Tag Archives: Jon Brown

Fully Loaded

Keshet UK’s head of drama Howard Burch reveals the story behind Channel 4 and AMC comedy-drama Loaded, about four friends who suddenly become millionaires.

In the motoring industry, they call it ‘platform sharing.’ If you’re driving a Mercedes M-Class, you are essentially driving a Jeep Grand Cherokee. The two vehicles may look very different, but they share the same ‘platform,’ or chassis. Underneath its sleek skin, the Cherokee is really a highly modified M-Class, sharing the latter’s efficient structure and sophisticated suspension.

Such sharing is common practice throughout the car industry and it’s becoming more and more successful in the scripted TV business too. Reformatting foreign series – taking the ‘chassis’ of a foreign hit and remodelling it for a domestic market – has exploded since the success of Homeland, which was based on the ground-breaking Keshet drama Prisoners of War.

Howard Burch

For the automotive business, it’s a way of saving money and sharing expertise, whereas in the TV industry it’s about tapping into and exploiting an engaging narrative that has already undergone a considerable development process – and, in most cases, a sizeable bit of audience research.

Outside of novel adaptations or true stories, the overseas scripted series market is yet another stone to look under for homegrown hits. The US has a long history of taking foreign shows – even English-language programmes – and remaking them for a domestic audience, and now British and European broadcasters are doing the same.

The Bridge begat Sky’s The Tunnel, Keshet’s Yellow Peppers led to the BBC’s The A Word, and Channel 4’s Humans is the bastard offspring of the Swedish show Real Humans.

Some reformats are virtual cut-and-paste copies of their overseas progenitors, with London replacing Stockholm or Berlin and English dialogue replacing cumbersome and mainstream audience-averse Hebrew or French subtitles. Others are more thorough overhauls, where the kernel or key concept at the core of the foreign series is kept but the local adaptor brings their own unique creative vision to the characters, setting and themes.

A case in point is our new comedy-drama Loaded, based on the hit Keshet show Mesudarim, which was written by Muli Segev and Assaf Harel. The UK series, which launches tonight and is distributed by Keshet International, is a coproduction between Keshet UK, Hillbilly Television, Channel 4 and US cable network AMC, which will air the show later this year. It is written by Jon Brown, whose other credits include Veep, Fresh Meat and Babylon.

Loaded’s original premise is universal but now it feels uniquely British, with the show tackling the awkwardness and first-world problems that arise when you become a millionaire in your early 30s.

Loaded centres on four friends and colleagues who strike it rich after selling their business

Jim Howick, Samuel Anderson, Jonny Sweet and Nick Helm play the four tech entrepreneurs and childhood friends who become millionaires overnight when they sell their start-up video game company. Mary McCormack co-stars as the VP of acquisitions at the firm’s new parent company.

Keshet UK is very much a fully fledged indie, producing and developing original ideas. However, when Loaded was initially being developed as an adaption for the British market, we looked towards a coproduction, as we did with The A Word. After a small but select beauty contest of potential suitors, we decided to work with the Bafta-winning Hillbilly Television on the series. Their response to the brief was the most exciting and they already had an existing relationship with Jon Brown.

Working with Polly Leys and Kate Norrish from Hillbilly was a truly collaborative process, with terrific input from both Roberto Troni and Lee Mason at Channel 4, as well as our inspirational and supportive co-exec Kristin Jones at AMC. Throw in an experienced producer and three directors, and you end up with a lot of voices around the table, but luckily there was consensus on the big decisions. Many an hour was spent off-set discussing what was funny, what worked, what moved – and whether a Toby jug would mean anything to anybody in America.

Leys says: “We loved Mesudarim when we saw it and thought it had real potential as a change format. The setup of four ordinary blokes running their own company, which sells for millions, was a starting point we really connected to. It was warm, funny and a great way to explore male friendship. But we knew we couldn’t do a line-by-line adaptation, it just wouldn’t have translated.

The show debuts on Channel 4 in the UK tonight

“For a start, we have less sunshine than Israel and the British have very idiosyncratic attitudes to money and success. Instead, we took the premise and told our showrunner [Jon Brown] to go in whichever direction he wanted. Apart from the running time [original episodes were 30 minutes as opposed to our 60 minutes], one of the other key differences is that we were very keen to boost the female characters. It was great to work with Keshet UK on this, who trusted us completely and helped us create a fresh, original series. Together, we’re really proud of the resulting show.”

Some foreign shows are never going to travel far beyond their own borders, because they are too culturally specific or parochial. Humour, we are forever being told, plays differently in different territories. But a good idea is a good idea the world over and, in an age of a voracious global appetite for more and more varied dramas and comedies from an explosion of buyers both domestic and international, having access to an overseas scripted catalogue is proving to be a godsend.

It’s not the be-all and end-all, and local broadcasters are always going to want to pick and choose, balancing the number of reformats and adaptations on their schedules with original pieces from home-grown voices. But at the end of the day, a successful reformat is always going to be packaged and sold to the consumer as a wholly original series. The average viewer isn’t going to know where the series came from or how it has evolved. As a must-see drama, it simply needs to excite and appeal, as would a shiny new car in a showroom.

Look beneath the bonnet, however, and you might spot that your Audi A3 shares more similarities to the Skoda Octavia than you first thought.

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Strange bedfellows boost TV

E4 is adapting Turkey's Mesudarim (pictured) as Loaded
Channel 4 is adapting Keshet’s  Israeli series Mesudarim (pictured) as Loaded

This has been a fascinating week in terms of scripted shows that cut across traditional creative and commercial models.

In the UK, for example, Channel 4’s youth-oriented digital network E4 is to coproduce an online gaming-inspired series with SVoD platform Netflix. Called Kiss Me First, the show is a six-hour thriller from Skins creator Bryan Elsley and a team of new writers. In the UK, it will air on E4 then Netflix. Elsewhere it will be on Netflix.

It is the first time C4 has done a deal of this kind with Netflix, though it has moved more aggressively into the coproduction area recently with shows such as Humans (a copro with AMC) and Indian Summers (with PBS).

Interestingly, the last time C4 and Netflix were mentioned in the same story was when the latter ‘poached’ Charlie Brooker’s dystopian fantasy series Black Mirror (which first found its fanbase on Channel 4).

The underlying theme seems to be that C4 is looking for ways to get high-quality drama at an affordable price. This explains why it has also been showing interest in scripted formats recently. After the success of Humans (based on a Swedish show), it is now working on Loaded, an eight-part comedy drama that originated in Israel with Keshet Broadcasting. The UK version, to be written by Jon Brown (Fresh Meat, Peep Show, Misfits), follows four life-long friends who become multi-millionaires overnight. In Israel, the show was called Mesudarim and debuted in 2006.

The Shannara Chronicles will air on Channel 5 in the UK
MTV fantasy series The Shannara Chronicles will air on Channel 5 in the UK

E4 is also reportedly looking for a coproduction partner on Foreign Bodies, a backpacking comedy-drama from indie producer Eleven Film in which two British guys on a gap year go travelling with two American girls they meet in China.

Elsewhere, Televisa USA, a subsidiary of Mexican media giant Televisa, has partnered with Atalaya Productions to develop an English-language series called Aztecs, about the pre-Columbian civilisation. Michael Chernuchin (Marco Polo, Black Sails) has signed on as showrunner of the series, which is based on the Daniel Peters book The Luck of Huemac. Written in 1981, the book has virtually no profile on Amazon, so hopefully the show will encourage a few new copy sales.

Aztecs will feature a multi-ethnic cast and will follow a family living in the waning moments of the Aztec civilisation as the Spanish invasion looms. Televisa calls it the first TV project to tackle the subject of the pre-Columbian empire from its own vantage point rather than that of the Conquistadors.

“The team we assembled is perfect to bring this shockingly tragic cultural tale to TV in an authentic and respectful way,” said Chris Philip, head of production and distribution for Televisa USA. “Intrigue, betrayal and romance will be part of this great story and it all will be told from the eyes of the people that built and lost this civilisation.”

Cuba Gooding Jr will play OJ Simpson in a drama series following the ex-NFL star's murder trial
Cuba Gooding Jr plays OJ Simpson in a drama series about the ex-NFL star’s murder trial

Underlining the new battle lines being drawn in scripted content, Televisa USA has dramatically increased production over the past year. Other titles on its slate include Maleficio, being made with Starz; the Dougray Scott-fronted Duality; and Gran Hotel, adapted from the hit Spanish show and set in pre-Castro Havana. This comes in addition to Devious Maids, already airing on Lifetime.

It’s also been a busy week for acquisitions, with networks around the world stocking up on scripted shows for 2016. In the UK, Viacom-owned digital channel 5* has picked up fantasy drama The Shannara Chronicles following its premiere on MTV in the US (another Viacom channel).

It’s not the first time that Viacom has kept a high-profile drama in the family in this way. Earlier this year, ancient Egyptian drama Tut aired on Viacom’s Spike in the US and was then picked up by 5* sister Channel 5 in the UK.

Still in the UK, BBC2 has acquired American Crime Story, a 10-part US anthology drama that spends its first season looking at the OJ Simpson murder trial.

Prison Break is coming back
Prison Break is coming back

With Simpson played by Cuba Gooding Jr, the show is set to debut on FX in the US on February 2. A few years back, you probably wouldn’t have seen an FX show on BBC2 but BBC2 and BBC4 controller Kim Shillinglaw called it a “gripping, highly distinctive” series, adding: “With an outstanding cast and a top-rate creative team, it is the kind of grown-up, contemporary drama I want on the channel.”

Amazon has also been busy, picking up PBS drama Mercy Street and acquiring all nine seasons of classic sci-fi series The X-Files. The latter is a shrewd move designed to take advantage of the buzz around the new X-Files series, coming soon from Fox.

With the return of The X-Files causing so much excitement, it’s no real surprise to see that Fox has also decided to bring back Prison Break, another of its cult series – last seen in 2005. According to reports from the US, the network has given the show a straight-to-series order. Its creator, Paul T Scheuring, is writing a script and a bible for that is expected to be an eight- to 10-part production.

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BBC1 is adapting Apple Tree Yard

Another project in the news is Apple Tree Yard, based on the international bestselling thriller by Louise Doughy. The TV production is being made by Kudos for BBC1 in the UK and will be distributed internationally by FremantleMedia International.

Adapted by Amanda Coe, the four-part thriller “puts women’s lives at the heart of a gripping, insightful story about the values we live by and the choices we make.” It stars Emily Watson (A Song for Jenny, The Theory of Everything) as a married woman who embarks on an impulsive and passionate affair with a charismatic stranger (Ben Chaplin). “Despite all her careful plans to keep her home life and career safe and separate from her affair, fantasy and reality soon begin to overlap and everything she values is put at risk,” says the pre-production blurb.

Coe, whose credits include Filth: The Mary Whitehouse Story, Bloomsbury Set, Life in Squares and an adaptation of John Braine’s Room at the Top, said: “Apple Tree Yard is a perfectly executed page-turner that’s also a gripping exploration of the difficult moral choices we face in adult relationships.”

Jon Bernthal, best known for his role as Shane in The Walking Dead (pictured left) will star in The Punisher
Jon Bernthal (left), best known for his role as Shane in The Walking Dead, will star in The Punisher

Other new projects doing the rounds include American Playboy: The Hugh Hefner Story, a coproduction between SDE and Playboy-owned Alta Loma Entertainment. As yet, no network is attached to the project.

Also in the works is a new Marvel series based on its character The Punisher. Destined for Netflix, the series will star Jon Bernthal, known to fans of The Walking Dead as Shane Walsh – the Rick Grimes sidekick who loses the plot in season two. Anyone familiar with his terrific performance in that show will know he is perfect for Marvel’s morally dubious vigilante.

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