Tag Archives: Rectify

Tour guide

Jeremy Renner will likely appear in Knightfall (photo by Gage Skidmore)
Jeremy Renner will likely appear in Knightfall (photo by Gage Skidmore)

The Television Critics Association’s Winter Press Tour, taking place this year between January 5 and 19, is a star-studded event during which broadcasters, producers, writers and actors talk about new programme launches, imminent cancellations, casting announcements and ideas for turning around underperforming shows. As such, it is one of the key dates in the scripted TV industry’s annual calendar.

A+E Networks-owned History is one of numerous networks to have unveiled new shows during the tour. The pick of the bunch is a 10-part series about the Knights Templar, the elite warriors of the Crusades. Knightfall is being produced by The Combine – the prodco from Jeremy Renner (The Avengers) and Don Handfield – alongside Midnight Radio and A+E Studios. It is expected that Renner will guest star in the show, with additional cast and production details to be announced.

The show was unveiled by Paul Buccieri, president of A&E and History, who said: “We are thrilled to partner with Jeremy Renner, The Combine, Midnight Radio and A+E Studios to tell the intriguing story of the Knights Templar, which has been shrouded in mystery until now. Premium scripted content continues to be a growing part of the History portfolio, with an eye towards quality historical fact-based storytelling, and Knightfall is the perfect fit for our brand.”

Six will follow a team of soldiers
Six will follow a team of elite soldiers tasked with taking out a Taliban leader

The channel also announced an eight-episode order for military action-drama Six, from A+E Studios and The Weinstein Company. Written by William Broyles (Castaway, Apollo 13, Jarhead) and David Broyles, a military special operations veteran, Six follows Navy SEAL Team Six, whose 2014 mission to eliminate a Taliban leader in Afghanistan goes awry when they uncover a US citizen working with the terrorists.

“The backdrop surrounding this elite team of American soldiers – from their lives at home to the bravery they display serving our country – provides an amazing canvas for stories that deserve to be told,” said Buccieri.

The Weinstein Company co-founder Harvey Weinstein added: “The idea originally came to me when I read about Boko Haram kidnapping schoolchildren in Africa. It brought on the idea of creating a series about the world of SEAL Team Six because the story felt as poignant and timely as ever. We brought in Bill (Broyles), whom I have long admired, along with David to write the pilot. They took my idea and developed a brilliant script for the project and added authenticity to the world in a way that only first-hand experience could possibly bring.”

Interestingly, Weinstein said the show will be set up as a kind of anthology drama – echoing a recent trend. “Each year will feature a different theatre of war – the first starting in Africa,” he explained.

Philipp Meyer's The Son is being adapted for TV
Philipp Meyer’s The Son is being adapted for TV

There was also news of a greenlight at AMC, the US cablenet behind The Walking Dead and Into the Badlands. Reports coming out of the tour suggest AMC has ordered a 10-part series from Sonar Entertainment called The Son, based on the acclaimed oil industry-focused book of the same name by Philipp Meyer.

The series, which will involve Meyer as a co-writer, is about America’s birth as a superpower, told through the rise and fall of one Texan oil empire. It will be interesting to see how the show fares after ABC’s lack of success with Blood & Oil, another drama set within the US oil industry.

Elsewhere, there has been a lot of talk about Turner’s plans to refresh its cable networks TBS and TNT by shaking up their scripted content. At TCA, it was revealed that TNT is teaming up with M Night Shyamalan (Wayward Pines) to reboot HBO horror anthology series Tales from the Crypt. In the new TNT version, Shyamalan will curate a two-hour block made up of both long and short stories of suspense and horror.

“This is a new genre for us in our series efforts and a great chance to partner with M Night Shyamalan, whose blockbuster hit The Visit reminded movie audiences and critics this past summer that he truly is a master of horror,” said Sarah Aubrey, exec VP of original programming for TNT.

Shyamalan added: “To be part of such a beloved brand like Tales from the Crypt, something I grew up watching, and to also have the chance to push the boundaries of genre television as a whole, is an inspiring opportunity that I can’t wait to dive into.”

Tales from the Crypt is being revived under the auspices of M Night Shyamalan
Tales from the Crypt is being revived under the auspices of M Night Shyamalan

Meanwhile, with the massive success of the Fast and the Furious movie franchise, it was only a matter of time before one of US networks hit upon the idea of a TV drama based around cars. This week, it was revealed that Dwayne ‘The Rock’ Johnson (who stars in the Fast franchise) is working with Fox on a new show called Boost Unit.

Described as “Fast and the Furious meets Rescue Me,” it will be written by Jonny Umansky and Zach Hyatt.

Over at ABC, there was official confirmation of another Marvel-based show in the shape of Marvel’s Most Wanted, a spin-off from Agents of S.H.I.E.L.D.

On the streaming front, there was news from Hulu, which has ordered two 10-episode seasons of Chance, a psychological thriller in which Hugh Laurie will play a medical expert.

Set in San Francisco, the show follows forensic neuropsychiatrist Eldon Chance (Laurie) as he gets sucked into a violent and dangerous world of mistaken identity, police corruption and mental illness. For Laurie, it’s another opportunity to play a medical expert following the global success of Fox series House (2004-2012).

The Royals
The Royals has been given a third run

Hulu’s upcoming slate of originals also includes 11.22.63, a time-travel drama about the Kennedy assassination from Stephen King and JJ Abrams; The Path, starring Breaking Bad’s Aaron Paul; and Shut Eye, which will explore “the underground world of LA storefront psychics and the crime syndicate that runs them.”

In terms of renewals, E! has ordered a third season of original scripted series The Royals, which stars Elizabeth Hurley as a fictional queen. A coproduction between Lionsgate and Universal Cable Productions, the show is now getting up to the volume of episodes that appeals to international and SVoD buyers.

In terms of shows that are coming to an end, SundanceTV has revealed that Rectify will finish after its upcoming fourth season. TNT, meanwhile, will call time on Rizzoli & Isles after its 13-episode seventh season, which will air this summer.

JJ Abrams also used the TCA tour to speculate that the fifth season of CBS crime/sci-fi series Person of Interest (which he executive produces) will be the last, though he would “love it to continue.”

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AMC UK: BT taking on Sky with new channel

As AMC launches in the UK with big hitters including Fear the Walking Dead and Into the Badlands, Stephen Arnell assesses the channel’s opening line-up and its potential threat to Sky Atlantic.

Not content with vying with Sky for football rights in the UK, BT is set to challenge Sky Atlantic in the field of upscale drama with the launch today of AMC UK as part of AMC’s strategy of rolling out across the world.

Although limited in terms of audience by initial exclusivity to the BT platform (and as part of the BT Sport package on Sky), AMC is a clear statement of intent that the platform is set to up its game across all genres. BT MD Delia Bushell calls drama a “key motivator” for driving customer growth in what she describes as a “golden age” for TV series.

Fear the Walking Dead will air on AMC UK
Fear the Walking Dead will air on AMC UK

Irrespective of its actual audiences, Sky Atlantic has dominated the high-end imported drama market in the UK, with the likes of Fox and Universal generally perceived (with a few exceptions) as providing little in the way of real competition.

Details of the actual schedule are relatively sketchy at the moment, but the channel has secured some heavy hitters in the shape of The Walking Dead ‘companion piece’ Fear the Walking Dead (FTWD) and the martial arts mash-up Into the Badlands.

Set in LA and starring the familiar faces of industry veterans Cliff Curtis (Once were Warriors, Live Free or Die Hard), Kim Dickens (Gone Girl, Deadwood) and actor/musician/politician and all-round renaissance man Reuben Blades (The Milagro Beanfield War, The Counselor), FTWD looks set to capitalise on the worldwide success of its parent show and help kickstart the fledgling channel.

Advance reviews have been fairly positive – with the usual caveats about pilot episodes, which tend to be chiefly involved in scene-setting.

According to Bruce Tuchman, president of AMC Global and SundanceTV Global, social media reaction to the first transmission of FTWD on August 23 has been “phenomenal in its scale.”

This was backed up when overnight figures for the show were released – 10.1 million Live+SD viewers, the highest audience for a cable launch ever in terms of individuals and all key demos.

FTWD will debut three days after AMC UK’s launch, on Monday, August 31 at 21.00 – where Sky Atlantic traditionally airs its heaviest hitters (Game of Thrones, True Detective), but in this case the opposition will be David Simon’s Yonkers public-housing drama Show Me a Hero, justifiably hugely praised but of strictly niche appeal in the UK.

The six-part Into the Badlands, vaguely reminiscent of the 1970s David Carradine-starrer Kung Fu, follows the quest for enlightenment of Daniel Wu (The Man with the Iron Fists) and his young companion in a dystopian-future US ruled by warring feudal barons.

Eminently promotable, Into the Badlands is pencilled in for a 2016 run on AMC UK after its November 2015 transmission in the US and a first window on Amazon Prime.

Rectify follows the story of a man released from Death Row
Rectify follows the story of a man released from death row

Meanwhile, now in its third season (and already commissioned for a fourth run) on AMC’s SundanceTV, the critically acclaimed Rectify – created by Ray McKinnon (probably most familiar to audiences here as the tragic Reverend Smith in Deadwood) – is a slow-burning drama concerning the events surrounding the release of a death-row inmate after 19 years in prison when conflicting DNA evidence is discovered.

Rectify’s challenging script and occasional longueurs probably mean it’s unfortunately unlikely to be more than an acquired taste in the UK, but it is well worth checking out.

AM UK will also be premiering Sony’s Cleaners (previously shown on VoD platform Crackle in the US), a two-season actioner starring Emmanuelle Chriqui (Entourage, The Mentalist), Gina Gershon (Bound, Face/Off) and David Arquette (Scream).

Another title new to the UK via AMC will be Manhattan (Lionsgate, pictured top), a critically well-regarded drama shown on WGN America in the US. Centred around the development of the atom bomb in Los Alamos in 1943, the show features some well-known faces including William Petersen (CSI) and Olivia Williams (Dollhouse, The Ghost Writer).

Some of AMC’s most popular series are already tied up with other UK broadcasters (Humans on Channel 4, The Walking Dead on Fox and Hell on Wheels on TCM), which means the channel will rely on movies, Mad Men (also on Sky Atlantic in the UK), Breaking Bad (Spike), FX’s rogue-cop series The Shield and the cult hit Weeds to bulk out the schedule.

Older AMC series such as the short-lived conspiracy thriller Rubicon (2010) could also get some airtime.

Humans already airs on Channel 4 in the UK and so won't appear on the new AMC channel
Humans already airs on Channel 4 in the UK and so won’t appear on the new AMC channel

The US network also has a couple of hybrid docudramas – this year’s eight-part miniseries The Making of the Mob: New York and the forthcoming The West, a Sundance production that profiles the likes of Jesse James, Billy the Kid and Crazy Horse.

From details released so far, post-watershed movies playing on the UK channel will not at first include blockbuster hits, with a relatively low-key opening night line-up that includes George Clooney’s debut directorial effort Confessions of a Dangerous Mind (2002) and the Jim Thompson Noir thriller The Killer Inside Me (2010).

AMC US also plays host to retro-appeal series such as The Rifleman and The Three Stooges, which unsurprisingly will not cross the pond.

Upcoming John Le Carre adaptation The Night Manager (starring Hugh Laurie) as a coproduction with BBC (as Humans was with Channel 4) will also not be aired on AMC UK. AMC Global plans to continue these coproductions.

There exists the possibility of raiding the SundanceTV larder for shows such as The Red Road, a Banshee-style drama starring Jason Momoa (Game of Thrones, Conan the Barbarian), which ran to two six-part seasons, and the Cold War spy thriller Deutschland 83.

The Red Road, starring Game of Thrones' Jason Momoa
The Red Road, starring Game of Thrones’ Jason Momoa (pictured)

2016 will see Sundance transmit the eagerly awaited adaptation of Joe R Lansdale’s popular Hap & Leonard crime novels, with cast that includes the UK’s own James Purefoy (The Following, Rome), Michael K Williams (The Wire, Broadwalk Empire) and Christina Hendricks (Mad Men).

Also in development is Seth Rogen’s long-gestating comic book adaptation Preacher, set to air in the US next year.

Eager to use its existing libraries and distributor partnerships, AMC is unlikely to consider the Sky Atlantic route of international coproduced commissions in local territories, at least for the foreseeable future.

And, of course, the channel could always bolster its schedule with Nordic noir, which is pretty much a sure-fire way of attracting viewers. Scandi detective period series AD 1790 has yet to find a home – perhaps it will at last get an airing in the UK?

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Can Humans survive in the US?

Humans' US ratings have seen a more dramatic drop compared with its UK figures
Humans’ US ratings have seen a more dramatic drop compared with its UK figures

Sci-fi drama Humans is now halfway through its eight-episode run on Channel 4 (C4) in the UK and two episodes into its airing on US cable channel AMC. In both cases its ratings are on the slide, but it is doing well enough in the UK that C4 will want a second series.

In the UK, the show generated a huge number of headlines when its opening episode attracted an impressive audience of 5.47 million (live plus seven days). Episode two dropped to 4.45 million, the third outing secured 3.6 million and the numbers are yet to be released for the most recent fourth edition. In the minus column is the scale of the slide, but on the plus side Humans is still massively outperforming C4’s usual drama ratings. Even if figures dip further over the next two to three episodes, the hardcore audience looks strong enough to merit renewal.

The AMC audience, however, has not been so enthused with the show. After a debut audience of 1.73 million for episode one, the show attracted 1.09 million for episode two. That’s a 37% drop, compared with the 19% drop on C4. Of course, we need to give the show a few more episodes on AMC before we reach any firm conclusions. But producer Kudos will be hoping that the US audience stays strong enough to merit an AMC renewal. It won’t want to be in a position where C4 says yes and AMC says no. For comparison, AMC’s version of Low Winter Sun was cancelled after one season, having averaged 1.21 million and a 0.43 rating among 18-49s. Humans is performing at a similar level on AMC.

Rectify has been given a fourth season
Rectify has been given a fourth season

While AMC will need to think carefully about Humans, its sister channel SundanceTV has announced a fourth season of Rectify. Revealing the renewal on the eve of the season three premiere (July 9), Charlie Collier, president of AMC and SundanceTV said: “Even in an increasingly crowded field of dramas on TV, Rectify has established itself as something special. What (creator) Ray McKinnon, this incredible cast and everyone associated with the show have achieved is remarkable, and we are so pleased to usher in this third season with an order for a fourth.”

Rectify follows the life of Daniel Holden, who returns to his small hometown in Georgia after serving 19 years on death row. It has received good reviews from the likes of Entertainment Weekly (“TV’s wisest, deepest drama”) and TIME (“Terrific slow-burn drama”). News that it is going to a fourth series will be welcomed by ITV Studios Global Entertainment, which has sold the show internationally to such firms as Sky Germany, Netflix and Arte.

USA Network’s much-hyped hacker series Mr Robot launched this week to a solid start. Live-plus-three ratings came in at 3.7 million, which is at the upper end of recent USAN launches. Elements in the show’s favour include the fact that the audience was pretty strong in terms of the all-important 18-49 demo. It’s also important to take account of the fact that the show had been previewed online a month earlier, attracting 2.7 million viewers. Presumably, some of those early adopters wouldn’t have bothered to watch this week’s linear TV transmission.

Lifetime has used UnREAL to attract younger viewers
Lifetime has used UnREAL to attract younger viewers

Success with the 18-49 demo is also one reason why Lifetime has decided to renew UnREAL, its reality TV-based drama. The opening episode of the first season didn’t rate at all well, but Lifetime’s subsequent decision to put the first four episodes online appears to have revived the show’s fortunes – resulting in a strong showing for the TV airing of episode five. The dynamic at work here seems to be that Lifetime wants shows like UnREAL to attract younger audiences. But the problem is persuading those younger audiences to come looking for content on Lifetime. The online experiment seems to have addressed this conundrum, by allowing non-traditional Lifetime audiences to sample the show. The result is that UnREAL is now being described as Lifetime’s youngest scripted series ever, with a median viewer age of 43.

Commenting on the renewal, network executive VP and head of programming Liz Gateley said: “We couldn’t be more proud to bring back UnREAL. With authentically flawed characters, sharp storytelling and impeccable performances, this show is propelling our brand in a truly exciting direction – an unexpected and bolder Lifetime. We are thrilled to continue our work with (co-creators Marti Noxon and Sarah Gertrude Shapiro) and the A+E Studios team, as we together bring a new generation of viewers to Lifetime.”

Adweek has a good analysis of this story, exploring the way US channel chiefs are increasingly leaning on digital numbers when making their renewal decisions.

Tut stars Oscar winner Ben Kingsley (right)
Tut stars Oscar winner Ben Kingsley (right)

Adweek also makes an interesting observation about the tendency for cable channels to recommission shows early (Rectify, Mr Robot and UnREAL all being examples). It says early pickups are a way for networks to “assure viewers who may be on the fence about diving into a new show that might get cancelled that, yes, it’s safe to start watching.” This is a growing problem for channel chiefs – and not just in the US. Audiences don’t want to invest time and emotional energy in shows that may be axed in the near future, so viewers adopt a wait-and-see attitude by banking episodes. The problem with this, of course, is that their reluctance to jump on board may increase the likelihood of cancellation, because it dampens ratings performance. This is another factor channel chiefs need to ponder.

In terms of projects to watch out for, July 19 sees the launch of Spike US’s six-part miniseries Tut. Produced by Muse Entertainment, the drama will tell the story of Pharaoh Tutankhamun’s rise to power and the political machinations in his court. There is very little indication yet as to what the show will be like, but it has been acquired this week by Channel 5 in the UK, which – like Spike – is part of the Viacom family of channels.

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