Tag Archives: The Disappearance

Missing treasure

The trend for television dramas about missing children continues with The Disappearance, a French Canadian drama about a family’s grief when a young boy vanishes. DQ chats with writer Geneviève Simard and the production team behind the six-part limited series.

When French-language drama The Disappearance was dropped by its Quebec broadcaster while still in development, it could have been an early end for the six-part series about the struggle facing a family when a young boy goes missing.

CTV ordered a full series of The Disappearance when it was decided to make it in English

It’s to Productions Casablanca’s credit, however, that it persevered with the project and found a way to get it on screen – by translating it into English. Producer Joanne Forgues had the idea to switch languages and the drama was successfully resuscitated when Bell Media-owned CTV commissioned the full series.

Created and written by Normand Daneau and Geneviève Simard, The Disappearance opens on Anthony’s 10th birthday. Every year, his grandfather creates a treasure hunt for him to mark the special day, but this time he doesn’t return. Two years after the police investigation went cold, a strange event leads to the case being reopened.

The cast includes Peter Coyote (Sphere), Joanne Kelly (Warehouse 13), Neil Napier (Helix), Kevin Parent (The Calling), Judith Baribeau (21 Thunder) and Camille Sullivan (The Man in the High Castle).

By exploring the intimate relationships of a family torn apart by a missing child, Charles Ohayon, head of international sales at Productions Casablanca, says this series goes beyond other shows with a similar concept. “It’s a very human story,” he says.

Simard adds: “We’re not following the cops like in other shows. It’s really the family that we’re following. There are family secrets that bring the investigation forward.”

The Disappearance follows the reopening of the case of a missing 10-year-old boy

Simard wrote the series with Daneau, her former real-life partner, after the birth of their child. They were thinking of writing something together and began questioning what a parent’s worst nightmare would be.

“Having a child who is dead is a tragedy but not knowing where they are must create so much anguish,” she explains. “We wrote one episode and went to see Joanne. She took the project but we developed it with a French channel in Quebec, it was supposed to be in French, but after we developed three episodes with them, they changed direction [and dropped the series], so we looked elsewhere in Quebec. Then Joanne had the brilliant idea to translate it.”

Ohayon describes that decision as a “gamble,” but one that certainly paid off after NBCUniversal came on board the series, boosting its shooting budget and handling sales in France (13ème rue), the UK (Universal), the US (WGN America) and, ironically, Quebec, where it aired on Super Écran. It was also screened part of the International Panorama competition at Series Mania 2018.

“The idea was really to translate it and see if it had a chance through English Canada in terms of finding a network,” he says. “So it was a gamble to have them translate it.”

The producers cold-called CTV, who came back within a week with a positive decision. “It went very fast,” Ohayon continues. “Within a matter of weeks we signed a development deal for the next three episodes. Three months later, which is very unusual, Joanne had the green light to go into production, before the scripts were finished.”

After NBCUniversal came onboard, the show’s budget was boosted significantly

At this point, Simard admits she and Daneau had the ending in place but weren’t sure how to get there. “It’s a really complex story with a lot of twists,” she notes. “It has to be very tight so there was a lot of brainstorming. For Normand, this was his first series. I have written on others. We almost did everything together. We started writing the scripts before we knew how it would end. We wrote one episode and took it to Joanne but we never expected it to go very far. Our dream was it would air in French in Quebec.”

It was CTV that introduced The Disappearance to production giant NBCUniversal (NBCU), with Michael Edelstein, former president of NBCU International Studios calling to admit his team was in love with the project. “Then he said, ‘I have one problem – your budget is not high enough,’” OHayon recalls. “That’s the first time in 30 years I have ever heard that one. They came onboard based on scripts, the series was not even shot yet. For us in Quebec, that’s the first time this has ever happened, that a major US network would take on distribution based on scripts and not on shooting.”

Filming took place in Montreal, where the series used an original backdrop why retaining its original French flavour.

“We had cultural differences between French Canada and English Canada and also between Canada and the US, so we had to try and put that all in a melting pot and come up with something that pleases the three cultures,” Ohayon says. “I would say we won most of the battles. Once we explained and discussed it, we were able to agree on most things. Sometimes they had very good points and we went along with their suggestions and vice versa. It worked very well in the end.”

In Quebec, OHaylon says there is a constant creative struggle to produce content for eight million French-speaking people surrounded by 300 million English speakers.

“The only way for us to survive is to be strong, creative and innovative and that’s what happens – and we do it with very little amounts of money,” he notes, comparing budgets of between C$500,000 [US$378,000] and C$700,000 per hour in French Canada compared with C$2.2m and C$2.6m in English Canada.

“Why? Because English-language productions can be sold and exported around the world. The French language we have cannot be exported as easily, even in France, because it’s not the same French. It’s a very limited market. The revenues for broadcasters are decreasing so there’s a limited amount of money, yet they want more. So budgets are going down but everything within the budget is increasing because of union agreements, whether it’s writers, directors or crew. So we struggle to survive.”

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CBS in transgender breakthrough

Katherine Heigl, pictured in State of Affairs
Katherine Heigl, pictured in State of Affairs

CBS’s new legal drama Doubt will star Katherine Heigl. But it is the casting of transgender actress Laverne Cox in the show that is capturing the headlines.

US network CBS has given a series order to Doubt, a legal drama starring Katherine Heigl as a smart and successful defence lawyer who begins to get romantically involved with her client, who may or may not be guilty of a brutal murder.

The show is significant because it also includes transgender actress Laverne Cox (Orange is the New Black) in the cast. Assuming Cox’s role is one that doesn’t propagate the usual stereotypes that surround transgender acting talent, it will be a major breakthrough for the community, which usually finds it difficult to get meaningful roles outside niche cable channels and streaming services.

Doubt’s selection seems to have killed off another show’s chances of progressing to a full series – at least for now. Drew, which is a contemporary take on the Nancy Drew books, was in the running for a series commission from CBS until Doubt was chosen ahead of it. There is a chance it will pop up at another network, though, as CBS Studios is still shopping it around.

ABC's The Catch
The Catch has been given a second chance by ABC

Another interesting CBS story, as predicted by the US press, is that superhero series Supergirl is moving to The CW for its second season. In doing so, production will relocate to Vancouver from LA.

The move makes a lot of sense for a couple of reasons. Firstly, despite a very promising pilot episode, the show wasn’t really hitting the mark in the very exposed world of frontline network TV. Secondly, The CW (a 50/50 joint venture from CBS and Time Warner) already has a strong slate of superhero shows including Arrow, The Flash and Legends of Tomorrow, so it will be right at home.

The CBS announcements are part of a busy time of year for the US networks, which generally announce new series for their 2016/17 season in May. Another title in the news this week, for example, is NBC’s The Blacklist: Redemption, a spin-off from the well-established James Spader series The Blacklist.

NBC is a big fan of brand extensions, having also recently announced the launch of legal series Chicago Justice to go alongside scheduling stalwarts Chicago Fire, Chicago Med and Chicago PD.

Castle has reached it final season
Castle has reached it final season

A bolder move by NBC is the decision to take Eric Kripke and Shawn Ryan’s time travel series Timeless from pilot to series. Bizarrely, that means there are now three time travel shows coming through the US networks system, with ABC’s Time After Time and Fox’s Making History also greenlit as series (and remember, we’ve also just seen Hulu’s 11.22.63 air in the US).

Of course, for every new show there’s usually a cancellation to free up space in the schedule. This week’s unlucky victim on NBC is The Mysteries of Laura, axed after two moderate seasons. Other cancellations include ABC’s Castle, which is coming to an end after eight seasons on air. Create by Andrew W Marlowe, the show focused on a best-selling mystery novelist and an NYPD homicide detective who solved crimes together. When it started it secured an audience of nine to 10 million an episode, but as it comes to a close it is in the five to six million range.

Supergirl is moving from CBS to The CW
Supergirl is moving from CBS to The CW

ABC has also cancelled Nashville, Agent Carter and The Muppets. One other show it might have cancelled on the basis of its season one ratings was Shonda Rhimes’ The Catch, but instead it has decided to give the show a second chance in 2016/17.

This isn’t a massive surprise given Rhimes’ fabulous contribution to the network – but it has to go down as a bit of a risk. ABC’s faith in Rhimes has, however, been further underlined with the decision to order another new series called Still Star-Crossed, described as a sequel to Romeo & Juliet. Interestingly, ABC also had the option of going forward with a Shondaland comedy called Toast, but decided to call it quits on that one after a pilot.

Another project in the news this week is Paradime. This one is interesting because it has been optioned from a novel that hasn’t even got to publication yet, showing just how competitive the market for book rights has become. The novel, by Alan Glynn, is a psychological thriller about a man who returns to New York after a spell in Afghanistan and becomes obsessed with a businessman.

French thriller The Disappearance (Disparue)
French thriller The Disappearance (Disparue)

The show is being developed by ITV and One-Two Punch Productions, with Glenn Gordon Caron (Medium) onboard to write and direct the series. The appeal of the project is partly down to Glynn’s track record. His previous novel, The Dark Fields, was turned into the movie Limitless in 2011 and then a TV series.

Meanwhile, in Europe, the latest French thriller to be causing a stir is The Disappearance (Disparue), which has been compared to UK hits like Broadchurch and The Missing.

The show has been rating well on France 2, with an audience in excess of five million, and has now been picked up for broadcast by BBC4 in the UK. The Disappearance, written by Marie Deshaires and Catherine Touzet, is set in Lyon and tells the story of a 17-year-old girl who goes missing. As the police investigate the disappearance, a number of people close to the girl’s family are discovered to have secrets of their own that they wish to keep concealed.

Newen's Candice Renoir went to NPO2 in the Netherlands
Newen’s Candice Renoir went to NPO2 in the Netherlands

Although Disparue is a French scripted series, it actually owes a fair amount to other parts of Europe. It is, for example, based on a Spanish series called Desaparecida that first aired in 2007/08. And it was directed by Franco-Swedish filmmaker Charlotte Brändström, who has worked on Scandinavian crime series like Wallander, thus adding a bit of Nordic Noir to the show’s DNA.

Still in France, Newen Distribution has sold its detective series Candice Renoir to Dutch public broadcaster NPO2. The show, which is one of the top-rated dramas on France 2, has previously been sold to ZDFneo in Germany, CBC in Canada, RTP2 in Portugal, Kanal 11 in Estonia and Fox Crime Italy, among other broadcasters.

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Berlinale opens doors to top TV talent

As its name suggests, feature films are the major focus of the Berlin Film Festival, better known as the Berlinale. But, echoing trends across the global media market, high-end TV drama is also playing an increasingly important role at the event.

There is, for example, a screening showcase called the Berlinale Special Series, during which TV titles from Denmark, the UK, Israel, Australia and the US will be shown. There is also an event called The CoPro Series, during which seven international TV projects searching for coproduction and financing partners will launch.

For this week’s column, we’re taking a closer look at each of the selected projects, focusing on the writing talent involved.

Berlinale Special Series

David Farr
David Farr

The Night Manager is an adaptation of John Le Carre’s spy thriller, starring Hugh Laurie, Tom Hiddleston and Olivia Colman. Set to be broadcast by the BBC in the UK and AMC in the USA, it has been adapted for screen by David Farr, who recently attended the C21 Drama Summit to discuss his approach to the project. Farr has established a strong reputation as a theatre director but has also proved very adept as a screenwriter. His credits include TV series Spooks and the movie Hanna, co-written with Joe Wright.

Nick Hornby
Nick Hornby

Love, Nina is a comedy miniseries for the BBC starring Helena Bonham Carter, Jason Watkins, Joshua McGuire and Faye Marsay. The story is based on the memoirs of Nina Stibbe, a nanny who worked for and encountered some of London’s leading literary figures in the 1980s. It has been adapted by British novelist Nick Hornby (About a Boy, Fever Pitch) and is his first ever TV drama. He says of the project: “Love, Nina has already attained the status of a modern classic, and I am so happy that I’ve been given the opportunity to adapt it. We want to make a series that is as charming, funny and delightful as Nina Stibbe’s glorious book.”

Bob Odenkirk in Better Call Saul
Bob Odenkirk in Better Call Saul

Better Call Saul is a spin-off from the iconic AMC series Breaking Bad. Now moving into season two, it’s the brainchild of Vince Gilligan, who also created Breaking Bad. For season two, he shares the showrunning duties with Peter Gould. Although Gould is not as high profile as Gilligan, he is equally steeped in the series’ mythology, having worked on all five seasons of the parent show and the first season of the spin-off. For his work on Breaking Bad, he was nominated for four Writers Guild of America Awards.

Ryan Griffen
Ryan Griffen

Cleverman is an Australia/New Zealand coproduction based in a dystopian futuristic fantasy world. Due to be broadcast by ABC Australia and SundanceTV in the US, it stars Iain Glen and Frances O’Connor. The original concept for the story is from Ryan Griffen, a relative newcomer to the industry who also co-wrote four out of the series’ six episodes. Other credited writers were Jon Bell, Jonathan Gavin and Michael Miller (six episodes) and Jane Allen (two episodes). Overal,l that’s a pretty potent line-up of Aussie writing talent, with career credits that include Peter Allen: Not the Boy Next Door, Neighbours, The Gods of Wheat Street and Offspring.

Splitting Up Together is the latest drama to come out of Denmark. The TV2 show is described as a serialised character-driven comedy about family, love, sex and happy divorce. The show, which first saw the light of day at last year’s Mipcom, is produced by Happy End and distributed by DR Sales. It is created and written by Mette Heeno, whose previous credits include TV2 comedy series Lærkevej and Lillemand. Prior to that, she spent much of the last decade writing movie scripts (such as Triple Dare).

Sayed Kashua
Sayed Kashua

The Writer is an Israeli series coming out of the prolific Keshet stable. Written by Sayed Kashua, who created award-winning comedy Arab Labor, the 10-part series “observes the reality of a hybrid Israeli-Palestinian existence and the personal and political toll it can take on the individual.” This is a similar theme to Arab Labor, which has so far had four seasons (since debuting in 2007). Kashua earned an international reputation for his previous series, with the New York Times saying: “Kashua has managed to barge through cultural barriers and bring an Arab point of view… into the mainstream of Israeli entertainment.”

CoPro Series

Bosklopper
Stienette Bosklopper

Avrupa is a project from Circe Film in the Netherlands centring on a flamboyant Turkish family that immigrates to the Netherlands in the 1980s. It is written by Sacha Polak and Stienette Bosklopper. To date, Polak’s main credits have been movies (Hemel, Zurich and Vita & Virginia). Bosklopper, meanwhile, is best known as a producer – only turning to screenwriting in the past couple of years. Speaking to Screen Daily, she said: “I had been working with a lot of writers and directors. Somehow, there was an urge to contribute on a different level. To my own amazement, it is going very well. It comes quite naturally and I get the feeling I will continue to do this.”

Brotherhood is a Norwegian crime series for TV2 Norway from Friland Film, a production company best known for feature films. The series, apparently inspired by true events, centres on a police investigator in Oslo who becomes heavily involved in organised crime. His secret links to the underworld are suddenly challenged and the protection he has built around his family starts to fall apart. The eight-part project is being written by Nikolaj Frobenius, whose main writing credits to date are as an author and movie writer. Film credits over the course of the last decade include Pioneer, Sons of Norway and Insomnia, while his books have been translated into 18 languages.

Torleif Hoppe
Torleif Hoppe

DNA is a Danish crime show produced by Eyeworks Scandi Fiction and written by author and creator Torleif Hoppe. Hoppe’s main claim to fame is his involvement in The Killing, of which he wrote 20 episodes. Aside from DNA, he is also working with Buccaneer Media, BBC America and AMC on Moths, a thriller set in Japan.

Anders August
Anders August

Lucky Per is a Nordisk Film Production for TV2 Denmark, based on a famous book written at the start of the 20th century. The four-part miniseries will be adapted for the screen by Bille August and his son Anders. It is scheduled to go into production this summer, with delivery at the end of 2017. DR Sales is handling distribution. Anders August established himself as a film and TV writer at the start of the current decade and has gone on to bigger and bigger projects. Recent credits include The Legacy and Follow the Money for DR. There have also been reports that BBC America and AMC are developing a show created by the younger August. Deadline called the BBC/AMC project “an untitled comic-noir thriller set in a 1950s resort (that) follows the social climbing of a disarming young woman who turns out to be a dangerous sociopath.”

The Disappearance is a new project from highly rated writer/director Hans-Christian Schmid. Primarily a movie maker, his credits include Home for the Weekend, which competed at the 2012 Berlinale.

Clement Virgo
Clement Virgo

The Illegal is a new project from Clement Virgo, the director of The Book of Negroes. It’s based on a book by Lawrence Hill, who also wrote The Book of Negroes. Virgo’s new project, which is being produced through his company Conquering Lion Pictures, is a dystopian story set in the near future. It follows the journey of Keita Ali, a young marathon runner who flees his repressive native home and finds himself in a community of undocumented refugees living in a wealthy country. Virgo and Hill co-wrote the TV version of The Book of Negroes so it’s likely they will adopt a similar approach this time.

Wars Inc, produced by Drama Team, is described as an Israeli newsroom-based drama. Unfortunately there isn’t any additional information on the project right now, so you’ll have to wait until the Berlinale pitch to find out more about this one.

The CoPro Series will give producers and financiers the chance to get to know the series’ creators at a networking get-together following their pitch, and arrange one-on-one meetings to discuss potential partnerships. The full programme was designed in conjunction with Peter Nadermann (Nadcon, Germany) and Jan de Clercq (Lumière Publishing, Belgium).

The BBC's Doctor Who
The BBC’s Doctor Who

In other writer news, Steven Moffat has announced that season 10 of Doctor Who will be his last as showrunner. His final season will air on BBC1 in 2017 before he is replaced by Chris Chibnall, whose credits include Broadchurch, The Great Train Robbery and Life on Mars.

Moffat said: “While Chris is doing his last run of Broadchurch, I’ll be finishing up on the best job in the universe and keeping the Tardis warm for him. It took a lot of gin and tonic to talk him into this, but I am delighted that one of the true stars of British TV drama will be taking the Time Lord even further into the future.”

Chibnall called Doctor Who “the ultimate BBC programme: bold, unique, vastly entertaining and adored all around the world. So it’s a privilege and a joy to be the next curator of this funny, scary and emotional family drama. Steven’s achieved the impossible by continually expanding Doctor Who’s creative ambition while growing its global popularity. He’s been a dazzling and daring showrunner, and hearing his plans and stories for 2017, it’s clear he’ll be going out with a bang. Just to make my life difficult.”

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