, The Combine, Midnight Radio and A+E Studios to tell the intriguing story of the Knights Templar, which has been shrouded in mystery until now. Premium scripted content continues to be a growing part of the History portfolio, with an eye towards quality historical fact-based storytelling, and Knightfall is the perfect fit for our brand.”

Six will follow a team of soldiers
Six will follow a team of elite soldiers tasked with taking out a Taliban leader

The channel also announced an eight-episode order for military action-drama Six, from A+E Studios and The Weinstein Company. Written by William Broyles (Castaway, Apollo 13, Jarhead) and David Broyles, a military special operations veteran, Six follows Navy SEAL Team Six, whose 2014 mission to eliminate a Taliban leader in Afghanistan goes awry when they uncover a US citizen working with the terrorists.

“The backdrop surrounding this elite team of American soldiers – from their lives at home to the bravery they display serving our country – provides an amazing canvas for stories that deserve to be told,” said Buccieri.

The Weinstein Company co-founder Harvey Weinstein added: “The idea originally came to me when I read about Boko Haram kidnapping schoolchildren in Africa. It brought on the idea of creating a series about the world of SEAL Team Six because the story felt as poignant and timely as ever. We brought in Bill (Broyles), whom I have long admired, along with David to write the pilot. They took my idea and developed a brilliant script for the project and added authenticity to the world in a way that only first-hand experience could possibly bring.”

Interestingly, Weinstein said the show will be set up as a kind of anthology drama – echoing a recent trend. “Each year will feature a different theatre of war – the first starting in Africa,” he explained.

Philipp Meyer's The Son is being adapted for TV
Philipp Meyer’s The Son is being adapted for TV

There was also news of a greenlight at AMC, the US cablenet behind The Walking Dead and Into the Badlands. Reports coming out of the tour suggest AMC has ordered a 10-part series from Sonar Entertainment called The Son, based on the acclaimed oil industry-focused book of the same name by Philipp Meyer.

The series, which will involve Meyer as a co-writer, is about America’s birth as a superpower, told through the rise and fall of one Texan oil empire. It will be interesting to see how the show fares after ABC’s lack of success with Blood & Oil, another drama set within the US oil industry.

Elsewhere, there has been a lot of talk about Turner’s plans to refresh its cable networks TBS and TNT by shaking up their scripted content. At TCA, it was revealed that TNT is teaming up with M Night Shyamalan (Wayward Pines) to reboot HBO horror anthology series Tales from the Crypt. In the new TNT version, Shyamalan will curate a two-hour block made up of both long and short stories of suspense and horror.

“This is a new genre for us in our series efforts and a great chance to partner with M Night Shyamalan, whose blockbuster hit The Visit reminded movie audiences and critics this past summer that he truly is a master of horror,” said Sarah Aubrey, exec VP of original programming for TNT.

Shyamalan added: “To be part of such a beloved brand like Tales from the Crypt, something I grew up watching, and to also have the chance to push the boundaries of genre television as a whole, is an inspiring opportunity that I can’t wait to dive into.”

Tales from the Crypt is being revived under the auspices of M Night Shyamalan
Tales from the Crypt is being revived under the auspices of M Night Shyamalan

Meanwhile, with the massive success of the Fast and the Furious movie franchise, it was only a matter of time before one of US networks hit upon the idea of a TV drama based around cars. This week, it was revealed that Dwayne ‘The Rock’ Johnson (who stars in the Fast franchise) is working with Fox on a new show called Boost Unit.

Described as “Fast and the Furious meets Rescue Me,” it will be written by Jonny Umansky and Zach Hyatt.

Over at ABC, there was official confirmation of another Marvel-based show in the shape of Marvel’s Most Wanted, a spin-off from Agents of S.H.I.E.L.D.

On the streaming front, there was news from Hulu, which has ordered two 10-episode seasons of Chance, a psychological thriller in which Hugh Laurie will play a medical expert.

Set in San Francisco, the show follows forensic neuropsychiatrist Eldon Chance (Laurie) as he gets sucked into a violent and dangerous world of mistaken identity, police corruption and mental illness. For Laurie, it’s another opportunity to play a medical expert following the global success of Fox series House (2004-2012).

The Royals
The Royals has been given a third run

Hulu’s upcoming slate of originals also includes 11.22.63, a time-travel drama about the Kennedy assassination from Stephen King and JJ Abrams; The Path, starring Breaking Bad’s Aaron Paul; and Shut Eye, which will explore “the underground world of LA storefront psychics and the crime syndicate that runs them.”

In terms of renewals, E! has ordered a third season of original scripted series The Royals, which stars Elizabeth Hurley as a fictional queen. A coproduction between Lionsgate and Universal Cable Productions, the show is now getting up to the volume of episodes that appeals to international and SVoD buyers.

In terms of shows that are coming to an end, SundanceTV has revealed that Rectify will finish after its upcoming fourth season. TNT, meanwhile, will call time on Rizzoli & Isles after its 13-episode seventh season, which will air this summer.

JJ Abrams also used the TCA tour to speculate that the fifth season of CBS crime/sci-fi series Person of Interest (which he executive produces) will be the last, though he would “love it to continue.”

tagged in: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,