Tag Archives: The People vs OJ Simpson

Game of Thrones and OJ dominate Emmys

Game of Thrones will end in 2018
Game of Thrones will end in 2018

The 2016 Primetime Emmys didn’t spring too many surprises when its winners were unveiled at the weekend. One of the top performers on the night was HBO’s magnificent Game of Thrones (GoT), which was named Best Drama for the second year running.

Aside from being one of US cable TV’s most-watched series ever, it has now broken the record for the highest number of Emmys won by any fictional series (38, beating Frasier’s 37).

GoT’s two showrunners, David Benioff and DB Weiss, also picked up Outstanding Writing for a Drama Series for the season six’s Battle of the Bastards. This follows their win in 2015 for the exceptional Mother’s Mercy episode.

George RR Martin
George RR Martin

The big irony surrounding GoT, of course, is that there is such a schism between the progress of the TV series and the progress of the books it is based on. The novels’ author George RR Martin is, much to the consternation of his fans, taking an eternity to finish his magnum opus.

But the end of the show is now just two seasons away and there is no question that Martin will still be tapping away at his keyboard when Benioff and Weiss’s TV adaptation concludes in 2018 with season eight.

DB Weiss and David Benioff
DB Weiss and David Benioff

For those of us who fell in love with GoT as a written work, that creates a conundrum regarding the story’s closure.

HBO also has a conundrum, which is what to do when its most popular show by far ends. It seems so unlikely that HBO would let such an important franchise slip through its fingers that everyone remotely interested in GoT is speculating on whether there is scope for a prequel.

When this subject came up after the latest batch of Emmy wins, Martin kept that possibility open – with a proviso. “I do have thousands of pages of fake history of everything that led up to Game of Thrones, so there’s a lot of material there and I’m writing more,” he said, before adding: “At the moment we still have this show to finish and I still have two books to finish, so that’s all speculation.”

If there is a prequel, however, it seems Benioff and Weiss have already decided they won’t be involved. In response to questions about the idea, Benioff said: “You might want to ask George about that. It’s a great world that George created. I think it’s a very rich world, and I’m sure there will be other series set in Westeros but, for us, this is it.”

Of course, this means HBO actually has two challenges – how to keep the spirit of GoT alive and how to hold on to Benioff and Weiss. Maybe it’s time for a Lord of the Rings reboot…

FX's The People vs OJ Simpson: American Crime Story
FX’s The People vs OJ Simpson: American Crime Story

Another writer to go home with an Emmy last weekend was DV DeVincentis for Marcia, Marcia, Marcia – an episode of FX’s excellent series The People vs OJ Simpson: American Crime Story (Outstanding Writing for a Limited Series, Movie or Dramatic Special). All told, The People vs OJ won nine Emmys from 22 nominations, making it the top performer on the night.

DeVincentis wrote three of the show’s 10 episodes and was part of a writing team led by Scott Alexander and Larry Karaszewski. Echoing an increasingly common theme in the TV business, his previous credits are mostly movies (but with some extended career gaps).

DV DeVincentis
DV DeVincentis

He co-wrote the John Cusack film Grosse Pointe Blank in 1997 and then penned the Nick Hornby adaptation High Fidelity (also starring Cusack) in 2000. Short-lived TV series Dead Last (2001) and movie Lay the Favourite (2012) followed. The latter, which didn’t review well, reunited him with director Stephen Frears, with whom he worked on High Fidelity. Now he’s in the TV big league, but there is no news yet on his next scripted project.

The winner of Outstanding Writing for a Comedy Series was Netflix’s Master of None, written by Aziz Ansari and Alan Yang. This makes it a good year for SVoD comedy, with Amazon’s Mozart in the Jungle picking up a Golden Globe in early 2016.

While Ansari, the star of the show, is by far the better known of the two, Yang put himself firmly in the spotlight this week with an Emmy acceptance speech that pleaded for more diversity – but immediately managed to stir up a controversy on the subject.

He said: “There’s 17 million Asian Americans, and 17 million Italian Americans. They have The Godfather, Goodfellas, Rocky and The Sopranos. We’ve got Long Duk Dong [a character from Sixteen Candles regarded as a racist stereotype by the Asian community]. So we have a long way to go. But I know we can get there, I believe in us, it’s just gonna take a lot of hard work. Asian parents out there, if you can do me a favour: just a couple of you, get your kids cameras instead of violins, we’ll all be good.”

Aziz Ansari comedy Master of None
Aziz Ansari comedy Master of None

While Yang’s intentions can’t be faulted, the sensitivity of the diversity issue was underlined when his comments received a disapproving response from The National Italian American Foundation, which said it was “disturbed by the very public degradation of Italian American history. Mr Yang listed what he considered to be notable representations of Italian Americans in the entertainment industry citing Goodfellas, The Godfather, and The Sopranos. Mr Yang’s comments, while meant to point out the under-representation of Asian Americans in film, ended up including a reckless disregard for Italian Americans by citing films that portray Italian Americans as violent, dim-witted, and involved with organised crime – all three – and insensitive stereotypes that in no way reflect the lives of everyday Italian Americans.”

Away from the Emmys, Channel 4 in the UK and NBCUniversal-owned comedy streaming channel Seeso have announced there will be a second season of Flowers, a dark dysfunctional dramedy that stars Olivia Colman (Broadchurch) and Julian Barratt (The Mighty Boosh). Produced by Kudos and distributed by Endemol Shine International, the show was created by Will Sharpe.

Flowers stars Julian Barratt and Olivia Colman (centre)
Flowers stars Julian Barratt and Olivia Colman (centre)

Sharpe is best-known as an actor (Casualty, Sherlock, Dirk Gently), with Flowers his first significant breakthrough on the writing front. Commenting on the re-commission, he said: “Channel 4, Kudos, Seeso and [executive producer] Naomi de Pear have all been such supportive partners on this show and I’m very excited about working with them on another series of Flowers.”

C4 deputy head of comedy Nerys Evans added: “Covering complex issues like fidelity, mental health, sexuality and fraying family bonds, Will Sharpe’s hilariously awkward and heart-breaking show offers another unmissable look at the Flowers’ messed up world. Will’s scripts and the show’s perfect cast are so brilliant at making you wail with laughter one minute, and well up the next.”

Also this month, French production group Newen and the distribution and production arm of Keshet Media Group, Keshet International (KI), unveiled a drama development initiative for French and Israeli writers of high-end drama series. The two companies are calling for professional writers to submit proposals and projects in either English or Hebrew for unique one-hour or half-hour drama series with appeal for European audiences.

Flowers writer Will Sharpe
Flowers writer Will Sharpe

The initiative is being led by Atar Dekel, head of global scripted coproductions and Nelly Feld, KI sales director for Europe, on behalf of KI, and Sandra Ouaiss, Newen head of coproductions.

Dekel said: “Within KI’s aim to grow its global drama coproductions, we are excited to be partnering up with a company as prestigious as Newen. This is a unique opportunity for the creative communities in both France and Israel to take their local stories to the international stage. There is a keen appetite in the global market for Israeli and French scripted content and we hope this collaboration will instigate several high-end international coproductions.”

The submission period began on September 6 and ends on October 31 this year. Each candidate may submit a maximum of two projects via the KI or Newen websites  (where full terms and conditions are available). The firms have committed to selecting at least one and up to three projects that they will co-develop and coproduce if appropriate. The finalists will be announced in January 2017 and given the opportunity to work with an experienced European showrunner.

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TV jury finds in favour of FX OJ drama

Cuba Gooding Jr as OJ Simpson
Cuba Gooding Jr as OJ Simpson

Pre-transmission reviews suggested US cable network FX might be on to a winner with its new anthology series The People vs OJ Simpson: American Crime Story, and that hunch has now been borne out with episode one of the true-life crime drama attracting 5.1 million viewers.

That’s a huge figure for a cable drama and one that includes a high percentage of 18- to 49-year-olds. Possibly we can attribute some of that figure to heavyweight marketing by FX. But the fact the show also generated a 9.1 rating on IMDb suggests there is enough audience appreciation to help it keep up its momentum.

To put the show’s performance into perspective, it is the highest debut ever for FX – beating The Shield’s premiere in 2002. It’s also almost double the audience that tuned in for the premiere of Fargo in 2014. While it is a bit premature to talk about renewal, there are enough highly charged legal cases in recent US history to suggest American Crime Story could run for years.

One other network that will be happy is BBC2 in the UK, which has acquired the show for a mid-February transmission. If the series does as well in the UK as it is doing in the US, it will be another feather in the cap of Sue Deeks, BBC head of programme acquisitions, who has also played a large part in bringing Nordic Noir to the English-speaking world.

Deeks described the The People vs OJ Simpson “a fascinating and totally absorbing dramatisation of a case seared into the public consciousness. It is a case you might think you know all about – but believe me, you don’t know the half of it.”

The return of The X-Files has proved enormously popular around the world
The return of The X-Files has proved enormously popular around the world

The success of the FX show is the second good piece of news for the Fox family after a strong start for Fox’s reboot of Chris Carter’s The X-Files. Episode three of that six-part show has dropped a bit to 8.37 million viewers but this still represents a strong performance.

During the week, Fox also released figures showing that The X-Files has been a hit on the international market. Premiering within 24 hours of the US launch across 80 countries, the show attracted more than 50 million viewers, which Fox calls a “new ratings records in multiple markets.”

Among the highlights from that international performance, Fox says The X-Files matched or surpassed the season six premiere of The Walking Dead in several Latin American countries including Argentina, Chile, Colombia and Mexico. Across 11 European Fox markets, the episode one premiere was seen by more than 2.5 million viewers, with an average audience of 1.7 million. In Canada, the show debuted as the most watched series premiere of the 2015/16 season with 2.4 million viewers on Sunday January 24. With premieres still to come in the UK, Germany, France, Australia and India, Fox expects the total worldwide audience to grow considerably from its current level.

Still in the US, NBC has this week decided to renew Law & Order: SVU for an 18th season and Chicago Med for a second. With Chicago Fire and Chicago PD already renewed, this means veteran showrunner Dick Wolf now has an incredible four scripted series up and running on the network.

Chigaco Med, one of four Dick Wolf procedurals airing on NBC
Chigaco Med is one of four Dick Wolf procedurals currently airing on NBC

At a time when the industry is supposed to be short of good procedurals, Wolf’s shows occupy four of the top five slots on NBC in terms of drama ratings for 2015/2016. With audiences ranging from 6.8 million to 8.2 million per episode across the four shows, only Blindspot is outperforming Wolf’s portfolio of dramas.

Sticking with NBC for a moment, one show that does seem to be on its way out is Grimm, which is now part way through its fifth season. For much of this season, the show has been pulling in an audience of around 3.6 million to 3.8 million, which is down on the last couple of seasons. With enough episodes in the bag for the show to succeed in syndication – and the Wolf dramas taking up a large piece of network real estate – NBC really needs to cancel Grimm in the name of creative renewal. Until now, NBC has hedged its bets – pointing out that Grimm sells well overseas and is also strong in terms of delayed viewing. But it would be a surprise if the show came back for season six.

Another show that must be a candidate for cancellation is ABC’s reboot of The Muppets, which has been in freefall since its debut last September. After starting with nine million viewers, it was down to 3.8 million by December 8, at which point it took a mid-season break. The show underwent a bit of a revamp over winter in order to take it closer to its fun-loving roots. But an audience of 2.75 million for its February 2 episode suggests viewers have given up on the series. Assume The Muppets will be cancelled and then revived as a movie in a few years.

James Nesbitt in Stan Lee's Lucky Man, which airs on Sky1
James Nesbitt in Stan Lee’s Lucky Man, which has opened strongly on Sky1

In the UK, pay TV channel Sky1 got off to a very strong start with its new series Spike Lee’s Lucky Man, which stars James Nesbitt. BARB figures for the week of January 18 to 24 show that the production attracted 1.6 million viewers (seven-day figure). This puts Lucky Man up alongside popular US imports like The Flash. As always, the acid test will be how the show stands up over the next couple of weeks. To put it in context, Supergirl started at about the same level on Sky 1 but by mid-season had shed half its audience.

Still with Sky, there are reports this week that Dennis Quaid is joining the cast of Sky Atlantic drama Fortitude for season two. This is likely to give the show a ratings boost in its early episodes. Last year, the pre-launch marketing campaign for Fortitude made much of the fact that the show starred Stanley Tucci, Michael Gambon and Christopher Eccleston. This undoubtedly encouraged new audiences to sample Sky Atlantic. The only thing Quaid needs to be wary of is that – spoiler alert – all the big-name stars ended up dead last season (Eccleston almost before he opened his mouth). So he’ll need to watch his back.

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