Tag Archives: Strike Back

Knockout locations

Kenton Oxley, CEO of Knockout Production Services, reveals how locations were sought for the seventh season of Sky and Cinemax action drama Strike Back, which was filmed in Malaysia.

Kenton Oxley

The process of finding the perfect locations for any drama production is a fantastic experience, but when producer Left Bank Pictures approached us with a view to filming Strike Back season seven in Malaysia, we found the sheer number of locations needed for the script exploded, just like the drama itself.

With approximately 100 unique locations used – within an intense schedule – we ensured the cast and crew filmed in the most beautiful, grimy, secluded and dense locations in Malaysia.

Filming revolved around Kuala Lumpur, Penang, Johor and the surrounding jungle. With the intense heat (40°C in the shade) and 90% humidity, filming was a challenge, but worth it when you watch the series. Malaysia delivered in spades.

We provided a detailed analysis of Strike Back’s infrastructure needs, based on the powerful and action-packed script. We have a great team on the ground in Malaysia, alongside 17 other global locations, so we were spoiled for location choice. Along with the rustic street locations, various dark and secluded warehouses where shootouts would take place and jungle territory, there were many settings that had to stand out and make a particular impact.

One of these was for the entrance of Colonel Coltrane, played by Jamie Bamber. The scene was shot on the rooftop of Menara KH’s Heli Bar, with the beautifully imposing Petronas Towers in the background. The location became the backdrop for the official Strike Back 7 press photography (pictured top) and Colonel Coltrane enjoyed an introduction like no other – from a venue on top of the world.

Filming locations included the jungle, where the crew encountered an enormous snake

Another location with gravitas is the missile warehouse, packed with technology and power. The location chosen was in Port Klang, approximately 350 kilometres from Johor. The humid and varied jungle scenes were shot in Hulu Langat and the street scenes were set in Armenian Street, part of the UNESCO World Heritage site in Penang.

The variety of locations needed proved intense, but our Malaysian location manager, Shan Iman, and our local line producer, Zurina Ramli, have extensive experience and knowledge as well as a database of locations. To add to this, we worked with the film commission in Johor and engaged local scouts, providing thousands of pictures of potential sites.

Working from the script, we sent back a potential locations document and awaited the director and producers’ choices. It was then over to us to secure permission from the location, government and local authorities to get releases and, finally, contract the location.

Sometimes this is straightforward. In developing markets, people embrace the idea, but dealing with individuals, big and small corporations, government bodies, local councils and associations while also educating proprietors and owners about the process and contractual commitment for filming is time-consuming.

The production also involved shooting in urban environments

With locations secured, we looked to logistics. For example, when we shot in a densely populated block of flats, we obtained permission from the flat owner, their neighbours and their neighbourhood association. Following this, we informed the local council about road closures. And because Strike Back involved firearms, chase scenes and explosions, we needed to inform the Royal Malaysia Police too.

As well as getting through all this red tape, we hired security to help with road diversions, while health and safety support was required in extremely remote locations in addition to basic amenities like power, water and waste management. We had to ensure complete independence and self-sufficiency. It was hugely satisfying to achieve.

Accomplishing this is challenging when local wildlife can be lethal. Ensuring medical kits include anti-venom for all local snake species, among other life-saving medication, is crucial. Every eventuality is covered, from medical emergencies through to evacuation procedures. Other than coming face-to-face with a huge boa constrictor on location in the jungle (humanely caught by our on-set snake handler), I’m pleased to say the drama was left to the script.

Our most challenging location was a recently closed shopping mall. Simply powering up the air conditioning was a massive task. Complexities of property ownership added complications, but the location was needed and it was just another day at the office for us.

The Strike Back cast ready to take to the skies in a helicopter

In contrast, a favourite filming location loved by all was Penang. It is a stunning city; a very welcoming environment that delivers as an amazing shooting location.

Left Bank Pictures executive producer Sharon Hughff agrees that the locations delivered: “When Left Bank Pictures embarked upon filming Strike Back in Malaysia, the creative challenges were immense. Not only were we looking to stage ambitious, complicated action set pieces, but Malaysia had to double for Goa, Indonesia and Hong Kong

“The beauty of the landscape, from the jungles around Johor Bahru to the neon futuristic cityscape of Kuala Lumpur all made for an incredible backdrop that exceeded our expectations and made for an epic on-screen production value.”

One of our aims at Knockout is for the locations to stay in the viewer’s mind after they watch the series. Certainly, one of the most jaw-dropping sequences I enjoyed seeing develop was at Sg Pendas, Johor, featuring a seaplane take fire as it flies over the immense lake. It is a stunning sequence with a stunning backdrop. For me, that’s what pre-production is all about – ensuring the great script and cast is supported by the best crew, infrastructure and locations in the world.

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China opens up to outside influences

The Night Manager brought 40 million views on VoD platform Youku Tudou
The Night Manager brought 40 million views on VoD platform Youku Tudou

About once a year the media reports that the Chinese government is planning to clamp down on the amount of foreign drama that appears on the country’s TV channels and streaming platforms. But developments in the past few months suggest that this is either inaccurate or isn’t having much of an impact.

This summer, for example, critically acclaimed BBC-AMC series The Night Manager generated an impressive 40 million views on streaming platform Youku Tudou. More recently, we reported Fuji TV’s entry into the China market via a scripted content partnership with Shanghai Media Group. And last week we reported how Sony Pictures Television (SPT)’s on-demand platform Crackle has joined forces with another leading internet TV service, iQIYI, on a three-part Mandarin-language drama.

Tencent Holdings acquired fashion drama The Collection from BBC Worldwide
Tencent Holdings acquired fashion drama The Collection from BBC Worldwide

There’s more activity this week that suggests China is continuing to open up to outside influences. Firstly, in a deal announced at Asia Television Forum in Singapore, China’s Tencent Holdings picked up fashion drama The Collection from BBC Worldwide. Secondly, UK producer/broadcaster ITV revealed that it has formed a partnership with Chinese producer Huace Film & TV that will see the latter remake an ITV scripted show for China. Discussions are still underway as to which show, but the deal is being heralded as a breakthrough by the UK company.

Commenting on the news, Mike Beale, executive VP of global development and formats for ITV Studios, said: “Much like the rest of the world, the demand for drama in Asia continues to grow, and our relationships with some of the world’s best producers and writers positions us perfectly to take advantage of this.”

Left Bank Pictures' reboot of Strike Back will feature a largely new cast
Left Bank Pictures’ reboot of Strike Back will feature a largely new cast

Elsewhere, Sky1 in the UK and Cinemax in the US have announced that there is to be a new series of action-adventure drama Strike Back. As with previous series, the show will be produced by SPT-owned Left Bank Pictures, but there will be a largely new cast.

Based on a novel by Chris Ryan, Strike Back centres on the activities of Section 20, a secret branch of the UK defence forces that undertakes high-risk missions around the world. The show ran for five seasons until 2015 – a total of 46 episodes. It then had a hiatus, with production of the new series starting in 2017.

The previous series of the show did well on Sky1 and Cinemax and was also sold into markets like Australia, Canada and France. Commenting on the show’s comeback, Adam MacDonald, director of Sky1, said: “We’re thrilled to be working with Cinemax again to deliver more edge-of-your-seat action-adventure. At such an interesting time in global politics, this series delivers a compelling take on world events and the murky world of espionage.”

Executive producer Andy Harries added: “Strike Back is the show that took Left Bank Pictures onto the international stage and we are thrilled to be back with such an exciting cast and a world-class team of writers, directors and producers. With a fan base spread over 150 countries, Strike Back is TV at its very best, where the military comes first. Our new stars have amazing physical skills, which, combined with their training, will make the show rock.”

Leaving aside the long-running success of Homeland on Showtime, Strike Back’s mix of action and espionage is something of a rarity in the international market right now, with broadcasters having moved in the direction of sci-fi, superheroes and fantasy. However, there are a few upcoming titles that suggest the market is shifting back in this direction. These include History Channel’s Navy Seal drama Six and Fox’s reboot of 24. There are also a few new shows coming out of Israel such as False Flag and Fauda, the latter having been picked up globally by Netflix.

Fox is said to have committed to a script based on Basket Case
Fox is said to have committed to a script based on Basket Case

In another interesting move, Fox is reported to have given a script commitment to Basket Case, a TV drama based on the 2002 novel by Carl Hiaasen. Although a terrific writer with around 15 novels and five children’s books to his name, Hiaasen’s work has rarely been adapted for film or TV. His 1993 novel Strip Tease was turned into a film in 1996 and his 2002 kids book Hoot received similar treatment in 2006. But other than that, there is little to report.

Basket Case centres on a former hotshot investigative reporter, Jack Tagger, who’s now an obituary writer. It will be adapted by White Collar and Graceland creator Jeff Eastin, and Life in Pieces executive producer Jason Winer. Presumably if it’s a hit we can expect Hiaasen novels to become another regular source of inspiration for the scripted TV trade.

Still in the US, Fox drama Pitch has just come to the end of its first season. The show, which tells the story of the first woman to play for a Major League Baseball team, was well received by critics but delivered pretty poor ratings – 4.23 million at the start falling to 2.89 million at the end of its 10-episode run. This puts it down among the weaker scripted performers on Fox, such as Scream Queens, The Exorcist and the rapidly-fading Rosewood.

Pitch could perform better on a new network
Pitch could perform better on a new network

With its low ratings, Pitch would be an easy cancellation for Fox. But the fact is that the channel doesn’t have many hits at the moment – with Empire and Lethal Weapon some way ahead of the pack. So it may decide to back a second season of Pitch.

If Pitch is cancelled, there is talk of it moving to another network. Of course, there is always talk of series moving network when they are dropped, but Pitch really does seem like a show that could do a job in a less ferocious competitive scenario. If the show doesn’t survive in any form, then it just goes to prove how hard it is to make dramas that have sports as their backdrop.

Finally, Australian pubcaster ABC and Screen Australia have teamed up again to uncover the next generation of home-grown comedy talent through their Fresh Blood talent initiative.

Wham Bam Thank You Ma’am
Aussie comedy Wham Bam Thank You Ma’am resulted from a Fresh Blood pitch

The first wave of Fresh Blood launched in 2013 with 72 comedy sketches created by 24 teams. Five of those teams were selected to make TV pilots for ABC and two of them were then launched as six-episode half-hour series: Fancy Boy and Wham Bam Thank You Ma’am. A new wave of Fresh Blood sees 20 up-and-coming comedy teams each awarded US$15,000 to produce three sketches. During 2018, four of those teams will be selected to produce a TV comedy pilot.

Mike Cowap, investment manager at Screen Australia, said. “For new comedy writers, performers and directors, Fresh Blood is a launchpad like no other, providing opportunities and exposure that can set up ambitious creators for successful futures.”

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