Tag Archives: Prime Suspect

Women re-energise crime drama

Marcella
Anna Friel in ITV’s Marcella, which looks set to get a second season

In honour of ITV’s Brit noir series Marcella, DQ looks at some of the women detectives who have helped reinvigorate a genre that used to be the preserve of cantankerous middle-aged men.

When ITV launched the excellent Prime Suspect in 1991, female coppers were still a novelty on UK television. But these days it seems as though the entire police system is in the hands of no-nonsense women taking on a world of desensitised or deranged male bastards.

When they aren’t dealing with criminals, they generally have to contend with the fact that their husbands and colleagues are also a) psychotic, b) philanderers or c) perversely obstructive.

 Sergeant Catherine Cawood (Sarah Lancashire) in Happy Valley
Sergeant Catherine Cawood (Sarah Lancashire) in Happy Valley

For the most part, the female cop formula seems to be working, with little indication as yet that the UK audience is getting bored by it.

Despite its various structural flaws, ITV’s Marcella, starring Anna Friel, has just finished its eight-part run with a solid audience of around five million and looks like a decent bet for a season two renewal.

Other female cops who have secured a strong fanbase include DS Ellie Miller (Olivia Colman) in Broadchurch, Sergeant Catherine Cawood (Sarah Lancashire) in Happy Valley, DI Lindsay Denton (Keeley Hawes) in Line of Duty and Superintendent Stella Gibson (Gillian Anderson) in The Fall, which returns for a third season this year.

And it doesn’t end there. Other female crimefighters include the cast of Channel 4’s No Offence and Detectives Janet Scott and Rachel Bailey in ITV’s Scott & Bailey. The latter, which starred Lesley Sharp and Suranne Jones, finished this April.

Saga Noren (Sofia Helin) in Danish/Swedish drama The Bridge
Saga Noren (Sofia Helin) in Danish/Swedish drama The Bridge

Without exception, all of these shows have achieved good to great ratings. Sometimes this is down to the writing, but more often than not it feels as though the real secret of their success is the quality of the female leads. All of the above shows have been graced with exceptional acting performances that make you stay loyal even if the wider production starts to lose its direction.

Based on IMDb scores, Marcella doesn’t actually fare that well, scoring 7.1. This is probably a reflection of the gaps in the plot, which caused a lot of angst on social media platforms like Twitter. Much stronger are shows like Happy Valley, Broadchurch, The Fall and Line of Duty, which achieved scores in the 8.3 to 8.5 range.

Sandra Winckler (Marie Dompnier) in Witnesses
Sandra Winckler (Marie Dompnier) in France Télévisions’ Witnesses

With the general success of female cops, it’s no surprise that ITV is going back to its Prime Suspect franchise with Tennison. This show, from Lynda La Plante, imagines the central character, Jane Tennison, as a young woman starting out on her career. Set in Hackney in the 1970s, it recreates a world where women police constables are treated with suspicion by their male colleagues.

The female cop theme is not, of course, restricted to the UK. It has played a big part in the emergence of Nordic noir as a global force. Writer Hans Rosenfeldt, who gaves us Marcella, previously introduced us to Saga Noren (Sofia Helin) in his acclaimed Danish/Swedish copro The Bridge. And this then gave rise to UK/France copro The Tunnel, where viewers have been beguiled by feisty French cop Elise Wassermann (Clemence Poesy).

Equally important has been Danish broadcaster DR’s The Killing, which saw Sofie Grabol playing DI Sarah Lund. This was adapted for the US, where Grabol’s role was played by Mireille Enos as Sarah Linden.

Charlotte Lindholm in ARD’s long-running crime franchise Tatort, set in Hanover
Charlotte Lindholm in ARD’s long-running crime franchise Tatort, set in Hanover

In France, meanwhile, audiences on public broadcaster France Télévisions have recently been introduced to Sandra Winckler (Marie Dompnier) in Witnesses (Les Temoins). More mainstream is Candice Renoir, about a French police commandant, played by Cecile Bois, who solves crimes in the South of France. The show has also secured a number of sales around Europe.

The US, of course, has never been afraid to place female cops on the frontline – think back to Cagney & Lacey or Angie Dickinson as Sergeant ‘Pepper’ Anderson in Police Woman. More recently the mantle of number one tough female cop has been taken up by Olivia Benson (Mariska Hargitay) in NBC’s long-running procedural Law & Order: SVU. The character of Benson has appeared in 385 episodes of the show and risen to become commanding officer of the SVU division.

Jennifer Lopez in Shades of Blue
Jennifer Lopez plays an single-mother NYPD cop in Shades of Blue

Angie Harmon, as Jane Rizzoli in TNT’s Rizzoli & Isles, is another who deserves to be given a medal for services to the TV industry. Among the new female cops is Harlee Santos, a single-mother NYPD detective played by Jennifer Lopez in Shades of Blue.

Countries where female cops are not so prominent include Germany and Italy, where the chaps still get to solve most crimes. But even here there are a few exceptions.

One is Charlotte Lindholm, a detective in the Hanover-set production of ARD’s long-running crime franchise Tatort. She has been played by Maria Furtwangler since 2002, making her something of a German TV icon. Italy, meanwhile, gave us Donna Detective, in which Detective Lisa Milani (played by Lucrezia Lante Della Rovere) requests a desk job in a small town outside of Rome in order to spend more time with her family. As luck would have it, she gets called back to assist with a major case and is placed in charge of an entire investigative squad in the capital.

The Fall Stella-Gibson
Gillian Anderson returns for a third season of The Fall this year

The clear message from all of the above is that female cops have reinvigorated the detective genre, creating a new kind of character-based complexity around ideas like work-family balance, competing in what is perceived to be a man’s world, tackling problems from a female perspective and demonstrating skill sets that run counter to traditional assumptions.

What’s missing, perhaps, is a black or Asian female lead. There have been fleeting sightings (in US shows like Southland, The Wire, Rogue and Deception). But as yet there is nothing comparable to the breakthrough made by Idris Elba in BBC hit series Luther.

Given the recent strength of British broadcasters in the female cop genre, this is an area where they should really bite the bullet.

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Scripted staying power

American Gods
Neil Gaiman’s American Gods is coming to Starz as a TV series

This is one of those weeks that makes you realise the current boom in scripted series is far from over. In Europe and the US, across pay TV and free TV, the latest greenlights must easily represent in excess of US$50m of new productions.

Not only that, they all look like projects that will actually make it to screen, rather than ending up in the dustbin of failed developments.

One of the most high-profile announcements came from US premium cable channel Starz, whose aggressive pursuit of its two main rivals HBO and Showtime has seen it back ambitious series such as Power, Outlander, Black Sails and Flesh and Bone. Now it has announced plans for a series based on Neil Gaiman’s novel American Gods.

Bryan Fuller (Dead Like Me, Hannibal) and Michael Green (Gotham, Heroes) will write the screen version and act as showrunners, with Gaiman on board as executive producer. The show is being produced by FremantleMedia North America (FMNA), with international sales handled by FremantleMedia International.

Commenting on the project, Gaiman said: “I am thrilled, ‎scared, delighted, nervous and a ball of glorious anticipation. The team that is going to bring the world of American Gods to the screen has been assembled like the master criminals in a caper movie: I’m relieved and confident that my baby is in good hands.”

The project is an important one for FMNA, which has just experienced the disappointment of a cancellation for supernatural series The Returned. FMNA co-CEO Craig Cegielski said: “Neil’s novel is a brilliant work of art and together with the talented Bryan Fuller and Michael Green, we are committed to delivering a series that is nothing short of extraordinary.”

Showtime has also been in the news this week, having renewed Penny Dreadful, its horror drama copro with Sky Atlantic, for a third season of nine episodes. The series, which has built up a lot of momentum since season two, will shoot in Dublin with TX due in 2016.

Penny Dreadful
Sky Atlantic and Showtime copro Penny Dreadful has been given a third season

Showtime president David Nevins said: “(Creator) John Logan’s brilliant writing and the show’s amazingly talented ensemble continue to draw a passionate, global fanbase into the meticulously crafted world of Penny Dreadful.”

Sky Atlantic director Zai Bennett added: “Penny Dreadful is the perfect fit for Sky Atlantic; truly international in scale and ambition but with a raft of British talent at its core, and filmed in the Republic of Ireland. I’m thrilled to have the series returning to the channel, and to once again be partnering with John Logan and continuing to work with our good friends at Showtime.”

HBO has cropped up in the headlines this week too, following the revelation in the Hollywood Reporter that David Simon, creator of The Wire, is working on a series for the channel called The Deuce, about the rise of the porn industry in the 1970s. While there has been no official confirmation on this from HBO, Simon is currently working with the channel on a series called Show Me a Hero, so the prospect of a second greenlight seems close to the mark.

In Europe, one of the biggest announcements of the week came during the Monte Carlo TV Festival, where Christophe Riandee, vice-CEO of Gaumont, announced that Gaumont Television Europe plans to produce a new 13×60’ English language series entitled Crosshair. A Europe-based thriller that follows a former CIA assassin turned gunman for hire, Crosshair is written by Ken Sanzel, whose credits include CBS series Numb3rs.

Crosshair is the third project under the Gaumont Television Europe banner, after Spy City and 1001, an English-language thriller created by Real Humans’ Lars Lundström.

“We are seeing a huge trend into drama production making Europe a new frontier for TV,” said Riandee, “and a project like Crosshair is the perfect fit. It’s a new idea and a new world for a procedural series.”

Other activities that back Riandee’s upbeat assessment of the scene in Europe include the news that Israeli producer and distributor Keshet International wants to be more active in the European drama space, with plans to fund three or four productions a year. This would build on previously announced plans to work with France’s Atlantique Productions on an eight-part series called Crater Lake (written by Ron Lesham).

There was also a triple greenlight announcement from UK-based broadcaster ITV this week. The most interesting news is that it has commissioned Hans Rosenfeldt, creator of Scandinavian drama The Bridge, to make his first series in the UK. Called Marcella, the 8×60’ show (produced by Buccaneer Media) follows a female detective working on a murder case.

Prime Suspect
Prime Suspect, starring Helen Mirren. ITV has announced plans for Tennison, a prequel to the hit crime series

ITV also announced plans for a series called Tennison, a prequel to its long-running hit crime series Prime Suspect, which featured Helen Mirren as detective Jane Tennison. The new series, from Noho Film and Television and La Plante Global, is a six-parter. The decision to go down the prequel route follows ITV’s success with Endeavour, a prequel to fellow long-running crime series Morse.

The third part of ITV’s production news is the commission of six-part drama series The Durrells, based on author Gerald Durrell’s Corfu memoirs, including My Family and Other Animals. The series is being written by Simon Nye (Men Behaving Badly) and produced by Sally Woodward Gentle.

Durrell’s works are a perennial favourite for film and TV producers, with My Family and Other Animals adapted for the big screen in 2005. So it will be interesting to see how the TV series takes the franchise on. Woodward Gentle said: “Gerald Durrell’s novels are some of the warmest, wittiest, books of the last century. It is no wonder they are so well loved. It is a real treat to be working on them with the brilliant Simon Nye. I hope that his obvious love of the characters and the material will be hugely infectious.”

Finally, there was interesting news from Hulu regarding The Way, a 10-part series it ordered in March from Jason Katims (Parenthood). On Wednesday, Aaron Paul – aka Breaking Bad’s Jesse Pinkman – was revealed as the male lead in the drama, which centres on a controversial faith movement.

Hulu’s origination programme hasn’t received as much attention as that of Netflix or Amazon, but it does have some standout projects. Aside from The Way, it has greenlit a series called 11/22/63 from Stephen King and JJ Abrams that will star James Franco.

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