Tag Archives: Robert King

The politics of TV writing

To mark Donald Trump’s shock victory over Hillary Clinton in the US presidential election, we look at the writers behind some of the country’s political TV drama series.

westwingThe West Wing: NBC’s inside view of the White House ran from 1999 to 2006, crossing over with the tail end of Bill Clinton’s time in office and most of George W Bush’s two terms. The show starred Martin Sheen as President Jed Bartlet and was created by Aaron Sorkin. It won three Golden Globes, 26 Emmys and was ranked at number 10 in The Writers Guild Of America’s 101 Best-Written Series list. Sorkin wrote or co-wrote 85 of the first 88 episodes and then side-shifted into movies, with films including Charlie Wilson’s War, The Social Network and Moneyball. He came back to TV with The Newsroom and then wrote the movie screenplay for Steve Jobs.

“Education is the silver bullet. Education is everything. We don’t need little changes. We need gigantic monumental changes.”
-Sam Seaborn (played by Rob Lowe)

veepVeep: The Boston Globe calls HBO’s Veep “a show for our time, a portrait of the narcissism, malignant self-interest, banality, media self-pleasuring and congressional paralysis that seem to afflict American politics more than ever.” The show was brilliantly created by Armando Iannucci, who also blessed the world with British political satire The Thick of It. It is set in the office of Selina Meyer, a fictional VP who subsequently becomes president, played superbly by Julia Louis-Dreyfus. The show has been nominated for Primetime Emmy Awards every year, winning a number of them in high-profile categories. The fifth season of Veep ended in June 2016 and a sixth has been ordered.

“If men got pregnant, you could get an abortion at an ATM.”
-Selina Meyer (Julia Louis-Dreyfus)

kevin-spacey-house-of-cards-netflixHouse of Cards: This acclaimed Netflix series is a US reimagining of a British series of the same name, which was written by Andrew Davies and Michael Dobbs (the author of the novel on which both are based). The first four seasons of the US version were written by Beau Willimon, who then handed over the reins to Melissa James Gibson and Frank Pugliese (who are writing season five). Originally a theatre writer, Willimon’s crossover into screenwriting came with the George Clooney movie Ides of March in 2011. There’s no news yet on Willimon’s plans after House of Cards.

“The road to power is paved with hypocrisy, and casualties.”
-Frank Underwood (Kevin Spacey)

scandalScandal: This ABC drama, which debuted in 2012, sees Kerry Washington star as press aide Olivia Pope, a character reported to be based on George W Bush’s aide Judy Smith. Created by Shonda Rhimes, the show focuses on Pope’s crisis-management firm. A sixth season launches on January 19, 2017. Rhimes, of course, is a powerhouse who continues to enjoy success with series such as How To Get Away With Murder.

“You can’t change the choice you made. All you can do is not let it ruin you.”
-Olivia Pope (Kerry Washington)

madamsecretaryMadam Secretary: This CBS series sees Tea Leoni play Dr Elizabeth McCord, a secretary of state trying to balance her job with her family life. Launched in 2014, it is now up to three seasons and is rating fairly well (eight to nine million per episode). The show was created by Barbara Hall, whose previous credits include Judging Amy, Joan of Arcadia and Homeland (which she co-executive produced). She has also written a bunch of novels over the years. Apparently, Hillary Clinton is a fan and binge-watches with hubby Bill.

“I’m fully prepared to live with the consequences of my actions. What I couldn’t live with were the consequences of my inactions.”
-Dr Elizabeth McCord (Tea Leoni)

commander-in-chief-geena-davis-32520947-2291-1527Commander In Chief: This ABC show didn’t really take off but is worthy of a mention because it saw Geena Davis cast as the first female president of the US. Launched in 2005, it was created by Rod Lurie. However, he was replaced mid-run by Steven Bochco of NYPD Blue fame. This also didn’t work out, with Bochco replaced by Dee Johnson. Johnson wasn’t able to turn things round either – but it’s interesting to note she popped up as executive producer on The Good Wife and Boss, both of which feature below.

“So I say to the people of this nation: I am humbled by your greatness. I am humbled by the history being made here today, humbled by the notion that I am the first woman to hold this office. I’m humbled by the responsibilities that rest with me.”
-Mackenzie Allen (Geena Davis).

desingatedDesignated Survivor: Kiefer Sutherland (24) stars as a low-ranking cabinet member who unexpectedly becomes US president after an attack wipes out the administration. The show is currently in season one and, after a strong start, is slipping in the ratings for ABC. Episode five attracted 5.9 million, compared to the 10 million who tuned in for launch. Distributed globally by Entertainment One International, the show was created by David Guggenheim (Safe House) and hails from The Mark Gordon Company (Grey’s Anatomy, Ray Donovan, Quantico, Criminal Minds).

“Capitol’s been attacked. Congress, cabinet… Eagle is gone. Sir, you are now the president of the United States. “
-Mike Ritter (LaMonica Garrett)

cbs_good_wife_702_clean_image_thumb_masterThe Good Wife: CBS’s hit show was a legal/political drama about a woman who returns to a career in law after her husband is involved in a political corruption scandal. Created by Robert and Michelle King, the show was a big awards winner, securing five Emmys during its run. The Kings also made political satire Braindead for CBS but the show was cancelled after one season.

“When the door you’ve been knocking at finally swings open, you don’t ask why. You run through.”
-Diane Lockhart (Christine Baranski)

jack-bobbyJack & Bobby: This was a WB Network series that ran for one season in 2004/2005. The show’s interesting premise centred on two brothers – one of whom would grow up to be president from 2041 to 2049. So it was a way of looking at their formative years, encouraging the audience to guess which one would turn out to have presidential credentials. The show was created by Greg Berlanti, Vanessa Taylor, Stecen Cohen and Brad Metzler. Berlanti, of course, has gone on to have a number of DC Comics-based superhero hits with The CW network.

“Grace used to say Jack and Bobby were like two sides of a coin. Without Bobby, Jack might never have learned compassion. Without Jack, Bobby might never have gained strength.”
-Future Courtney McCallister (Brenda Wehle)

boss-kelsey-grammerBoss: This Starz series starred Kelsey Grammer as a Chicago mayor struggling with dementia. Although it generated a good response from critics, low ratings meant it only lasted two seasons. Starz chief Chris Albrecht told The Hollywood Reporter that Boss “didn’t resonate enough with the two constituents that are important to us: our subscribers and our distributors.” The show was created by Farhad Safinia, an Iranian-American screenwriter whose other credits include the movie Apocalyto (written with Mel Gibson).

“Spectators stand on the sidelines shaking their heads, lacking the balls. You know what I mean? When Truman nuked Japan, when Lincoln sent boys out to kill their cousins… you think they gave a shit about their approval ratings? Fuck the spectators.”
-Tom Kane (Kelsey Grammer)

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Drama royalty: The Good Wife creators Michelle and Robert King

Michelle and Robert King reflect on seven years as showrunners of hit US drama The Good Wife and reveal how they overcame early setbacks to create one of the biggest shows on television.

When the curtain came down on the 2015/16 US TV season at the end of the summer, married showrunning duo Michelle and Robert King had overseen 35 hours of programming in a single year.

The creators of The Good Wife concluded the award-winning CBS legal drama with its seventh and final season this May, before launching their new 13-part political satire BrainDead on the same network the following month.

“It’s more than we’ll ever attempt again,” says Robert of the pair’s hectic year, before Michelle adds: “But it just felt like absolutely the right time to do BrainDead. You couldn’t ask for better timing than an election year, so we dove in.”

The series stars Mary Elizabeth Winstead as Laurel, a young, fresh-faced Capitol Hill staffer who discovers that the government has shut down – and bugs are eating the brains of congress members and Hill workers.

“It was harder to write, due to its serialised nature, but much more fun to edit than The Good Wife,” Robert says of the new show. “I think that’s because the jokes are more obviously placed. They’re not as subtle. We know when something hits in the BrainDead editing room, whereas in the editing room for The Good Wife, we were always feeling our way towards it.”

A spin-off from The Good Wife (pictured) is coming to CBS All Access in February 2017
A spin-off from The Good Wife (pictured) is coming to CBS All Access in February 2017

Michelle admits to being slightly ambivalent about the end of The Good Wife, something CBS confirmed after the Kings had already revealed their intention to step down as co-showrunners.

“I very much miss the characters and I miss the people we were able to work with on a daily basis,” she explains, “but I feel very grateful we were able to bring the story to a close the way we wanted to.”

Robert continues: “On the human side, we stayed friends with everyone and I have a feeling that if this had dwindled on for another year or two, we’d have ended up hating each other.

“We knew from the second season that if we ever got picked up for more seasons, we’d only go seven seasons ourselves.”

The Good Wife follows Alicia Florrick (played by Julianna Margulies), who returns to her career as a defence attorney after a very public sex and political corruption scandal lands her husband in jail.

The Kings say the fact they had an ending point in mind made the drama better, as it meant they could tell a complete story instead of having to constantly drive characters forward towards a conclusion that never gets any closer.

“The only way you can stay sane is this idea that you’re telling a story that has a beginning, a middle and an end,” says Robert. “I think most people would say the fifth season was one of our best. One of the reasons it rose up so well is we could turn over a lot of plot cards, but also we knew we were in sight of the end game for (main character) Alicia. That allowed us to take more chances and tell more interesting stories. It’s not just taking jabs at life and trying to show something that may go on for 20 years.”

Coming from a career in features, the Kings didn’t find instant success in television. Legal drama In Justice, starring Kyle MacLachlan, ran on ABC in 2006 but was cancelled after its initial 13-episode run. The following year, the same network then rejected their pilot called Judy’s Got a Gun, which starred Louise Lombard as a woman balancing her life as a single mother and a detective who solves bizarre suburban crimes. The Good Wife then debuted in 2009.

BrainDead centres on politicians being taken over by brain-eating bugs and stars Mary Elizabeth Winstead

“A lot of it is luck,” Michelle says of the TV drama business. “I liked In Justice. Those actors were terrific but, for whatever reason, it didn’t click at that time on that network. You just have to try as hard as you can every time you get a chance.”

Robert adds: “The lessons from those experiences kicked us in the ass so we knew that if we ever had the chance to do another show, we would grab it by the horns right from the beginning and never let up. The only thing we learned was not to let the show drift, to really grab hold of it and make it different right from the word go. That’s a good lesson to take into life and you probably need failures to get you there to do it.”

Robert attributes much of the credit for finally striking television gold with The Good Wife – which won five Emmys and one Golden Globe, among other awards – to the cast, which was headed by Margulies alongside Josh Charles, Christine Baranski, Archie Panjabi and Chris Noth.

“It was Julianna in tandem with a premise that people found interesting,” he says. “The premise brought true sympathy right from the off and engaged with a certain audience that wanted to see empowerment. On top of that, we just had a really good cast. The writing possibly helped it get into another year or two later on, but what started it off and made it commercial was that cast and that premise.”

The Good Wife employed a team of seven writers who scoured the news in the hope of finding stories that would make them stand out from other shows such as Law & Order. They also employed three staff lawyers to ensure the drama stayed on the right side of reality.

“So when we saw them getting red-faced and screaming at each other, we knew we had a fairly good story,” Robert reveals, “because if it created that much argument, you knew you were hitting a very interesting grey area of the law, which is what we really love.”

But will legal series continue to be one of the staples of television drama? The husband-and-wife team beg to differ. “I believe legal stories will continue to be popular,” Michelle insists. “They’re evergreen because there are high stakes and you can tell interesting human stories with a procedural element to it.”

The Good Wife's Christine Baranski will reprise her role in the forthcoming spin-off
The Good Wife’s Christine Baranski will reprise her role in the forthcoming spin-off

But Robert is unconvinced: “Can I disagree with Michelle? I’m not sure if they will continue. It’s a hard form to make interesting and I worry it will fall back to who gives the best speech in court. I don’t think I’ll ever watch those shows again. Courtrooms can also be tedious.”

The Kings will be back in court, however, following the announcement of a Good Wife spin-off that will launch on SVoD platform CBS All Access in February 2017. Returning as co-showrunners, they will oversee the as-yet-untitled series, which sees Baranski reprising her role as Diane Lockhart alongside Cush Jumbo as Lucca Quinn and Sarah Steele’s Marissa Gold.

The series will open one year after the final episode of The Good Wife and will revolve around an enormous financial scandal that has destroyed a young lawyer’s reputation, while simultaneously wiping out her mentor Lockhart’s savings.

Forced out of their firm, Lockhart & Lee, they join Quinn at one of Chicago’s pre-eminent law firms, where Gold begins as Diane’s secretary and soon discovers a passion for investigating.

It is produced by CBS Television Studios, Scott Free Productions and the Kings’ own prodco King Size Productions, and distributed by CBS Studios International – all of which formed the team behind both The Good Wife and BrainDead.

“There were two things that got us intrigued by it,” Robert says of the new show’s origins. “One is that Christine and Cush wanted to do it. Christine obviously has been there all seven seasons (of The Good Wife) and we’ve become close to her, while Cush, who we only met a year-and-a-half ago, we just fell in love with. Their involvement made us more intrigued about how this would turn out.

“The other thing was that we had created a very close family of crew, craftsmen, production designers, ADs, directors of photography – all these people created this really great unit and we had almost no one leave over seven years. In fact, some of the crew members met their loved ones at some of our cast parties and business parties, so it felt like a good idea to keep it going.”

Enjoying married life for 30 years, the couple reveal they have no fixed boundaries in how they split their showrunning duties, while Michelle admits their work and personal lives do have a habit of overlapping.

“It’s all hands on deck most of the time,” Robert reveals. “It’s just that when I might be in the editing room, Michelle will go to the casting sessions and so on. Michelle’s involvement is much more in wardrobe, the look of the show, in production design, those elements – and I bring the food!”

For their next project, the Kings are developing a pilot for Amazon called Vatican City. It tells the story of a new Pope who, knowing he cannot appoint any women as priests, decides to buck tradition by hiring a female American newsreader to become his spokesperson.

But with new dramas coming in 2016/17 including adaptations of films such as The Exorcist and Lethal Weapon and a reboot of detective classic MacGyver, are broadcasters still willing to take risks on original stories?

“There’s a worry that TV might start following what the feature business has done, pursuing only pre-existing ideas,” says Robert. “TV is changing almost year to year and it’s amazing to see – just over the course of The Good Wife – how ratings don’t seem to matter as much as they did, the advancement of streaming and Netflix being a massive producer of new content. And now writers are so in demand that it’s sometimes even hard to put a writing staff together. So I’m a little worried there might be an emphasis on pre-existing content – and the better those shows do, the more worrisome that becomes, because success is the best teacher of what to do next.”

He adds: “But that’s not what we’re doing. We have a production company and the next show we’re doing is Vatican City. So we’re trying to pursue original content. And most of the showrunners we admire – the likes of Vince Gilligan (Breaking Bad) and Matthew Weiner (Mad Men) – are still pursuing original content as well.”

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Where next for in-demand US writers?

In 2016, several US shows have been killed off despite airing successfully for a number of seasons. This week, we look at the creators and writers behind these shows, many of whom will be in strong demand after the conclusion of their latest projects.

Carlton-Cuse-Official-880x1024Bates Motel has been a strong performer for cable network A&E but is due to end in 2017 after season five. The first script was written by Anthony Cipriano, and then Carlton Cuse (pictured) and Kerry Ehrin joined as head writers. Cuse and Ehrin continue to run the show and will be in charge of the last season – which is expected to be a retelling of Psycho, on which the series is based. Cuse is one of the busiest showrunners in Hollywood, so won’t be short of things to do. His other gigs include FX’s The Strain and a new project for Amazon based on Tom Clancy’s Jack Ryan novels. Ehrin has been linked with a couple of projects over the last two years (a romantic comedy for NBC and a terrorism drama for CBS) but there’s no concrete news on her plans after Bates Motel.

black-sailsBlack Sails is a prequel to Treasure Island, in the same way Bates Motel is a prequel to Psycho. Created by Jonathan E. Steinberg and Robert Levine, it airs on Starz but will finish after its fourth season. Steinberg and Levine have written many of the episodes together and also include Human Target and Jericho among their previous credits. Their plans after Black Sails are yet to be revealed. Steinberg wrote a pilot for an updated version of Beauty and the Beast for ABC, but this appears to have gone quiet.

castleCastle rumbled along for eight seasons on ABC before being cancelled in May 2016 (though it was very nearly given a short-run ninth season). It was created by Andrew W. Marlowe who wrote a lot of episodes up until season eight before stepping back. The most prominent writers on the latest season were showrunners Alexi Hawley and Terence Paul Winter. The latest news regarding Marlowe is that he is writing a comedy crime series for Tandem Productions with his wife Terri Edda Miller. Called Take Two, the LA-based series centres on private investigator Eddie Valetik and former cop show actress Emma Swift, who come together to form an unlikely crime-busting partnership. Hawley and Winter have yet to reveal their plans following the show’s termination. Hawley’s credits include The Following and State of Affairs, while Winter worked on All of Us.

Michelle-King-and-Robert-King-2The Good Wife ran for seven seasons and 156 episodes on CBS, ending on May 8, 2016. The award-winning legal/political drama ended on a high, which is good news for its creators Robert King and Michelle King (pictured). The Kings have their own production company, King Size Productions, which they operate under a three-year overall deal they signed with CBS in late 2014. Key projects to have come out of this setup include political satire BrainDead, which debuted on June 13 on CBS. Ratings for the show have not been great, suggesting an early cancellation (though it may be saved thanks to a streaming rights deal with Amazon).

house-of-liesHouse of Lies was a Showtime comedy series that followed a group of unscrupulous management consultants. Its fifth and final season ended last month. The show was created by Matthew Carnahan, who also wrote a lot of its episodes. In 2014, he also found time to write a movie called Ride, which starred his partner Helen Hunt. Previously he wrote a novel called Serpent Girl. House of Lies made the news earlier this year when it filmed in Cuba. There are no details yet re Carnahan’s next project.

Jonathan_Nolan_2_croppedPerson of Interest was a CBS sci-fi drama that ran for five seasons and ended on June 21 this year. Created by Jonathan Nolan (pictured), it was well received by critics and fans, securing an 8.5 rating on IMDb. Nolan is never short of stuff to do, but is currently most closely associated with Westworld, his HBO reboot of the classic movie. He co-wrote the last episode of Person of Interest but a lot of the writing work in recent seasons has been done by Greg Plageman, Denise Thé and Tony Camerino. There’s no news yet on what any of these three are planning for their next projects.

Jeff_Davis_by_Gage_SkidmoreTeen Wolf will end after next year’s season six on MTV. Developed by Jeff Davis (pictured), it’s loosely based on the 1985 film of the same name. Davis has been the dominant writer throughout, typically writing around half of the scripts in each season. Less well known is that he also created CBS’s Criminal Minds, which has gone on to run for 11 seasons. With his track record and the fact he is just 41 years old, Davis is sure to secure another significant gig in the near future. However, the news about Teen Wolf only broke a few days ago, so there has been no word on his future plans.

Graeme Manson

Orphan Black is a Canadian sci-fi thriller that has built up a strong cult audience. The show has been greenlit for a fifth season by Space in Canada and BBC America but will end after that. There was a panel on the show at this month’s Comic-Con during which the creators Graeme Manson (writer, pictured) and John Fawcett (director) confirmed it was their decision to end the show. They didn’t discuss future plans except to say they’re open to the possibility of a spin-off series or feature film. For Manson, the series was his big breakthrough moment, so expect him to be in demand.

John Logan

Penny Dreadful, Sky/Showtime’s gothic horror series, will end after three seasons. Like Orphan Black, the decision to end the show came from its creator, John Logan (pictured), who said: “I created Penny Dreadful to tell the story of a woman grappling with her faith, and with the demons inside her,” he said. “For me, the character of Vanessa Ives (Eva Green) is the heart of this series. From the beginning, I imagined her story would unfold over a three-season arc, ending with Vanessa finding peace as she returns to her faith.” Logan, of course, is not short of work, having penned numerous movies including Gladiator, The Aviator, Skyfall and Spectre. His next announced film projects are Just Kids, The next James Bond film and Alien: Covenant. The big question, of course, is whether he’ll be tempted back to TV at any point in the near future.

Kevin Williamson

The Vampire Diaries is soon to end after clocking up eight seasons on The CW. Parting with the show has been made easier for the network by the success of its superhero series. Based on books by LJ Smith, The Vampire Diaries was developed by Kevin Williamson (pictured) and Julie Plec. The latter wrote a couple of episodes in season six but the major writing responsibilities in recent times have belonged to Caroline Dries and Brian Young. Williamson is now busy with a series for ABC called Time After Time and a paranormal project for The CW called Frequency. Williamson and Plec are also exec producers on Fox pilot Recon, which is written by Dries. This one is about an FBI agent who embeds herself in a suspected terrorist family.

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Keeping busy in the off-season

The Brink has been given a second season on HBO
The Brink has been given a second season on HBO

The end of July is not an especially busy time in terms of greenlighting scripted shows. Any TV executive with a shred of sense is on holiday right now, recharging their batteries before the all-important autumn season slams into action.

Having said that, HBO has made a couple of interesting announcements in the last week. First, it ordered a second season of The Brink, a comedy that takes a satirical look at geopolitical crises (season one focused on Pakistan). Soon after, it announced that it had greenlit a miniseries about the racist murder of 14-year-old Emmett Till in Mississippi in 1955.

The latter project is significant both because of its personnel and its subject matter. In terms of the former, it is being produced by Will Smith and Jay-Z – a nice shot in the arm for the TV industry’s credentials. As for subject matter, it is a sobering time to retell the story of Till’s murder, with so much racial strife in the US right now. The Till tragedy became symbolic of racial prejudice in the southern US, having a big impact on the civil rights movement.

The Smith/Jay-Z project is being developed in partnership with Overbrook Entertainment’s James Lassiter, Roc Nation’s Jay Brown and director Aaron Kaplan. No writer has been attached yet but it is expected to run to around six hours of television.

Robert and Michelle King, creators of The Good Wife (pictured), are working on BrainDead for CBS
Robert and Michelle King, creators of The Good Wife (pictured), are working on BrainDead for CBS

Another greenlight this week is BrainDead, which US network CBS has given a straight-to-series order. BrainDead is from Robert and Michelle King, the married team who are also the creators and exec producers of long-running CBS show The Good Wife.

Due to air in summer 2016, BrainDead centres on a young woman as she gets her first job in Washington DC. It will be executive produced by Ridley Scott, David Zucker and Liz Glotzer for CBS Television Studios, Scott Free Productions and King Size Productions, all of which were also involved with The Good Wife.

While summer isn’t a great time for production announcements, there are usually a few acquisitions stories of note, as broadcasters look to make last-minute additions to their schedules. European pay TV broadcaster Sky, for example, has picked up the rights to NBC thriller Aquarius for broadcast in the UK, Ireland, Germany and Austria.

This is in addition to a deal earlier this year between Sky Italia and the show’s distributor ITV Studios Global Entertainment.

Starring David Duchovny (The X-Files), the 13×60’ series is set in 1967 at the height of the Summer of Love. Duchovny plays LA homicide detective Sam Hodiak, whose investigation into a missing girl leads him into the dark activities of a strange cult run by notorious killer Charles Manson.

David Duchovny in Aquarius
David Duchovny in Aquarius

The show will debut on Sky in the UK and Ireland on August 11, before rolling out in the other territories later. All told, the Sky deals will take the show into 21 million European households. Other dramas to have been shown across the entire Sky network include HBO’s Game of Thrones and Sky original production Fortitude.

In other acquisition news, US cable channel Syfy has picked up the US rights to Wynonna Earp, a live-action television series based on the IDW Publishing comic created by Beau Smith. With an initial order of 13 one-hour episodes, Wynonna Earp is a fast-paced, contemporary thriller that follows Wyatt Earp’s great-granddaughter as she battles demons and other supernatural beings.

Emily Andras (Lost Girl, Killjoys) developed the series for television and will serve as executive producer and showrunner. Wynonna Earp will be produced in Calgary by Seven24 Films, and distributed by IDW Entertainment. Production is slated to begin in August.

Comic Wynnona Earp is being adapted for television
Comic Wynnona Earp is being adapted for television

“Wynonna Earp is a unique contemporary western that will bring high-octane, full-throttle, supernatural action to Syfy,” says Chris Regina, the channel’s senior VP of programming. “It is wildly imaginative and we are excited to work with Seven24 Films, IDW Entertainment and Emily on this truly original concept that will showcase fun, stylised visuals and pure escapism.”

In the absence of new shows to announce, one way networks keep up interest is by drip-feeding casting announcements linked to upcoming shows. This week, for example, it was revealed that supermodel Naomi Campbell will join the cast of FX’s American Horror Story: Hotel.

Already booked into Hotel is Lady Gaga, whose participation was announced earlier this year. American Horror Story is an anthology show, which makes this kind of bold casting decision easier than in the case of long-running episodic or procedural dramas – a trend that will feature in the upcoming summer magazine issue of Drama Quarterly.

Among the week’s most noteworthy strategic developments is a report that Amazon is going to increase its presence in India with the launch of its Prime service. According to India’s Economic Times, Amazon is planning to invest up to US$5bn in the country, some of which will be dedicated to creating local content.

Matt Dillon in Wayward Pines. Will the show come back for a second run?
Matt Dillon in Wayward Pines. Will the show come back for a second run?

The online giant has already hired Nitesh Kripalani to oversee its content strategy. Kripalani’s career to date has seen him spend five years at Sony, overseeing a number of initiatives including the premium video-on-demand brand Sony LIV.

Finally, for anyone who has been following the progress of M Night Shyamalan’s Wayward Pines, the show finished its first run of 10 episodes strongly on Fox in the US last week. Overall, the show has been a success, picking up a lot of viewers on a time-shifted basis.

Fox has not yet said whether it will renew Wayward Pines, but Shyamalan says he is open to the prospect of producing a new season.

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