Tag Archives: That Is My Life

Turkish TV drama shows resilience

It has been a miserable year for Turkey – yet despite a military coup, suicide bombings and the fallout from the Syrian Civil War, the country has somehow kept on pumping out great TV drama in 2016.

Wings of Love
Wings of Love is doing well on Fox Turkey

A lot of this creativity will be on show at the Mipcom market in Cannes from October 17. For example, Sweden-based distributor Eccho Rights has just announced an exclusive deal that will see it bring a slate of shows from one of Turkey’s leading drama producers, Ay Yapim, which is behind Ezel, Fatmagul, Forbidden Love, Karadayi, The End and more.

One of the most high-profile titles is Wings of Love (Bana Sevmeyi Anlat), which is achieving very strong ratings on Fox Turkey. The series premiered on August 22 and is currently number one on Friday nights. Also in the line-up is Brave and Beautiful (Cesur ve Güzel), set to premiere on Star TV later on this fall, with Turkish megastars Kıvanç Tatlıtuğ and Tuba Büyüküstün in the lead roles.

Another title in Eccho’s line-up is Insider (İçerde), which is loosely based on US movie The Departed. It debuted on Show TV on September 19 and proved a big ratings hit, also becoming the top-rated Turkish drama on IMDb with a score of 9.4. Gaining an audience share of almost 12%, Insider beat everything except for Orphan Flowers (Kirgin Cicekler), a popular ATV series that was launched in 2015 to great acclaim.

Karadayi
Fellow Ay Yapim drama Karadayi

With two more winter launches from Ay Yapim on the slate, Fredrik af Malmborg, MD of Eccho Rights, is understandably in bullish mood.

“We have been working closely with Ay Yapim ever since the global breakthrough of Turkish drama,” he said, “and we are very proud of the contribution we have made together in pushing the genre forward. Turkish drama is stronger than ever and Ay Yapim has always been a leader.”

Ay Yapim’s success on the international market isn’t just limited to completed show sales. It has also had success getting some of its formats away. A good example is The End, which was piloted in the US last year. More recently, the show has been greenlit for adaptation in four markets including Russia, Germany, the Netherlands and Spain. The latter version will be produced by Globomedia for broadcast on Telecinco in early 2017.

From left: Broken Pieces director Cevdet Mercan and stars Erkan Petekkaya and Nurgul Yeşilçay
From left: Broken Pieces director Cevdet Mercan and stars Erkan Petekkaya and Nurgul Yeşilçay

Eccho has also had notable recent successes with dramas from outside the Ay Yapim stable. For example, it recently sold Broken Pieces (Paramparça) to Swedish public broadcaster SVT. An Endemol Shine Turkey production for Star TV, Broken Pieces follows other Turkish dramas like The End onto SVT.

Eccho isn’t the only company to be heading for Cannes with Turkish drama in tow. Fox Networks Group is hosting an event on October 18 to highlight its Turkish drama slate, which runs to more than 700 hours. Among key titles is Pastel Film Production’s That is My Life (O Hayat Benim), which has already been sold to broadcasters in Latin America, Eastern Europe and Asia.

As in many markets, September to October is an important time of year in terms of new title launches on domestic TV. Aside from the aforementioned Insider, shows attracting attention include Black White (Siyah Beyaz) and You Are My Country (Vatanim Sensin).

The latter, produced by O3 Medya, is a big-budget period drama set just after the First World War. It tells the story of an army officer who is torn between loyalty to his country and the welfare of his family. Already sold to Croatia (a big fan of Turkish drama), the show is expected to prove popular with Mipcom buyers.

In terms of trends in Turkish drama this year, it seems as though some Western influences are creeping in. While Turkish viewers still tend to favour action, romance and historical drama, one of the most intriguing shows of the year was psychological thriller 46 Yok Olan, which aired on Star TV earlier this year.

O Hayat Benim
That is My Life has sold across the world

The series focuses on a professor of molecular biology who is trying to find a cure for his comatose sister. After trying a new potion on himself first, he releases an alter-ego that he cannot control and that seeks revenge for his father’s death and his sister’s illness.

While 46 Yok Olan didn’t draw huge ratings for Star, it did attract a fair amount of critical acclaim. So it will be interesting to see if it appeals to international buyers. The show is being marketed by Global Agency under the simplified title 46.

While a lot of attention in the next few weeks will be focused on Turkish drama exports, another story of significance is that SVoD platform Netflix has just launched a dedicated service in Turkey, with a fully localised user interface and local programming.

Signalling the seriousness of its ambition for the market, Netflix has also signed a deal with mobile provider Vodafone and is already working with Turkish TV manufacturer Vestel.

46
46 Yok Olan met critical acclaim

Commenting on the news, Netflix CEO Reed Hastings said: “Turkish people are great storytellers with their hugely popular and internationally recognised Turkish dramas, and Netflix aims to become one of [the industry’s] most vocal ambassadors. We’re delighted to offer a more localised Netflix in Turkey that will continue to grow with both our Netflix Original titles and licensed content.”

Although it is too early to tell what kind of local uptake the service will get, it could provide a useful revenue source for creators of Turkish drama. Shows that will appear on Netflix in Turkey include Leyla and Mecnun, Suskunlar (Game of Silence), Karadayı, Ezel, Kurt Seyit & Şura, The Revival: Ertuğrul and Filinta.

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Europe seeks scripted formats

The original US version of House, starring Hugh Laurie (centre)
The original US version of House, starring Hugh Laurie (centre)

A large proportion of the international TV industry is attending the MipTV market in Cannes this week, buying and selling shows or doing scripted format deals. So it seems appropriate that the week’s top story should concern Fox US drama House, which has proved popular with broadcasters around the world over the years.

Usually sold in its completed form, this week has seen Fox license the Sherlock-esque medical drama to Non-Stop Production, which is remaking it for in Russia.

Anton Zlatopolskiy, first deputy director of the channel’s parent, Russia TV and Radio, said: “We considered the pros and cons before obtaining the format of such a famous series. It is quite a challenge to create our own version. Neither well-known producers or actors nor a big budget can guarantee success when it comes to a local version. But there are a couple of secret ingredients that make a series outstanding and we know how to make them work.”

Sticking with scripted formats, the drama department of Italian public broadcaster Rai, Rai Fiction, has ordered a second season of its remake of NBCUniversal International’s Parenthood. The 26×60’ second run, produced by Cattleya, will air on Rai Uno later in 2016. The US original ran for six seasons on NBC between 2010 to 2015, so there is scope for Rai’s version to run and run.

Parenthood
The US series Parenthood (pictured) has been remade in Italy

Another high-profile scripted format deal this week involves Dutch public broadcaster KRO-NCRV, which has greenlit an adaptation of acclaimed Turkish drama The End. The Dutch version of the show is being produced by Netherlands-based Column Film. Column producer Chantal van der Horst said: “The End has a solid base for adaptation. The cleverness of the scripts and the universal appeal of the storyline makes the series suitable for audiences across the world, including in Western Europe.”

The show was sold into the Netherlands by Scandinavia-based distributor Eccho Rights, which has previously licensed the format to several markets including the US, Russia and France. Commenting on the deal, Nicola Söderlund, managing partner at Eccho Rights, said: “Turkish drama continues to break boundaries and it’s great that a West European version will be hitting screens later on this year. (The show’s producer) Ay Yapim has created a gripping plot that translates well across cultures, which is reflected in the number and range of licences on The End.”

Other interesting greenlights this week include news that Amazon has ordered a third season of Red Arrow’s crime series Bosch. Based on the novels by Michael Connelly, Bosch stars Titus Welliver as streetwise LAPD detective Harry Bosch. Commenting on the renewal, Morgan Wandell, head of drama series at Amazon Studios, said: “Our customers can’t get enough of Harry Bosch. The entire cast and crew have done a fantastic job with season two and we can’t wait to see what they have in store for next season.”

The End
Turkey’s The End is being remade for the Netherlands

Another big story out of the US is HBO’s decision to order a TV adaptation of Gillian Flynn’s best-selling debut novel Sharp Objects. The eight-episode series will star Amy Adams as a newspaper journalist trying to sort out her life following years of self-harm that landed her in a psychiatric hospital. However, her plan for a new life is derailed when she returns to her hometown and gets caught up in investigating the mysterious murder of two young girls.

The pilot for the TV adaptation is being written by Marti Noxon, who will also be showrunner. Noxon, the co-creator of Lifetime’s critically acclaimed drama UnREAL, will then share writing responsibilities on the series with Flynn, who previously adapted her own novel Gone Girl as a feature film. Jean-Marc Vallée (Wild) will direct.

Meanwhile, the SVoD giants are continuing their aggressive expansion around the world, part of which involves commissioning original local-language series. This week, it’s Netflix’s turn to grab the headlines – with its first original series from Spain.

Set in the 1920s, the show will look at the lives of four women who work as switchboard operators for the state-owned phone company’s central headquarters in Madrid. The series comes from the same stable that created international Spanish-language hits Velvet and Gran Hotel. This includes Roman Campos and Teresa Fernandez-Valdes from Bambú Producciones, director Carlos Sedes and writer Gema Neira, who often works with Campos.

Commenting on the commission, Erik Barmack, VP of international original series at Netflix, said: “We’re delighted to be working with Bambú Producciones, director Carlos Sedes and co-creator Gema Neira on our first original series filmed in Spain. We’re huge fans of their work on Gran Hotel and Velvet – epic romances that have been embraced by our members around the world. We’re certain our members will love this unique and engaging drama from some of the best storytellers in Spain.”

Bosch
Bosch will return to Amazon for a third season

We’ve talked a lot in previous columns about the trend towards movie adaptations, book adaptations and reboots in US drama – all of which are about providing in-built awareness in new projects. But there’s another trend that is creeping into the business – namely the spin-off. We’ve seen examples in cable with Better Call Saul (from Breaking Bad) and Fear The Walking Dead (from The Walking Dead). And Disney-ABC has created numerous movies and TV series rooted in its Marvel universe. NBC is the latest to get in on the act. First came Chicago Justice, a spin-off from Chicago PD, and now NBC has announced plans for a spin-off from The Blacklist. There aren’t many details as yet but it’s an interesting new development that promises to further narrow the number of slots available to original ideas.

Finally, Turkey was country of honour at Mipcom 2015, an event that focused heavily the country’s prolific drama output, and the country doesn’t seem to have lost any momentum coming into MipTV 2016.

Aside from The End deal referred to above, The Fox Turkey drama That Is My Life has also been selling well – with ANTV (Hong Kong), Kanal 5 (Bulgaria), Telemundo (Hispanic US), Moby Group (Middle East), Puls TV (Poland), Kanal D (Romania) and MTG (Russia) all acquiring the Pastel Film-produced show.

Another Fox show, The Intersection, also has a high profile at the market as part of the Endemol Shine International catalogue. Coinciding with ESI’s marketing activity in Cannes, Fox also announced a second season for the series.

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