Tag Archives: The Producers

The world of drama in 2015

The US still dominates drama exports, but in the last Hit & Miss column of the year we take a look at some of the new shows from other countries that have punched above their weight in 2015.

gallipoli
Gallipoli

Australia
The Sydney Morning Herald has just named Gallipoli as the best Aussie drama of the year – and they’ve probably got it just about right. Although the lavish WW1 epic rated badly on Nine Network, it was a strongly scripted and well-acted show that has had some profile internationally thanks to Endemol Shine International. Gallipoli’s Aussie rivals this year included biopic Peter Allen: Not the Boy Next Door, multicultural drama The Principal and undead series Glitch. But probably the best of the bunch outside Gallipoli was The Secret River, Ruby Entertainment’s adaptation of Kate Grenville’s novel.

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The Book of Negroes

Canada
2015 was a decent year for Canadian-backed drama. The high point was epic miniseries The Book of Negroes, which was back by public broadcaster CBC and BET in the US. The story of escaped slaves returning to Africa via Nova Scotia pulled in 1.7 million viewers for the first episode, making it the highest-rated original drama for CBC since 1990. Another strong debutante in 2015 was sitcom Schitt’s Creek, which also aired on CBC. This show was sold internationally by ITV Studios Global Entertainment to countries including New Zealand.

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The Journey of Flower

China
Top of the pile in China this year has been The Journey of Flower, a love story based on the fantasy novel by Fresh Guo Guo. Broadcast from June to August, it told the story of Hu Qian Gu, a girl born with magical powers. At age 16, she becomes the disciple of Bai Zihua, an immortal in charge of a magical realm – and promptly falls in love with him. The series has aired internationally in markets such as Vietnam.

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1864

Denmark
At the forefront of the Nordic drama explosion, Denmark public broadcaster DR gave us series like The Killing and Borgen. In 2014/2015, it added the period drama 1864, which has sold to broadcasters including RTÉ Ireland, TV4 Sweden and Arte (France/Germany). Next up is Follow the Money, a thriller set in the world of economic crime. The show has been heavily trailed in 2015 but finally airs in early 2016. It has been picked up by BBC4 in the UK – a big fan of Scandinavian TV drama.

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Witnesses

France
After the success of Spiral and The Returned, it was the turn of Witnesses to catch the international market’s attention. A noir thriller set in Northern France, the France 2 show was picked up by Channel 4 in the UK, NRK in Norway, RTBF in Belgium and RTL Crime in Germany. The series was produced by Paris-based Cinétévé and written and directed by Hervé Hadmar and Marc Hernoux, who were behind Les Oubliées (Forgotten Girls) for France 3 and Pigalle La Nuit for Canal+.

Deutschland83FEAT
Deutschland 83

Germany
In terms of German drama, it’s impossible to look beyond UFA’s Cold War coming-of-age story Deutschland 83. The show aired on RTL in its domestic market and has been sold internationally to more than 20 territories by Fremantle Media International. Buyers have included Sundance in the US, Channel One Russia, TV4 in Scandinavia and Stan in Australia. UK VoD platform Walter Presents has also picked up the title.

FalseFlag
False Flag

Israel
Israeli spy series False Flag is continuing the good work done by previous drama titles such as Prisoners of War and In Treatment. In June 2015, the show was picked up by Fox International Channels for use in 127 countries worldwide. Fox is also adapting the series into English.

1992
1992

Italy
After Gomorrah forced the world to reappraise Italian drama, Wildside’s 1992 proved it was no fluke. The 10×60’ story of Italian corruption in the 1990s aired on Sky Italia before being picked up by the likes of Orange France, Canal Spain and Superchannel in Canada. In September, the show was also sold to Netflix by distributor Beta Film.

producers
The Producers

Korea
We looked at Korean drama a few months ago here. With the year over, the top show still looks like KBS’s The Producers, which aired in May and June. The story focuses on a group of young producers working in the variety department at KBS. It has sold to China, Japan, Thailand, Indonesia, Vietnam, Taiwan, Hong Kong and Kazakhstan, while digital streaming rights have been licensed to parts of Europe, the Middle East and North America. China’s online network Sohu paid US$2.4m for the show’s rights.

duenos-del-paraisoLatin America/Hispanic US
One of the hottest telenovelas of the year was Dueños Del Paraiso, starring Kate del Castillo, Adriana Barraza and Jorge Zabaleta. Created by Telemundo and TVN Chile, it tells the story of a woman who lives in poverty and whose ambition leads her to use drug trafficking as a means to become one of the most powerful women of her time.

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De Fractie

Netherlands
The Netherlands is better known for its entertainment format exports than its drama. But it has given birth to series like Penoza, which was remade in the US as Red Widow. One of this year’s more interesting dramas was public broadcaster VPRO’s De Fractie, a politics-based series that combined fiction and current events. It did this by working as a fast turnaround production so that it could include new developments from the real world. A success at home, it’s the kind of project that could lend itself to international formatting.

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Acquitted

Norway
Norway is starting to rival Sweden and Denmark when it comes to Nordic Noir series. This year’s big hit was Miso Films’ Acquitted, which tells the story of a man returning to his home town after a long absence – having been acquitted of murdering his girlfriend. A big hit for TV2, the show is distributed internationally by FremantleMedia International.

ourguysFEAT
Los Nuestros

Spain
Spanish drama is going through its own golden age at the moment, with titles such as Grand Hotel, Velvet and The Time In Between. All of the above are period dramas, but this year the Spanish have shown that they are also pretty adept at making contemporary thrillers. A good example is Mediaset Espana’s miniseries Los Nuestros (Our Guys), which follows a mission to save two Spanish children kidnapped by a terrorist group while on holiday in Mali. Attracting 3.7 million viewers, it was one of the year’s strong performers and there is talk of a follow-up series. Another strong performer was Atresmedia’s Under Suspicion, in which a seven-year-old girl disappears from a small community, while Hierro won the copro series pitching competition at Berlinale. The latter will air in early 2016.

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Jordskott

Sweden
If we were talking about returning series, then pick of the bunch would undoubtedly be the third season of The Bridge. But among new titles, ITV Studios Global Entertainment-distributed Jordskott is the year’s standout. A supernatural thriller from Sweden’s state broadcaster SVT, the show has been sold to ITV Encore in the UK and to broadcasters across Scandinavia. TV4’s Modus, distributed by FMI, is another new title that looks set to do well abroad.

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Dirilis Ertugrul

Turkey
Turkey is such a prolific producer of drama that it’s hard to single out a particular title. But one show that merits a mention is Dirilis Ertugrul, better known as Resurrection. A period drama set in the 13th century, this was public broadcaster TRT’s response to fellow huge period hit Magnificent Century (aired on Show TV and Star TV). Resurrection (which debuted on December 10, 2014 and ran through 2015) did extremely well for TRT1, delivering ratings well ahead of the channel’s average. It has also been sold internationally to more than 20 territories. Also of note in 2015 was the launch of Magnificent Century sequel Kosem Sultan, which rated particularly well with the AB demographic.

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Wolf Hall

UK
The Brits produced a lot of good drama this year but it’s hard to look beyond Golden Globe nominee Wolf Hall for the country’s outstanding scripted show of the year. Based on Hilary Mantel’s acclaimed novel, the show was a success for BBC2 in the UK and also aired on PBS in the US and Arte France, among others. Wolf Hall also sold in Scandinavia and features on BBC Worldwide channels in markets such as Australia.

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Six of the best from Korea

International TV market Mipcom starts in a couple of weeks’ time and one of the hottest forms of content at the event will be Korean drama. Wildly popular across Asia, Korean scripted shows have also recently started to be picked up as formats in the US, with examples including Good Doctor, Nine: Nine Times Time Travel, Answer Me 1994 and My Love From Another Star.

For anyone interested in knowing the hot Korean shows to look out for, there is a handy tool known as the Contents Power Index (CPI). Released on a monthly basis, the CPI attempts to measure fan interest in a series – using factors such the number of articles written about a show, internet search popularity and activity on discussion boards to determine which shows are most popular. Consolidated data for the first half of 2015 puts the following shows out in front. So keep an eye out for them in Cannes…

producersThe Producers: Broadcast by KBS, this 12-part series aired on Friday and Saturday evenings in May and June. Popular in Korea, it tells the story of a group of young producers working in the variety department of – wait for it – KBS. The show, which stars the highly bankable Kim Soo-hyun, has already been sold to broadcasters and platforms in China, Japan, Thailand, Indonesia, Vietnam, Taiwan, Hong Kong and Kazakhstan, while digital streaming rights have also been licensed to parts of Europe, the Middle East and North America. Underlining the show’s appeal, China’s online network Sohu paid US$2.4m for rights to The Producers. The programme has been nominated for a number of Korean Drama Awards, but it didn’t escape criticism, with some entertainment insiders complaining of an inaccurate portrayal of the relationship between producers and celebrities.

sensorycouple2Sensory Couple: Also known as The Girl Who Sees Smells, Sensory Couple is a suspense/comedy/romance hybrid adapted from a webtoon of the same name. Broadcast by SBS, it has an elaborate plot that centres on a woman who sees her parents being murdered by a serial killer but is then hit by a car as she escapes from the killer. She wakes up from a coma six months later to discover that she has lost her memory – but has developed the ability to ‘see’ smells. The show, which aired in April and May, started with a modest 5-6% share but steadily rose to 12% by the end of its 16-episode run. It has been sold to channels in Japan, Taiwan, the Philippines, Singapore, Indonesia, Malaysia and Cambodia. Last week, Singapore-based distributor Bomanbridge Media acquired the Mongolian rights.

pinocchioPinocchio: Pinocchio started airing in late 2014, running through to January 2015. A 20-episode drama on SBS, it has a typically convoluted plotline based around a conflicted romance, a hidden identity and a young man’s desire for revenge. The Pinocchio title refers to a girl who wants to be a journalist but has a syndrome that makes her hiccup when she lies (not great for a journalist). Echoing Sensory Couple, ratings grew throughout the run, starting at a 7.8% share and ending at 13.6%. The show was sold for a record US$280,000 per episode to Chinese video-sharing website Youku Tudou, where it scored huge ratings. It also sold to seven other Asian territories, the US and Israel. It was named Outstanding Korean Drama at the 10th Seoul International Drama Awards.

killmehealme2Kill Me Heal Me: An MBC drama that aired from January to March, Kill Me Heal Me is about a third-generation chaebol (corporation boss) who has memory lapses due to a traumatic childhood experience. Eventually this causes his personality to fracture into seven different identities. He is treated secretly by psychiatrist Oh Ri-jin who (surprise surprise) falls in love with him. The 20-part series reunited actors Ji Sung and Hwang Jung-eum, who previously starred together in the 2013 hit Secret Love. While Kill Me Heal Me did fairly well, it failed to hit the heights of Secret Love – despite the entertaining sight of Ji Sung playing seven characters). Nevertheless, it was licensed to markets including China, Japan, Taiwan and Thailand. In fact, local media reports claim it travelled from Korea to Japan faster than any other drama in history, airing in Japan as soon as the Korean run ended. It’s interesting to note that the market hasn’t yet moved to the kind of simultaneous transmission we now see with US shows.

Mask_(Korean_Drama)-p13Mask: A classic doppelganger story, Mask is about a sales clerk who looks identical to a congressman’s daughter. When the congressman’s daughter dies, nefarious forces blackmail the sales clerk into marrying the deceased woman’s fiancé – the heir to a huge fortune. The heir, who is unaware of the switch, had not been marrying for love, but because his family demanded it. He is pleasantly surprised by his new wife – who is nicer than he expected. The 20-part series first aired on SBS from May to July and was a consistently strong performer – airing in the same slot previously occupied by Sensory Couple. It was written by Choi Ho-chui, who had a previous hit with KBS’s Secret in 2013. International sales to date include ABS-CBN in the Philippines.

schoolWho Are You: School 2015: ‘School’ is an ongoing franchise that aired from 1999 to 2002 and was then revived in 2013. It depicts the struggles and dilemmas faced by Korean youngsters – though not in a Breakfast Club or Skins kind of way. In the latest season, for example, Lee Eun Bi (Kim So Hyun), a student at a top high school, mysteriously wakes up with amnesia. When she subsequently discovers she was once bullied, she decides to put things right by transforming herself into a popular and glamorous girl – but things aren’t as simple as they seem. Especially popular with young Koreans, this latest series of 16 episodes ran from May to June, finishing strongly with a 9.7% share. The show aired on KBS World with subtitles two weeks after its initial broadcast. It’s part of a lively genre of high-school K-dramas that stretches back years.

Other shows to appear on the CPI include Heard it Through the Grapevine; Angry Mom; Let’s Eat; Jeju Island Gatsby; Punch; Healer; Hyde, Jekyll and I; Orange Marmalade; and What’s with this Family?. One that doesn’t appear in the list but has generated a good response is tvN’s Ex-Girlfriend Club.

So what else is worth saying about Korean drama? Well, historically it has generated a lot of its international revenue from Japan. But, as the above examples show, China has become an important market. The interesting thing about China, however, is that foreign shows are banned from airing in primetime, which is why Korean dramas tend to be snapped up by online streaming services (which pay upwards of US$200,000 per episode).

In terms of staying on top of trends in the K-drama market, Drama Fever identifies the top trends in Korean drama this year. These include personality disorders, out-of-wedlock pregnancy, high-school bullying, exes and vampires – all of which sounds like the typical content of a Western drama too!

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