Tag Archives: Life in Pieces

End of season report card

How To Get Away With Murder has finished its second run but lost a lot of viewers
How To Get Away With Murder has finished its second run but lost a lot of viewers

At ABC, the story of 2015/16 is that established titles continued to thrive but new ones didn’t really catch on. The highest rating shows (in this order, based on 18-49 viewing) were Modern Family, Grey’s Anatomy, Scandal, The Goldbergs, The Middle and How To Get Away With Murder. Of these, the newest is HTGAWM, which has just ended its second season. Grey’s Anatomy, by contrast, has just completed its 12th season.

This year’s figures show the importance of producer Shonda Rhimes to the network, since three of these titles come from her stable. But they also suggest that ABC cannot be complacent on this front.

HTGAWM has seen its audience fall from around 14 million when it launched two years ago to five million at the end of the current run. That suggests it will need to start turning things around to survive beyond season three. Similarly, Rhimes’ latest show The Catch has failed to deliver for ABC, ranking 17th among all scripted titles at time of writing, but ABC saw enough promise to renew it for a second season nonetheless.

Quantico did enough to secure a renewal but has seen its audience decline
Quantico did enough to secure a renewal but has seen its audience decline

Of the new shows that came into the ABC schedule last autumn, the one that made the most noise was Quantico. The show started well and secured a renewal but has seen its audience slide across the season. Most worryingly for ABC there was no last-episode uplift – a common trait with dramas as audiences tune in to see how things resolve. This doesn’t augur well for the second season, which will kick off without much momentum. The biggest flops of the year were Wicked City and Of Kings & Prophets (which should make networks shy of biblical stories for a while).

Over at NBC, the top six (18-49s) were Blindspot, Chicago Fire, Chicago Med, Law & Order: SVU, Chicago PD and Superstore. Four of these are from Dick Wolf, NBC’s equivalent of ABC’s Rhimes.

Wolf’s success aside, Blindspot is undoubtedly NBC’s big success story this year. While it didn’t achieve the highest absolute ratings on the channel, it did come out number one among 18-49s. True, ratings for the back half of the series are some way down on the show’s strong debut — but they have stayed pretty consistent.

The Blacklist looks set to put in a strong fourth season
The Blacklist looks set for a strong fourth season

The Blacklist didn’t make the top six but it would have been if we were looking at total viewers. The show, starring James Spader, is now a scheduling stalwart having finished three seasons and can be relied on to have a solid fourth season too. Grimm only ranked as the 14th best show but still secured a sixth-season renewal.

Of the network’s other new shows, Jennifer Lopez vehicle Shades of Blue had a decent first year, with its audience stabilising and starting to rise in the second half of the season. Disappointments included Game of Silence, The Player and Truth Be Told.

The ratings on CBS are significantly higher than those on ABC and NBC, when viewed in totality. The top six in the 2015/16 season were The Big Bang Theory, NCIS (both juggernauts), Life in Pieces, Criminal Minds, Scorpion and NCIS: New Orleans, although it’s worth noting that numbers seven to 10 (Mom, Supergirl, 2 Broke Girls and Mike & Molly) would have fared well on the other networks.

Stability has been key to CBS’s success, with The Big Bang Theory, NCIS and Criminal Minds all extremely long-running series. The latter two have also spawned successful spin-offs in the shape of NCIS: New Orleans, NCIS: LA and Criminal Minds: Beyond Borders.

Criminal Minds remains one of CBS's leading shows
Criminal Minds remains one of CBS’s leading shows

In terms of new shows, the big success of the year has been the new comedy Life in Pieces. It benefited from being scheduled after The Big Bang Theory — but even so its performance has been excellent. So it’s no surprising that, at time of writing, it has just been renewed for a second season by CBS.

Another show that tends to go under the radar internationally but is doing a great job for CBS is Scorpion, which just completed season two. The show, which is about a group of computer experts who tackle high-tech threats to the US, hasn’t received especially good reviews. But its ratings are as good as most dramas on the US networks, which explains why it has also been renewed.

CBS’s new dramas have been more problematic. Limitless started off well but has drifted badly in the second half of its first season. Within the next few days it could find itself axed, a situation that would have been unthinkable back in the autumn. Also struggling is another movie spin-off, Rush Hour, which is right at the bottom end of the CBS ratings this season.

Limitless was unable to maintain its momentum on CBS
Limitless was unable to maintain its momentum

Supergirl also ran out of steam in the second half of its debut run, but has been renewed for a second season as part of a deal that sees the show move to The CW, where it will probably fit in nicely alongside top-rating shows like The Flash and Arrow.

And then there is Fox, whose top six scripted shows in terms of 18-49s are Empire, The X-Files, The Simpsons, Family Guy, Lucifer and Gotham. The success of Empire has been well documented while the revival of The X-Files proved to be a good idea. Lucifer is one one of the top performing new series although, like many of its contemporaries, it saw a significant decline in its later episodes. However, it still managed to secure itself a renewal from Fox.

Also worth mentioning is Rosewood. Although the show doesn’t make the top six in terms of 18-49 ratings, its headline audience of 4.88 million means it is actually the third highest show in terms of total viewers. Echoing Life in Pieces, the show was boosted by airing after Empire but it has held up pretty well. After a mid-season slump it is bouncing back and has secured a renewal.

Empire has remained an established hit for Fox
Empire has remained an established hit for Fox

So now we move into Upfronts season, the time of the year when the networks announce new programmes.

The volume of renewals means there aren’t many berths available for new shows. But the networks should keep one thing in mind: with series like Empire, Rosewood, Lucifer, Blindspot, The Goldbergs, Life in Pieces and Scorpion doing well, maybe they should focus more on original ideas than movie-to-TV extensions, which aren’t doing especially well.

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Laughing all the way to the bank

modern-family
Modern Family is currently on its seventh run 

The US churns out a lot of appalling sitcoms. But just occasionally it produces half-hour comedies that are pure genius.

Friends (1994-2004) is the most famous example of this. But there’s no question that Friends is matched by ABC’s Modern Family, which is now in its seventh season.

Created by Christopher Lloyd and Steven Levitan, Modern Family is a mockumentary-style comedy that follows the lives of Jay Pritchett and his extended family, which divides into three units. In the first unit are Jay, his Colombian second wife Gloria, his stepson and infant son. The second includes his daughter Claire, her husband Phil and their three children. Finally there is his son Mitchell, his partner Cameron and their adopted child.

The show won the Primetime Emmy Award for Outstanding Comedy Series five years in a row before finally being knocked off its perch this year by Veep. In ratings terms it delivers consistently high audiences, averaging around 12 million viewers throughout each season once time-shifting is considered.

There is a slight sense that critics are getting bored with the Modern Family formula, but this has yet to translate into a mass exodus by fans. The show is currently five episodes into its current run and continues to do a good job for ABC, despite being up against last year’s breakout drama Empire and long-running series Criminal Minds.

blackish
Black-ish is given a helping hand by airing immediately after Modern Family

It also provides a good leg-up for one of ABC’s newer comedies Black-ish (now in season two), which airs immediately after it on Wednesday evenings.

With around 150 episodes, Modern Family has also become incredibly valuable as a syndication and distribution property. More than Friends, it also lends itself to adaptation, with local versions of the show made or planned in Chile, Greece, Iran and India.

Modern Family stands out for its ability to both attract audiences and appeal to critics. Compare it with NBC’s Parks and Recreation, for example. That show, starring Amy Poehler, came to an end in February 2015 after seven seasons. While Parks and Rec was well crafted, funny and positively reviewed, its ratings for the last four seasons came in at around the four million mark, which is not particularly good.

NBC is to be congratulated for sticking with it for so long, however, and also with its creator Michael Schur. This summer, the network announced that Schur had been signed up to created a 13-part comedy called The Good Place.

There are also reports that NBC is backing a second comedy from Schur and Matt Hubbard (30 Rock) about a happily married interracial couple whose lives change when they move closer to the wife’s family.

The Big Bang theory cast are big earners
The Big Bang theory cast are big earners

So what else comes close to Modern Family? The most obvious comparison is CBS megahit The Big Bang Theory (TBBT), now in its ninth season.

Created by Chuck Lorre and Bill Prady, the show centres on a pair of university physics geeks sharing an apartment and their circle of friends. TBBT’s first season attracted a fairly modest 9.7 million viewers, but by season six the show was hitting the 20 million mark.

This year there seems to be some slackening in the ratings and a growing sense that the formula has run its course. But with the show already renewed through season 10, it isn’t going anywhere just yet.

After then, however, who knows? The lead actors are now on salaries resembling those of Friends cast. So if ratings continue to slide then CBS may decide it is an opportune time to call a halt to the show.

Successful but not spectacular is how best to describe ABC’s The Middle, about a working-class family in Indiana coping with the day-to-day problems of existence. Now in its seventh season, the show has a rock-solid audience of around 8-8.5 million. It has also racked up enough episodes to become a valuable syndication and distribution asset.

The Middle pulls in around 8.5 million viewers
The Middle pulls in around 8.5 million viewers

Not to be overlooked either is Fox’s contribution in the form of animated comedy, with The Simpsons, Bob’s Burgers and Family Guy all doing good business (The Simpsons is now up to 578 episodes over 27 seasons).

The Simpsons doesn’t look like it will ever be cancelled (it will take a brave exec to do this), but if we take the view that Modern Family and TBBT are both in the autumn of their lives, what else is coming through that might build up similar momentum?

One show moving in the right direction is CBS’s Mom. Another Chuck Lorre comedy, it focuses on Christy (Anna Faris), a single mother who, after dealing with alcoholism and drug abuse, restarts her life in California, working as a waitress and attending AA meetings. Like many good comedies, Mom started out with fairly good ratings (season one hit 8.3 million) but really took off once word of mouth kicked in (season two drew 11.79 million). Season three, which starts on November 5, will provide an indication of whether the show has stamina for the long haul.

Also building an audience, albeit from a slightly lower base, is ABC’s The Goldbergs. Created by Adam Goldberg, the show is set in 1980s Pennsylvania and is loosely based on the showrunner’s own childhood, during which he videotaped events.

goldbergs
The Goldbergs, airing on ABC, has seen ratings improve since its first season

The show’s brashness has divided critics (it’s not as sedate as The Wonder Years, for example) but with season two (8.3 million) building on season one’s ratings (6.2 million), there were high hopes coming into season three. So far The Goldbergs is holding up well and looks like a dead cert to come back for a fourth run. For all that, though, it doesn’t yet have the feeling that it can develop into a modern classic.

As yet, there are no comedies in the class of 2015/16 that are obvious hits in the making. But one of the more encouraging entrants to the market is CBS’s Life in Pieces, which looks like the channel’s attempt to come up with its own Modern Family.

The show, which has settled in with audiences in the 8-9 million mark, revolves around four branches of the Short family tree and their awkward, funny, and touching milestones. Very likely to get a renewal, it benefits from being aired after TBBT and having the likes of James Brolin and Dianne Wiest among its cast.

Also looking good is ABC’s Dr Ken, which is rating well despite not being that popular with critics. The show, which has just been given a full season order by ABC, stars comedian Ken Jeong (The Hangover) and is loosely based on his experience working as a doctor before making it in Hollywood.

Dr Ken stars The Hangover actor Ken Jeong
Dr Ken stars The Hangover actor Ken Jeong

As we’ve seen with The Goldbergs (and Louis CK’s successful sitcom Louie), blurring the lines between reality and fiction is becoming a big theme in US comedy (see also Real Rob and The Real O’Neals) and is an extension of the mockumentary trend.

Of course, it would be wrong to suggest the big four networks are the only ones capable of delivering great comedy. While those channels are undoubtedly best placed to secure large audiences, the US cable market can also be relied upon to deliver some superb comedy. A case in point is HBO’s Veep, the show that broken Modern Family’s run of five wins at the Primetime Emmys.

Veep recently finished its fourth season and typically secures ratings of around one million. However, its value to HBO is more about its ability to reinforce the brand’s profile and attract subscribers – a job it does very well.

Commenting on the latest run, TV critic Tim Goodman of The Hollywood reporter said: “Veep entered its fourth season, firmly established as one of TV’s best comedies, and then did what seems impossible – it delivered its most thoroughly assured, hilarious and brilliantly written and acted episodes.”

Julia Louis-Dreyfuss in Veep
Julia Louis-Dreyfus in Veep

In May, HBO announced a fifth series of Veep, renewing another of its acclaimed sitcoms Silicon Valley at the same time.

Another show that is attracting plaudits is Tina Fey and Robert Carlock’s Unbreakable Kimmy Schmidt, which was released on Netflix in March.

The series follows 29-year-old Kimmy (Ellie Kemper) as she adjusts to life in New York City, having being rescued from a doomsday cult in Indiana where she was held for 15 years. The subject matter is more edgy than you’d see on network TV but is typical of the more complex themes that pay TV and streaming services can touch on (another example being Amazon’s acclaimed Transparent).

One other show worth keeping an eye out for is You, Me and the Apocalypse, a joint production between Sky1 in the UK and NBC in the US. The story of an eclectic group of people forced to survive together as a comet heads for Earth has already started airing on Sky1 and is doing pretty well. It will be interesting to see how it performs when it reaches NBC, a more mainstream outlet. If it does well for both partners, it might open the door for a few more transatlantic ventures.

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