Tag Archives: Sapphire & Steel

US studios extend int’l footprint

Gone is a 12-part series adapted from Chelsea Cain’s novel One Kick
Gone is a 12-part series adapted from Chelsea Cain’s novel One Kick

About two years ago, the international scripted TV business started to express its concern that there was a shortage of US procedural dramas coming on to the market. With the trend towards limited series and increased emphasis on superhero/sci-fi, buyers in markets like France and Germany feared a gap.

A number of companies said they would address the shortfall, including NBCUniversal International Studios (NBCUIS), which formed a partnership with RTL (Germany) and TF1 (France) with the intention of creating US-style procedural dramas. This week, they delivered on their promise by greenlighting Gone, a 12-part series based on Chelsea Cain’s novel One Kick.

Gone, which will be broadcast in late 2017/early 2018, tells the story of Kit Lannigan, survivor of a child abduction case and Frank Booth, the FBI agent who rescued her. Determined never to fall victim again, Kick trains in martial arts and the use of firearms.

She finds her calling when Booth persuades her to join a task force dedicated to solving abductions and missing persons cases. Paired with former army intelligence officer John Bishop, Kick brings her unique understanding of the mind of a predator to the team.

Gone will be executive produced by Matt Lopez, JoAnn Alfano and Sara Colleton. All episodes will be written, cast and produced in the US.

Hilary Bevan Jones
Hilary Bevan Jones

RTL and TF1 will broadcast and distribute the series in their territories (German and French respectively) and NBCUniversal International Distribution will license rights for the US and the rest of the world on behalf of the partnership.

Michael Edelstein, president of NBCUIS, said: “We are all delighted to be moving forward so quickly on our first series. In Gone, Matt Lopez has created a fascinating character who we believe will connect with procedural audiences around the world. We are assembling a first-rate production team and look forward to future series with our partners.”

Fabrice Bailly, head of programmes and acquisition TF1 Group, said: “The collaborative relationship represents a new way of working, for both studios and European broadcasters, to achieve high-quality procedural dramas.”

Joerg Graf, exec VP of production and acquisition at RTL Deutschland, added: “TF1 and NBCUniversal International Studios share our view that tailor-made formats will meet the need of our viewers for high-quality crime dramas.”

While the project is a welcome development, one point of interest is that Gone’s 12-episode run is still shorter than a standard US procedural. The first season of Fox’s Lethal Weapon, for example, is 18 episodes, while ABC’s Quantico has received 22-episode orders in seasons one and two. So a 12-episode order still leaves open a questions over the volume of new procedural episodes such cross-border alliances can bring to market.

Crackle original Chosen has aired for four seasons
Crackle original Chosen has aired for four seasons

Another interesting story this week is the announcement that Fox Networks Group (FNG) Europe and Africa has commissioned its first original drama in the region. While it isn’t a procedural like Gone, it does illustrate the increasing level of US studio engagement in the international market (in our last column, we also reported how HBO Europe is increasing its slate of original dramas).

Called The Nine, the new FNG show is created by Matthew Parkhill and Simon Maxwell (American Odyssey) and produced by Hilary Bevan Jones (Close To The Enemy, State of Play). An eight-hour drama, it tells the story of an ex-spy “who is brought back into the game to avenge the death of his son, only to find himself at the heart of a covert intelligence war and a conspiracy to profit from spreading chaos throughout the Middle East.”

Maxwell and Parkhill said: “We wanted to tell a story set against the backdrop of our dangerous and uncertain times. The Nine unfolds through the eyes of a man caught between two versions of himself, the past and the present. The genre of an espionage thriller gives us the perfect opportunity to mix his personal story with the turbulence of an ever-changing geo-political landscape.”

UK indie Big Talk Productions is rebooting1970s sci-fi series Sapphire & Steel
UK indie Big Talk Productions is rebooting1970s sci-fi series Sapphire & Steel

The project was commissioned by Jeff Ford, senior VP of content development, and Sara Johnson, VP scripted drama for FNG, Europe and Africa, and will go into pre-production in the new year.

“Following the success we’ve had with our Fox global content, we made a commitment to develop drama for this region that has the potential to be a success worldwide,” said Ford.

Another story that showcases the increasing international clout of the US studios’ production operations is the news that Sony Pictures Television (SPT)’s on-demand platform Crackle has joined forces with Chinese streaming service iQIYI on a three-part Mandarin-language drama. The partners will create a new version of Chosen, a Crackle original that has aired for four seasons.

SPT’s Playmaker Media is producing with support from Screen NSW and the show will be shot entirely in Australia. Production begins in the spring with a launch due at the end of 2017.

The Ritual Bath is the first book in the Decker-Lazarus series
The Ritual Bath is the first book in the Decker-Lazarus series

The past week has also seen a number of production and development announcements flowing out of C21’s Content London event. For example, ITV Studios-owned indie Big Talk Productions confirmed that it is remaking sci-fi series Sapphire & Steel, with Luther creator Neil Cross attached to the project.

Also, screenwriter/director Tony Grisoni revealed that he is developing a drama set against the 1943 Allied liberation of Sicily, with UK broadcaster Channel 4 paying for script development.

In the US, meanwhile, Thunderbird Entertainment has teamed up with David Salzman (Dallas) to develop a TV series based on Faye Kellerman’s Decker-Lazarus series of mystery novels.

The initial development process will focus on The Ritual Bath, the first book in the Decker-Lazarus series. The story follows a tough LAPD detective and a widowed mother of two who witnesses a brutal crime and becomes embroiled in solving it.

Nickelodeon has greenlit a third season of School of Rock, based on the Jack Black movie
Nickelodeon has greenlit a third season of School of Rock, based on the Jack Black movie

Also in the US, Nickelodeon has greenlit a third season of School of Rock, a tween/teen series based on the 2003 cult movie of the same name. Originally ordered straight-to-series, the show was given a rapid second season order of 13 episodes and has been attracting an average of around 1.4 million viewers.

The third season, which will go into production in 2017, will have 20 episodes, suggesting Nickelodeon is very happy with the show. School of Rock was the first series order for Paramount TV and is the first to go to a third season. The studio has also enjoyed success with Epix show Berlin Station and USA Network’s Shooter.

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ITV digs into Ancient Egypt

While US cable channel Spike gears up for the launch of its Ancient Egypt miniseries Tut (July 19), UK broadcaster ITV has announced that it too is planning a Tutankhamun-themed drama. ITV’s production, however, will focus on the discovery of the pharaoh’s tomb by archaeologist Howard Carter and his sponsor Lord Carnarvon. Starting in 1905, four episodes will trace Carter’s early expeditions around Egypt, leading up to the big discovery in 1921.

Guy Burt's previous ITV credits include The Bletchley Circle
Guy Burt’s previous ITV credits include The Bletchley Circle

Tutankhamun will be written by Guy Burt, an ITV favourite who is also penning a reboot of classic horror story Jekyll and Hyde for the broadcaster. Previous collaborations between ITV and Burt include critically acclaimed scripted series The Bletchley Circle, which told the story of a group of female code-breakers during and after the Second World War. (See Burt talking about season two of that project here.)

Something of a writing prodigy, Burt first attracted attention when he published his debut novel After The Hole (later adapted into a movie called The Hole) aged 18. After writing two more novels and securing a first in English at Oxford University, his career moved in the direction of screenwriting. Aside from the above-mentioned projects, he worked on the likes of Murder In Mind, Wire In The Blood and Kingdom. Latterly, he collaborated with Neil Jordan and David Leland on period drama series The Borgias, joining the project at the end of season two and writing four episodes in the third and final season.

And Then There Were None scribe Sarah Phelps
And Then There Were None scribe Sarah Phelps

The new Tutankhamun drama was ordered by ITV director of drama Steve November and controller of drama Victoria Fea and will be filmed in South Africa next winter. Executive producers include ITV Studios’ creative director of drama Francis Hopkinson, who says: “Howard Carter’s discovery of the lost tomb of Tutankhamun is legendary. His all-consuming, obsessive search pushed his friendship with Lord Carnarvon to the brink, whilst the adventurous and extrovert aristocrat poured his inheritance into the excavation.”

In an unusual alliance, but one hinting at the future of content rights management, US cable network Lifetime has come onboard a BBC1 drama based on one of Agatha Christie’s best-known works, And Then There Were None. International sales of the three-part miniseries will be handled by A+E Studios International, which is keen to beef up its drama portfolio.

The writing job has gone to Sarah Phelps, whose early career took her via the Royal Shakespeare Company to BBC soap EastEnders, where she wrote more than 50 episodes. A prolific radio and theatre writer, her other TV credits include The Crimson Field, a short-lived drama about the lives of medics and patient at a First World War field hospital.

Jonathan Nolan
Jonathan Nolan has co-written screenplays such as The Dark Knight


Phelps has also proved her novel adaptation expertise with previous projects such as Great Expectations (Charles Dickens) and The Casual Vacancy (JK Rowling). The latter was also an Anglo-American coproduction (BBC/HBO) and came in three parts, securing an audience of 8.8 million for episode one, dropping to 5.95 million for episode three. In all likelihood the new project will go into a similar Sunday evening slot with transmission intended for autumn or winter 2016.

The BBC’s decision to greenlight the miniseries is linked to the fact that this year is the 125th anniversary of Christie’s birth. It is also planning an adaptation of another of her novels, Partners in Crime, although there are no details as yet.

HBO’s star-studded remake of classic sci-fi movie Westworld is gradually moving forward. The project, which will feature the likes of Ed Harris, Anthony Hopkins, Jeffrey Wright, Evan Rachel Wood, James Marsden and Thandie Newton, has just added Borgen star Sidse Babbett Knudsen to the cast.

Lisa Joy broke through as a writer with Pushing Daisies
Lisa Joy broke through as a writer with Pushing Daisies

Scheduled to air in 2016, Westworld is from JJ Abrams’ production company Bad Robot, Jonathan Nolan and Lisa Joy, plus Warner Bros TV and Jerry Weintraub Productions. Writing duties will be shared by husband-and-wife team Nolan and Joy.

Nolan, who will also direct the reboot, is the brother of filmmaker Christopher Nolan. He created crime drama Person of Interest and has co-written screenplays such as The Dark Knight, The Dark Knight Rises and Interstellar with his brother. Joy, meanwhile, broke through as a writer with Pushing Daisies, before going on to write some episodes of Burn Notice. Aside from Westworld, IMDB credits her as writer on an “untitled female superhero Spider-Man movie,” scheduled for 2017. There were also reports in 2013 that Legendary Pictures had paid US$1.75m to secure the rights to a sci-fi movie script by Joy entitled Reminiscence.

Still in the realm of sci-fi/fantasy, there are reports that Luther creator Neil Cross is remaking Sapphire & Steel, a 1970s series about a pair of interdimensional crime fighters sent to Earth to investigate strange happenings. Speaking to the Nerdist Writers’ Panel podcast, Cross called the Sapphire & Steel characters a “proto” version of The X-Files’ Mulder and Scully, and said the show was close to getting a commission from a UK broadcaster. Cross, whose other credits include Spooks and Doctor Who, said he is also working with Darren Aronofsky on HBO scripted pilot River View and on two new one-hour episodes of Luther.

Dan Franck created and wrote Marseille
Dan Franck created and wrote Marseille

Finally, Netflix has confirmed that Gérard Depardieu will take the lead role in its first original French drama. Depardieu will play the mayor of Marseille in a series of the same name. Produced by Paris-based Federation Entertainment, the drama will also star Benoît Magimel as a young politician aiming to depose Depardieu’s character.

Shot entirely in France, Marseille is created and written by Dan Franck, writer of La Separation and Les Hommes de l’Ombre and co-writer of Carlos, which won a Golden Globe for best miniseries. Explaining why he took on the project, Franck says: “Creating a series for an enormous audience and without any constraints will let us push to its limits a story about the Shakespearean theatre of politics, in a city where Alexandre Dumas and Jean-Claude Izzo, among others, have planted many spears.

“Netflix has given us a blank page to create a House of Cards in French that breaks through unspoken hypocrisy. This is a writer’s dream and a great opportunity for French producers and creators to enter a new world.”

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