Tag Archives: Olivia Colman

Goodbye Broadchurch

It’s the beginning of the end for Broadchurch as the third and final season debuts on ITV. Stars David Tennant and Olivia Colman and creator Chris Chibnall reflect on the show’s success.

It’s an increasingly common trend in television drama that viewers head into a new season of their favourite show knowing it will be the last time they will visit this set of characters. Fans of the past two seasons of Broadchurch will know, however, that the show’s third and final season is unlikely to be a happy occasion for many of the residents of the coastal town.

Still picking up the pieces from the events of season one and two, in which – spoiler alert – Joe Miller killed schoolboy Danny Latimer but was subsequently found not guilty in court, season three sees DI Alec Hardy (David Tennant) and DS Ellie Miller (Olivia Colman), pictured above, investigating a serious sexual assault in the community.

Chris Chibnall

Jodie Whittaker and Andrew Buchan return to play Beth and Mark Latimer. They are joined by Julie Hesmondhalgh, Lenny Henry and Georgina Campbell along with Sarah Parish, Charlie Higson and Mark Bazeley.

Arthur Darvill also returns as local vicar Paul Coates, Carolyn Pickles as newspaper editor Maggie Radcliffe and Adam Wilson as Ellie’s son Tom.

All eight episodes have once again been written by series creator Chris Chibnall. Broadchurch is produced by Kudos, Imaginary Friends and Sister Pictures for ITV, and distributed by Endemol Shine Distribution, which has sold it to 180 countries worldwide. Remakes have been produced in the US (Gracepoint) and France (Malaterra).

“When Chris first sent me the script for the opening episode of Broadchurch six years ago, I was struck by one defining element,” says executive producer Jane Featherstone. “I loved the characters, I loved the beauty of the world, I loved the powerful whodunit narrative, but above all I loved the way it explored a small-town community in such depth. Chris’s intention was always to inhabit a space that meant we could stay with our characters and our town after the crime had happened, to really examine the long-term effects of a tragic incident on a community. Our characters had lives before we joined them and they will continue to exist after we have gone.

“The great privilege of longform storytelling is building a meaningful relationship between our characters and the audience, and I am excited for the audience to see how Ellie, Hardy and the Latimers have fared in the last few years. It is a fond farewell for those of us involved in the series for so many years but, as far as I am concerned, the community of Broadchurch will carry on living long after we’ve gone.”

Chibnall describes the series as an “extraordinary journey” that now comes to an end with a new investigation into a serious sexual assault. Since second season finished in 2015, he has been working with script executive Samantha Hoyle and support organisations, police and survivors to research the storyline.

“I wanted to tell this story because these crimes are increasing,” he says. “Representations of, and attitudes to, sex have become more oppositional and confrontational. Sexualised images are all around, access to porn is easier and seemingly more common. It’s an issue for couples, for parents and families, for individuals and for communities. And, amid all this, the gender divide often feels more polarised than it has in decades.

The third season of Broadchurch follows the investigation into a serious sexual assault

“To explore this, I needed to call on DS Ellie Miller and DI Alec Hardy one last time. This story begins three years after we were last in Broadchurch. Lives have moved on. Some people have left, some have arrived – and there’s a new case to test this old partnership. There are new suspects, new revelations and fresh truths to be confronted in the lives of Broadchurch’s residents.”

Former Doctor Who star Tennant admits he will miss Broadchurch, playing DI Hardy and working alongside his co-stars.

“It is sad to think we will never return to this world and to these characters because I feel so fondly towards them, but I will always feel proud to be associated with this show,” he says.

“There is a massive personal legacy having worked on this show. We all feel like we have been doing something very special and that we are all a part of each other’s lives now, so I’ll miss seeing people every day but hopefully I will see them fairly regularly. I will certainly miss Chris’s scripts but I look forward to watching them elsewhere and I hope it won’t be the last time we will work together.”

Season three sees Tennant’s police officer more settled in Broadchurch, with more focus on his relationship with his daughter Daisy as he rallies against the attacker he is hunting down.

“His focus becomes trying to understand the person who would commit this crime, trying to get inside their skin, and that is something he struggles with initially,” Tennant adds. “That has been an interesting conflict to play, Hardy trying to come to terms with what sort of man would do this and almost feeling ashamed for his own gender, which has been a very interesting take that Chris has afforded him this series.”

Sarah Parish and Lenny Henry have joined the high-profile cast for the new season

Part of the charm of watching Broadchurch has been the chemistry between DI Hardy and Colman’s DS Miller – and Colman says this is purely down to her being such good friends with Tennant.

“Chris Chibnall has written them brilliantly,” she says. “They are really good mates – possibly each other’s only mate. It feels like they have been friends for longer than they have, the way they bicker but they clearly deeply respect each other and would staunchly defend each other against other people.

“It really helps that David and I get on so well. You can sort of tell that Hardy and Ellie like being together because David and I like spending time together. It makes it much easier. I will miss working with David – if we could stand next to each other on set every day, I would be so happy. We giggle, he is never late, knows all of his lines… He is a dream person to work with.”

The topics raised in season three also struck a chord with Colman, who has experience with the subject of sexual violence from previous roles.

“So I have become passionate about all of these issues – violence against each other, and that ties in with sexual assault obviously,” she explains. “I’m really pleased to be a part of this story and it’s amazing how people don’t know how common this is. People need to know, I think.”

From the chilling opening of season one, where the body of a young boy is found on the beach, to the nail-biting court case of season two, Broadchurch has always kept viewers on the edge of their seats and, with more shocking revelations to come in season three, it looks like it will do so once more.

Chibnall adds: “It’s been a strange, mad honour to experience the passion of audiences for this story and these characters. But all good stories come to an end. I hope this one has enough twists and turns, laughter and tears to go out in style.”

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The Night Manager: Hiddleston takes on Laurie on BBC1

Drawing comparisons to James Bond, The Night Manager features a star-studded cast embarking on a globetrotting journey through the world of international espionage. DQ checks in with the BBC’s hottest new show.

Hugh Laurie, Tom Hiddleston, Olivia Colman, Tom Hollander, Elizabeth Debicki. As casting goes, this line-up could be very close to a broadcaster’s dream team. Add in award-winning director Susanne Bier and a story based on a novel by celebrated spy novelist John le Carré and The Night Manager appears to have all the ingredients for a mega hit series. Just add viewers.

The miniseries, which debuted on BBC1 in the UK on Sunday and lands on US cable channel AMC on April 19, marks the first television adaptation of a le Carré novel in more than 20 years in a story that brings together love, loss and revenge in a complex tale of modern criminality.

The show centres on former British soldier Jonathan Pine (Hiddleston), a hotel night manager who is recruited by government agent Angela Burr (Colman) to infiltrate the inner circle of ruthless arms dealer Richard Roper (Laurie). To get to the heart of Roper’s empire, Pine must allay the suspicions of his chief of staff Major Corkoran (Hollander) and resist the allure of his beautiful girlfriend Jed (Debicki).

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From left: Hugh Laurie, Tom Hiddleston, Elizabeth Debicki, Olivia Colman and Tom Hollander

Le Carré himself describes the adaptation of The Night Manager as “one of the unexpected miracles of my writing life: a novel I had written more than 20 years ago, buried deep in the archive of a major movie company that had bought the rights but never got around to making the movie, suddenly spirited back to life and retold for our times. And how!”

The adaptation, penned by David Farr and produced by The Ink Factory, isn’t an entirely faithful retelling of the 20-year-old story, however. In particular, the “chief British spook” had originally been a man named Burr but became pregnant Ms Burr – as portrayed by Colman.

Then there was the location. Much of the novel takes place aboard Roper’s yacht but – recognising the high cost and claustrophobic nature of such a small setting – the TV version was transplanted to what the author describes as a “palatial Gatsby-style villa” found on the Spanish island of Majorca.

The backdrop to Roper’s arms dealing was also shifted, from the war on drugs in Central America to the Middle East and pro-democracy Arab Spring.

“I never wanted the film of the book,” le Carré admits. “Actually I never do. I wanted the film of the film. And we all did. All I asked was that the central interplay between our protagonists remain intact, and the narrative arc of the original story – never mind where it’s set – be broadly the narrative arc of the novel, exploring the same human tensions and appetites, and resolving the dramatic conflict in the same broad terms.”

The author also praises the central performances and, in fact, the entire production of The Night Manager, going as far as to compare it to “those glory days in the 1970s when I was watching the BBC’s Tinker Tailor Soldier Spy being magicked to life by Alec Guinness and the inspired cast that surrounded him.”

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The TV version transplants The Night Manager’s action to a Majorcan villa

Hiddleston, best known for roles in big-screen blockbusters Thor and the Avengers series, admits he was hooked by the script from the first episode and quickly sought out the novel.

“The character appealed to me because I knew, as an actor, I was going to have to operate at the highest level of my intellectual and physical ability because he is a field agent, but also has to be smart enough to go undercover,” he explains, comparing Pine to a certain James Bond. “I found his nobility, courage and morality very appealing – he is actually a very moral character and is filled with le Carré’s own moral authority about the world. There is a certain line that you can feel underneath all of le Carré’s work which is a very robust moral foundation: a belief in right and wrong; in decency and its opposite.”

In contrast to Hiddleston’s recent discovery of le Carré’s story, House star Laurie says he fell in love with the book when he read it in 1993 and admits he once tried to option the rights himself.

“I tried to get the rights before I’d finished the third chapter,” he reveals. “I was unsuccessful, of course – the great Sydney Pollack had jumped on it and wouldn’t let go – but the character of Pine – and yes, back in 1993 I impudently imagined myself playing Pine – is a fascinating one: the errant knight roaming the landscape, looking for a cause, a flag to fight for. Better still, to die for. I thought it was such a beautiful story.”

Now presented with the chance to appear in the series, Laurie says he was happy to take any job on the shoot. “I can’t claim any credit for getting the thing off the ground,” he adds, “I just told the producers that I would be happy to take any job on the production, as actor, caterer, anything I could do to make it go – I just wanted to be involved with it.”

From the start, Pine is painted out as the hero, stepping out of his comfort zone in a bid to snare the bad guy. But it doesn’t take long for viewers to question whether he will become the very thing he set out to destroy. In contrast, Laurie’s Roper appears to travel in the opposite direction.

“Pine’s original goal is to bring down this monster, but at the same time resist the monster’s charm,” Laurie explains. “There are moments when Pine teeters on the brink of the dark side, when you wonder which way he will go. At the same time you might wonder whether Roper is teetering too – that somewhere inside himself he wants to be caught, to be betrayed. The audience has to judge for themselves where Pine and Roper come close to crossing the line in opposite directions – where Roper might plunge the dagger into his own chest and where Pine might become the very thing he set out to destroy.

“It’s an absolutely fascinating exploration, and I think this about so much of le Carré’s writing. Some describe him as a spy writer, but his stories so far transcend the notion of genre; he uses the world of the spy and the intelligence business to examine some profound questions. My God, I hope we can do it justice.”

Broadchuch star Colman – who is reunited on-screen with her Rev co-star Hollander – had just found out she was pregnant when she met director Bier, meaning her character not only changed gender during the adaptation process but also incorporated an additional element to her character. She describes Burr as a “zebra among the lions,” a woman in the male-dominated world of espionage who strives to do what she thinks is right.

“Burr knows that Roper is an arms dealer of the filthiest kind and that he’s making a fortune out of people’s death, misery and poverty,” Colman explains. “She is determined to take this monster down so she sets out to seduce Pine, knowing with his level of charm, sophistication and intelligence that he’d be able to infiltrate Roper’s inner circle and gain his trust to bring him down from within.”

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Tom Hiddleston portrays former soldier Jonathan Pine

Helming the six-hour miniseries is Oscar winner Bier, who triumphed at the 2011 Academy Awards with foreign-language film In a Better World (Hævnen).

Both Hiddleston and Laurie reserve praise for the Danish director, who is described by Hiddleston as a “crusader for the truth.” Laurie adds: “She is The Night Manager. Her vision, her taste, her approach has defined every part of what we are doing, and it’s been an absolute thrill to be a part of.”

A self-confessed le Carré fan, Bier says she jumped at the chance to join the “irresistible” project. “The drama series explores a world where the line between good and evil is completely black and white, yet we are drawn into the blackness,” she explains. “Audiences will be eerily attracted to the evil and I think that’s sort of what drew me to it. You’re never completely sure if Pine is on the right side.”

The biggest challenge, she recalls, was translating the complexity of le Carré’s novel to maintain the thrilling elements, as well as making the 20-year-old story more contemporary – hence the change of setting from South America to the Middle East.

But like many big-screen talents moving to television, Bier adds that she was also drawn to the challenge of telling a hugely complex story over six hours – three times the average movie running time.

“Like a number of other feature directors, I’ve come to realise that there’s great writing in television right now and something incredibly challenging in dealing with a longer chunk of storytelling,” the director says of her move to the small screen.

“I don’t think you could fit this into a two-hour slot because it’s such a rich story – the characters have so much nuance – and part of the thing that makes a TV series is the fact all of the minor characters are interesting, exciting and complex.

“It was so exciting having a whole gallery of fascinating, fun characters and you couldn’t predict where they were going.”

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