Tag Archives: Tennison

US continues love affair with La Plante

Lynda La Plante
Lynda La Plante

Masterpiece, the prestigious drama strand that airs on PBS in the US, has come on board Prime Suspect prequel Tennison as a coproducer alongside ITV Studios and NoHo Film & Television.

The six-part series has been created and written by Lynda La Plante, who also wrote the first episodes of the original Prime Suspect franchise way back in 1991. La Plante’s three-decade association with the ground-breaking Prime Suspect franchise also saw her co-create a US version of the show for NBC in 2011.

La Plante, successful as both a novelist and a screenwriter, has always been known for her ability to create gritty female voices. Until now, most of her hit dramas have been centred on women in contemporary settings. But Tennison sees her most famous creation, Detective Jane Tennison, starting out her career as an ambitious 22-year-old in the 1970s. As such, it’s an opportunity for La Plante to explore what it would have been like for a female officer in an era of chauvinism and rule-bending.

The story begins when Jane is confronted with a brutal murder. Not only does she have to contend with the impact of violent crime, she also has to establish herself in a male-dominated workplace.

Aside from Prime Suspect and Tennison, La Plante’s best-known franchise is probably Widows, which first saw the light of day in 1983, introducing the world to the ferocious Dolly Rawlins. The first series of this story saw four women executing a heist that had been set up by their gangster husbands, presumed dead in a fire. The story continued with a follow-up series in 1985 and a spin-off in 1995 entitled She’s Out – again centring on Rawlins.

Helen Mirren in Prime Suspect
Helen Mirren in Prime Suspect

Like Prime Suspect, Widows was also transformed into a US TV series, in 2002. And, again like Prime Suspect, it continues to be evolved for new audiences. The latest incarnation of Widows is a movie version that is to be directed by Steve McQueen. La Plante is involved in the character development for the film, with the screenplay being written by Gillian Flynn (Gone Girl). Viola Davis (How To Get Away With Murder) is reported to be in the cast. There’s no confirmation yet that she will play the part of Rawlins, but assuming she does it would be an inspired choice.

Another female writer in the news is novelist Rose Tremain, who is developing two of her novels for TV with indie producer Buccaneer Media (Marcella). One of the novels is The Road Home, about a widower who travels from his Eastern European village to London in search of work to support his family back home.

The other is The Gustav Sonata, about a young boy growing up in a Swiss town and his friendship with a talented Jewish pianist.

Tremain is the award-winning author of 14 novels but has never written a TV script. However, she will be writing the teleplay for The Road Home. Despite the clear stylistic differences between novels and screenplays, this is a growing trend as producers look for ways to introduce new voices to the TV ecosystem. It’s one that’s likely to continue following the success novelist Daisy Goodwin has had bringing Victoria to the screen for ITV.

Rose Tremain
Rose Tremain

Production companies tend to control the risk of parachuting novelists into TV by supporting them with executives that are well-versed in the nuances of TV writing. In this case, Buccaneer has brought in Bafta winner Lynn Horsford as an executive producer. Horsford’s glittering film and TV career includes dramas like Any Human Heart, Birdsong, The 7.39 and Boy A.

There was another UK book adaptation story this week, with Big Talk Productions announcing that it’s developing a drama series based on Gordon Stevens’ 2006 book The Originals: The Secret History of the Birth of the SAS. The new series, to be called SAS: The Originals, will be written by James Woods (co-creator of comedy series Rev) and Rupert Walters (Spooks).

Stevens’ book is based on 120 hours of video and audio tape about the formation of the Special Air Service (similar to Delta Force or the Navy SEALs in the US) during the Second World War. It will be supplemented by Wood and Walters’ own research to create a drama about the origins of the world-famous fighting force.

Post-Rev, Woods has also been working on an adaptation of Evelyn Waugh’s classic novel Decline and Fall for BBC2. He previously worked with Walters on Ambassadors, a three-part miniseries starring comedian David Mitchell. That show was a Big Talk production for BBC2. It didn’t rate especially well but it did get some fairly positive feedback from TV critics.

Tony Briggs
Tony Briggs

In Australia, meanwhile, ABC has commissioned a comedy-drama series from an all-indigenous team of directors and writers. Warriors is set in the world of Australian Rules Football and tells the story of an 18-year-old indigenous footballer who is drafted to play in the elite Australian Rules Football league.

The series is from Robert Connolly’s production company Arenamedia and will be distributed internationally by Entertainment One. Screen Australia and Film Victoria also helped finance the show.

The series was created by Connolly and Tony Briggs, who is one of the writers. Briggs is well known in Australia as an actor but turned his hand to writing with 2012 movie The Sapphires. That told the story of a talented young Australian aboriginal girl group called up to entertain US troops during the Vietnam war.

The other writers on the show are Jon Bell and Tracey Rigney. Bell’s credits include international hit series Cleverman and The Gods of Wheat Street. Rigney, meanwhile, is a newcomer to TV but not to writing. Having studied creative writing at the University of Melbourne, her first play – Belonging – was staged in Melbourne when she was just 21. She has since written and directed films including Man Real, Abalone and Endangered.

Commenting on why Warriors attracted finance, Penny Smallacombe, head of indigenous at Screen Australia, said: “What attracted us to this project was both the concept of following four mischievous footballers experiencing the highs, lows and often funny situations of life as an elite athlete, and the opportunity for indigenous creatives to partner with highly regarded practitioners and accelerate their career trajectory.”

tagged in: , , , , , , , , , , , , , , , , , , , ,

Scripted staying power

American Gods
Neil Gaiman’s American Gods is coming to Starz as a TV series

This is one of those weeks that makes you realise the current boom in scripted series is far from over. In Europe and the US, across pay TV and free TV, the latest greenlights must easily represent in excess of US$50m of new productions.

Not only that, they all look like projects that will actually make it to screen, rather than ending up in the dustbin of failed developments.

One of the most high-profile announcements came from US premium cable channel Starz, whose aggressive pursuit of its two main rivals HBO and Showtime has seen it back ambitious series such as Power, Outlander, Black Sails and Flesh and Bone. Now it has announced plans for a series based on Neil Gaiman’s novel American Gods.

Bryan Fuller (Dead Like Me, Hannibal) and Michael Green (Gotham, Heroes) will write the screen version and act as showrunners, with Gaiman on board as executive producer. The show is being produced by FremantleMedia North America (FMNA), with international sales handled by FremantleMedia International.

Commenting on the project, Gaiman said: “I am thrilled, ‎scared, delighted, nervous and a ball of glorious anticipation. The team that is going to bring the world of American Gods to the screen has been assembled like the master criminals in a caper movie: I’m relieved and confident that my baby is in good hands.”

The project is an important one for FMNA, which has just experienced the disappointment of a cancellation for supernatural series The Returned. FMNA co-CEO Craig Cegielski said: “Neil’s novel is a brilliant work of art and together with the talented Bryan Fuller and Michael Green, we are committed to delivering a series that is nothing short of extraordinary.”

Showtime has also been in the news this week, having renewed Penny Dreadful, its horror drama copro with Sky Atlantic, for a third season of nine episodes. The series, which has built up a lot of momentum since season two, will shoot in Dublin with TX due in 2016.

Penny Dreadful
Sky Atlantic and Showtime copro Penny Dreadful has been given a third season

Showtime president David Nevins said: “(Creator) John Logan’s brilliant writing and the show’s amazingly talented ensemble continue to draw a passionate, global fanbase into the meticulously crafted world of Penny Dreadful.”

Sky Atlantic director Zai Bennett added: “Penny Dreadful is the perfect fit for Sky Atlantic; truly international in scale and ambition but with a raft of British talent at its core, and filmed in the Republic of Ireland. I’m thrilled to have the series returning to the channel, and to once again be partnering with John Logan and continuing to work with our good friends at Showtime.”

HBO has cropped up in the headlines this week too, following the revelation in the Hollywood Reporter that David Simon, creator of The Wire, is working on a series for the channel called The Deuce, about the rise of the porn industry in the 1970s. While there has been no official confirmation on this from HBO, Simon is currently working with the channel on a series called Show Me a Hero, so the prospect of a second greenlight seems close to the mark.

In Europe, one of the biggest announcements of the week came during the Monte Carlo TV Festival, where Christophe Riandee, vice-CEO of Gaumont, announced that Gaumont Television Europe plans to produce a new 13×60’ English language series entitled Crosshair. A Europe-based thriller that follows a former CIA assassin turned gunman for hire, Crosshair is written by Ken Sanzel, whose credits include CBS series Numb3rs.

Crosshair is the third project under the Gaumont Television Europe banner, after Spy City and 1001, an English-language thriller created by Real Humans’ Lars Lundström.

“We are seeing a huge trend into drama production making Europe a new frontier for TV,” said Riandee, “and a project like Crosshair is the perfect fit. It’s a new idea and a new world for a procedural series.”

Other activities that back Riandee’s upbeat assessment of the scene in Europe include the news that Israeli producer and distributor Keshet International wants to be more active in the European drama space, with plans to fund three or four productions a year. This would build on previously announced plans to work with France’s Atlantique Productions on an eight-part series called Crater Lake (written by Ron Lesham).

There was also a triple greenlight announcement from UK-based broadcaster ITV this week. The most interesting news is that it has commissioned Hans Rosenfeldt, creator of Scandinavian drama The Bridge, to make his first series in the UK. Called Marcella, the 8×60’ show (produced by Buccaneer Media) follows a female detective working on a murder case.

Prime Suspect
Prime Suspect, starring Helen Mirren. ITV has announced plans for Tennison, a prequel to the hit crime series

ITV also announced plans for a series called Tennison, a prequel to its long-running hit crime series Prime Suspect, which featured Helen Mirren as detective Jane Tennison. The new series, from Noho Film and Television and La Plante Global, is a six-parter. The decision to go down the prequel route follows ITV’s success with Endeavour, a prequel to fellow long-running crime series Morse.

The third part of ITV’s production news is the commission of six-part drama series The Durrells, based on author Gerald Durrell’s Corfu memoirs, including My Family and Other Animals. The series is being written by Simon Nye (Men Behaving Badly) and produced by Sally Woodward Gentle.

Durrell’s works are a perennial favourite for film and TV producers, with My Family and Other Animals adapted for the big screen in 2005. So it will be interesting to see how the TV series takes the franchise on. Woodward Gentle said: “Gerald Durrell’s novels are some of the warmest, wittiest, books of the last century. It is no wonder they are so well loved. It is a real treat to be working on them with the brilliant Simon Nye. I hope that his obvious love of the characters and the material will be hugely infectious.”

Finally, there was interesting news from Hulu regarding The Way, a 10-part series it ordered in March from Jason Katims (Parenthood). On Wednesday, Aaron Paul – aka Breaking Bad’s Jesse Pinkman – was revealed as the male lead in the drama, which centres on a controversial faith movement.

Hulu’s origination programme hasn’t received as much attention as that of Netflix or Amazon, but it does have some standout projects. Aside from The Way, it has greenlit a series called 11/22/63 from Stephen King and JJ Abrams that will star James Franco.

tagged in: , , , , , , , , , , , , , , ,