This summer, critics couldn’t decide whether M Night Shyamalan and Chad Hodge’s 10-part mystery-thriller Wayward Pines qualified as a hit. But the show’s host network Fox has now answered that question by giving the production a second season.
Fox Broadcasting Company’s entertainment president David Madden said: “Wayward Pines was a huge hit for us. We were absolutely blown away by the mysterious and surprising world that Night and his team created, and the twisting-and-turning storytelling that drew viewers in from day one. Season two is going to take the suspense, the vision of the future and the haunting character drama to whole new levels.”
A same-day audience of three to four million wasn’t especially impressive. But Fox has crunched the numbers and come up with the following analysis: “Season one of Wayward Pines ranked as summer 2015’s number-one broadcast scripted series among adults 18-49, averaging a 2.2/8 in the key demo. The series – about a Secret Service agent on a mission to find two missing federal agents in a sleepy town, and the shocking results of his investigation – ranked among summer 2015’s top 10 broadcast programmes overall among adults 18-49. It earned a multiplatform average audience of 9.4 million, which represents a +145% increase versus its Live+Same Day audience – the largest multiplatform lift versus Live+Same Day ever for a Fox drama.”
According to Fox, the second season will pick up in the wake of season one, when a new arrival in Wayward Pines finds himself in the middle of a serious rebellion, as the residents battle over how to preserve the endangered human race. Season one stars Matt Dillon and Toby Jones will not return, so there will be a lot of interest in who gets cast as the new lead.
This week has also seen renewals for Showtime’s Homeland and The Affair. This confirms our hunch that Homeland had done enough in season five to warrant a renewal, though the announcement has come later than expected.
Season five is finishing strongly, which appears to vindicate the decision to move central character Carrie (played by Claire Danes) to Berlin. Co-creator Alex Gansa has suggested that this could be the model going forward, with each season placing Carrie in a new geographic location.
There was also a renewal this week for NBC’s The Blacklist, which stars James Spader as a criminal mastermind working with the FBI. The drama, which will go into season four, averages a same-day of audience of around seven million. It’s also popular internationally, featuring on networks such as Sky Living and TF1 in France.
The timing of the announcement makes this an early renewal for the show, and creator Jon Bokencamp says he has known about The Blacklist’s return for a while. Speaking in a podcast interview this week, he commented: “We knew about that a while ago. It’s one of those things that’s hard to keep quiet. But yes, we’re renewed through to the fourth season. Hopefully we don’t tank that out – we’ve got a lot of story to tell.”
Back at Fox, one show that is certain to get a renewal is breakout hit Empire, which is now in the middle of its second run. However, the new season has been bumpy ride, akin to the ‘difficult second album’ syndrome. After opening to 16 million viewers (22.5 million when you add in the multiplatform/time-shifted figures), the music industry-based show dropped as low as 9.2 million (same-day rating) for episode nine. Episode 10 saw a bounceback (11.8 million) but the underlying critical narrative suggests the show has lost its way slightly.
The biggest complaint seems to be that this year’s plots and characters lack authenticity, with USA Today summing it up like this: “On social media, fans are griping about ever-more-outrageous storylines (‘cartoon garbage,’ sniffed one Twitter user), such as frantic efforts in (one) episode to find and dig up the body of Vernon, who was accidentally killed in last season’s finale, and park his decomposed corpse in a car to intimidate an attack-dog prosecutor. There’s pushback on the show’s heavy dose of celebrity cameos, from Chris Rock to Ludacris.”
Having said all this, Empire is still the strongest US network show by far. To put it in perspective, its rating among the all-important 18-49 demo far exceeds that of new shows such as Blindspot, Limitless and Quantico. So a renewal is as certain as anything can be in this life.
A likely beneficiary of its success is Rosewood, which airs straight after Empire. Having seen its ratings boosted as a result of Empire’s strong lead-in, it’s another show that is pretty much guaranteed a return.
Continuing on this topic, this week provided a superb example of the impact that a strong lead-in can have on a title’s ratings. Until recently, AMC’s Into the Badlands had been benefiting from airing directly after The Walking Dead. But with the latter now on a winter break, Badlands has seen its audience plummet. Same-day ratings for the first four episodes of the show go like this: 6.4 million, 4.8 million, 5.2 million, 2.4 million – the latter figure being the first week in which it didn’t have a boost from The Walking Dead.
This isn’t necessarily a problem for Badlands. It’s possible that, without TWD in the schedule, fans of the futuristic martial arts show have decided to record it and watch it another time (maybe earlier the next day). The real test of whether the show has managed to build a loyal audience will come with Live + 3 Day or Live + 7 Day ratings. That said, even at its new lower level, it’s still a strong shout for a renewal.
Moving away from renewals, this week saw the launch of a show that may soon be talked about as the latest Scandinavian hit.
Gasmamman (Mother Goose) is being described as Sweden’s answer to Breaking Bad. The story follows a mother-of-three who takes over the family’s illegal marijuana business after her husband is shot in a drug deal gone wrong.
The Endemol Shine-produced show is currently airing on pay TV platform C-More and will shift to Kanal 5 in spring 2016.
In an interview with Reuters, lead actress Alexandra Rapaport said: “When we pitched this we talked about it being a kind of Erin Brockovich meets Breaking Bad. The Bridge and The Killing were big inspirations for us. But I think we also add some humour to it, which is why we compare it to Breaking Bad.”
The Reuters report says the show’s producers plan to make four seasons in total.
tagged in: Alexandra Rapaport, AMC, C-More, David Madden, Empire, Endemol Shine, Fox, Gasmamman, Homeland, Into the Badlands, Jon Bokencamp, Kanal 5, M Night Shyamalan, NBC, Rosewood, Showtime, The Affair, The Blacklist, The Walking Dead, Wayward Pines