Tag Archives: Rides Upon The Storm

The opium of the TV drama business

TV drama, for all its dynamism, is guilty of numerous clichés. One that pops up repeatedly is the portrayal of religious folk as friendless nut jobs, murderous psychopaths or boring killjoys.

Harlan Coben’s The Five and Sally Wainwright’s Happy Valley both placed credulous Christians with a soft spot for mass murderers at the heart of their plotlines, while the arch-villain in Steven Knight’s Peaky Blinders is a Catholic priest (superbly played by Paddy Considine) who would have made the Spanish Inquisition squirm – though to be fair to Knight, he also deploys religion very skillfully in his story through the use of former Quaker Linda.

There are three reasons for TV’s reliance on this trope. The first is the growing belief in secular societies that anyone who sincerely adheres to a monotheistic creationist stance is naïve at best, delusional at worst. This Richard Dawkins-inspired view of the world is then used to create caricature believers.

The second is that the image of a badass in a dog collar still seems to enthrall writers and audiences. Sometimes, this is because it addresses the duplicity of evil masquerading as good. At other times, it is because it can act as the catalyst for a story about divine retribution.

And the third is that ordinary believers – the kind who help in soup kitchens and save starving people – don’t make great TV. When not being used to cause mayhem or spout evangelical inanities, people of faith are anal, oppositional forces to main characters in TV drama who are typically much more morally ambivalent.

Whatever the creative rationale for the TV industry’s portrayal of contemporary religion, it continues to have a big influence on content – as we can see from the following scripted series. And to be fair to the TV sector, it doesn’t always do a bad job.

Preacher-smallPreacher: This new 10-part AMC production is based on a comic book series by Garth Ennis and Steve Dillon. Adapted for TV by Evan Goldberg, Seth Rogen and Sam Caitlin, it tells the story of a small-town preacher who becomes possessed by an alien entity. He then sets off on a mission to find God, accompanied by an Irish vampire. This is an example of the badass preacher trope that stretches all the way back to Clint Eastwood in Pale Rider.

greenleafsmallGreenleaf: Launching on June 21, Greenleaf is an Oprah Winfrey-backed production for the Oprah Winfrey Network. It follows the unscrupulous world of the Greenleaf family, which runs a Memphis megachurch with predominantly African-American members. The series was created by Craig Wright, who is known for his work on series like Six Feet Under and Lost. Wright has a Masters in Divinity from the United Theological Seminary of the Twin Cites, so it will be interesting to see how he handles this subject matter. Oprah is already fending off critics of the show’s controversial subject matter, which is expected to cover dubious tax arrangements, marital infidelity, sexual abuse cover-ups and the extraordinary wealth of some megachurch ministers. In a recent interview, she said: “I am not going to do anything that disrespects the church. I am sitting where I am today because of the black church.”

hand-of-god-amazon-smallHand of God: An Amazon series starring Ron Perlman, Hand of God is the story of a corrupt judge who suffers a breakdown and believes God is compelling him onto a path of vigilante justice. Created by Ben Watkins, it received a second season order in December 2015 despite modest reviews and feedback. This one is a kind of hybrid delusional/kick-ass Christian setup.

midwinterMidwinter of the Spirit: Based on the books by Phil Rickman, Midwinter of the Spirit is a three-part drama that first aired on ITV Encore. Adapted by Stephen Volk, it’s actually not a bad portrayal of a Christian central character. It tells the story of a divorced female priest who works as an exorcist while struggling to bring up her increasingly rebellious teenage daughter. Anna Maxwell Martin does a nice job as the protagonist.

Seth-Gilliam-the-walking-dead-lgsmallThe Walking Dead: Such a good series for so many reasons, The Walking Dead (created by Robert Kirkman, with Scott M Gimple the showrunner) has explored the notion of faith very well in the shape of Father Gabriel Stokes, who has managed to retain his faith despite the unfortunate emergence of a zombie apocalypse. His human failings are apparent in the early series but are not really used as a way of attacking the notion of faith-based philosophies. He finds a way to develop human strength without relinquishing his faith.

Adam-PricesmallRides Upon the Storm: From Borgen creator Adam Price (pictured), this promises to be an insightful exploration of faith in modern society. Centred on a Protestant priest, “it’s a show that uses personal faith as the motivation of the action,” says Price. “I’ve always been interested in and puzzled by religion. It has had such a terrifying impact on the politics of the world in the last 15 years that I wanted to make a show that tries to understand it. I’ve always found that things that puzzle you can serve as the topic of compelling stories. For me, it is about satisfying curiosity.”

the-path-aaron-paul-image_1531.0.0The Path: A Hulu series starring Aaron Paul (Breaking Bad), The Path follows a man who is part of a cult that follows a fictional religion called Meyerism. It focuses on his crisis of faith and the cult’s increasingly paranoid relationship with its members and the world. The recently renewed show is written by a team headed by Jessica Goldberg, who also created it.

exorcist-tv-seriesThe Exorcist: A TV adaptation of the iconic movie, The Exorcist was picked up as a series by Fox on May 10. The pilot, written by Jeremy Slater, was described as “a serialised psychological thriller following two very different men tackling one family’s case of horrifying demonic possession, and confronting the face of true evil.” If this is anything like the film then the priests won’t come out of this too badly, subject to the usual human frailties.

leftoverssmallThe Leftovers: HBO’s acclaimed series is widely acknowledged to be a serious exploration of religion. Based on the book by Tom Perrotta, it explores what happens when 2% of the world’s population suddenly disappears. Christopher Eccleston excels as a minister who tries to reconcile the event with his own belief system. Not surprisingly, various cults arise in the aftermath of the event including a sinister group called The Guilty Remnant. Perrotta created the TV series alongside Damon Lindelof.

vikings-ragnar-rollosmallVikings: What is Vikings doing in here, you may ask? Well, there is a general unease among Christians about the way they are portrayed in Michael Hirst’s History channel series. The complaint is well summarised by the Catholic Herald, which explores the way in which audiences seem to prefer bad behaviour to moral rectitude. Somewhere in here there is a more general point about crisis of confidence in all institutions.

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Riding the Danish drama storm

Adam Price
Adam Price: ‘I’ve always been interested in and puzzled by religion’

For a small nation, Denmark knows how to pack a punch. It makes great lager, gave the world LEGO and even managed to win the UEFA European Football Championships back in 1992. In addition to all this it is now producing some of the most compelling and intriguing TV drama series in the world.

It wasn’t always that way, says Adam Price, the creator of Borgen, an acclaimed political drama that first aired on public broadcaster DR. “Twenty-five or 30 years ago, Danish TV drama was really terrible. It had no audience at all. So DR sent a fact-finding mission to the US to see how it was done.

“They made a quite deliberate decision to improve TV storytelling and came up with a model that works for the Danish market. That model is what has made the difference to Danish drama output.”

Distilled down to its basics, there are three core elements, says Price. “It begins with the one-vision dogma – the idea that one writer’s vision is central to the process. But this is supported by the idea of the deadly duo – a producer and writer working in partnership throughout the process. And finally there is an insistence on the concept of the double story. It’s not enough just to have a good plot, shows need to tell us something about what it means to be a citizen in contemporary Western society.”

Once these elements are in place, a high level of trust is ceded to the creative. “You aren’t put through some kind of entrance exam on every episode,” says Price. “If your show doesn’t get an audience, you might not be hired again. But as long as you are working diligently on your show, you are trusted. The result is that you get shows that are not just consensus ideas.”

Nikolai and Julie
Price worked on romantic comedy Nikolai and Julie before getting his big break with Borgen

Price broke into the business when this new model was in its formative years: “There were no formal writing courses available in film schools back then. But I come from a family of theatre writers and directors that dates back two centuries. I was working in theatre when I was given the opportunity to work on a show called Taxa (Taxi). I learned my trade there and then progressed onto a romantic comedy called Nikolai and Julie. From there I was given the opportunity to create Borgen.”

Around this time, the international market started to get interested in Danish shows. So Price decided to set up his own indie production company alongside Soren Sveistrup (creator of DR’s The Killing) and Meta Louise Foldager (A Royal Affair). “We launched a company called SAM, with backing from StudioCanal,” he says. “The idea is that we continue to work on ideas for the Danish market but also build a slate of shows that are more targeted towards international audiences.”

He is, for example, working on another high-profile piece for DR called Rides Upon the Storm. Centred on a Protestant priest, “it’s a show that uses personal faith as the motivation of the action. I’ve always been interested in and puzzled by religion. It has had such a terrifying impact on the politics of the world in the last 15 years that I wanted to make a show that tries to understand it. I’ve always found that things that puzzle you can serve as the topic of compelling stories. For me, it is about satisfying a kind of scientific or journalistic curiosity.”

In Price’s opinion, Denmark makes a good backdrop for such a story “because we are all born as members of the church and pay taxes for it – unless we choose to leave, which more people are now doing. So this show looks at traditional Christian beliefs, the new younger elements and the arrival of Islam.”

Borgen saw success around the world after initially airing in Denmark on DR

Rides Upon the Storm is moving rapidly towards production, with transmission planned for 2017. With two series (20 episodes) already ordered, it’s going to take up a lot of Price’s time. But at the same time, SAM has developed a large development slate of around 25 ideas – with some in English. One project Price hopes will get off the ground is a political series for the BBC. “That’s something that predates SAM,” he explains, “an idea I developed with Michael Dobbs.”

In terms of approach, Price says: “Writers come to us with ideas and we use our experience to advise them on the next step. Soren and I have been round the block a few times so we think we can help them get their projects off the ground.”

This is not so different to the model DR has perfected. “In the same way I was trained up, others have followed,” says Price. “The creator (Jeppe Gjervig Gram) of DR’s latest series, financial crime story Follow the Money, was a writer on Borgen.”

Running a company at the same time as writing a TV series may seem like a lot of work, but Price has no problem with that. “There’s an old saying I like: ‘If you want something done, go to a busy man.’” Maybe that philosophy explains why the Danes are among the world’s perennial overachievers.

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