Tag Archives: Insider

A global tour of 2016’s best new dramas

It would be easy to fill a 2016 review with the huge volume of excellent US scripted shows that have been pumped out this year. But for the final column of the year, we’re looking back on some of the new shows from around the world that have made their mark, be it in terms of audience, sales or critical acclaim.

Baron Noir: There were some heavyweight French TV productions this year, including Section Zero, Marseille and France/Sweden copro Midnight Sun. But the one that has secured the highest rating on IMDb is StudioCanal’s Baron Noir. A Canal+ Création Originale, Baron Noir follows French politician Philippe Rickwaert’s thirst for revenge against his political enemies. Launched to critical acclaim in France, with a second season now in development, this “French House of Cards” has been picked up internationally by SBS Australia, Amazon Prime Video in the UK and Ireland and Sony Channel in Germany. “Baron Noir is a gripping political thriller and a masterpiece of French storytelling,” said Carsten Fink, VP of German-speaking Europe at Sony Pictures Television Networks.

Cleverman: This New Zealand/Australia/US coproduction was a clever fusion of aboriginal mythology and dystopian sci-fi. Backed by funding from Screen NSW, the six-part show debuted in June 2016 on ABC Australia, achieving an audience average of around 300,000. It also aired on Sundance in the US, which joined the production during development. While Cleverman wasn’t a huge ratings hit, it did get a positive response from critics. The Boston Herald said it was “unlike any other TV miniseries you’ve seen before. The gritty Australian production uses a sci-fi backdrop to test notions of racial identity and integration with a twist of supernatural terror.” Red Arrow International has sold the show to broadcasters including BBC3 in the UK. It has also been greenlit for a second season, with Sundance again on board.

The Crown: Some would argue that Netflix’s best new series this year was Stranger Things. But the show that has undoubtedly attracted the most attention is The Crown, a US$100m dramatic exploration of Queen Elizabeth II’s early life. Written by Peter Morgan and directed by Stephen Daldry, the show has received pretty much universal acclaim and is currently sitting pretty with an IMDb score of 9. The success of The Crown has even encouraged some analysts to raise their share price targets for the SVoD platform. A second season has already been commissioned and the ambition is that the series will run for five or six seasons. For more about The Crown, see this DQ feature.

Descendants of the Sun: The most-hyped Korean drama of the year was Moon Lovers: Scarlet Heart Ryeo. But the series that seems to have really done the business is this love story between a special forces soldier and a female doctor. Descendants of the Sun was a major hit for KBS in Korea and then sold to more than 30 countries around the world. It was especially popular across Asia. In China, it aired simultaneously with the South Korean broadcast, achieving 2.3 billion streams on iQiyi. Its popularity in China caused concern with the country’s Ministry of Public Security, which warned viewers that “watching Korean dramas could be dangerous, and even lead to legal troubles.”

Insider (Icerde): It’s been another prolific year for Turkish drama. One of the standout shows of the year was Ay Yapim’s Insider, about two estranged brothers who end up on opposite sides of the law. The show debuted on Show TV on September 19 and proved a big ratings hit. Gaining an audience share of almost 12%, Insider beat everything except for Orphan Flowers (Kirgin Cicekler), a popular ATV series that was launched in 2015 to great acclaim. The show is distributed by Eccho Rights. For more on Turkey, read this DQ piece.

Ku’Damm 56: This UFA drama centres on a group of young women seeking to break free from stuffy social conventions in 1950s Germany. The show, which aired on ZDF, was a major hit, attracting 6.3 million viewers for its season finale (an impressive 19.6% share of the audience). The show was developed and written by Annette Hess, whose previous successes include Weissensee. It was one of the 12 new dramas featured at the Mipdrama Screenings.

Medici: Masters of Florence: This show provided an illustration of how Italian broadcasters are now flexing their muscles on the international stage. Although produced in English and distributed by a French company (Wild Bunch TV), Medici was originally commissioned by Italian public broadcaster Rai. The show, which features Dustin Hoffman, debuted well on Rai Uno, securing an audience of 7.6 million. It has now been renewed for a second season and licensed to the likes of Sky Deutschland and Netflix (US, UK, India).

The Night Manager: A huge hit for the BBC in the UK, this was a six-part adaptation of John le Carre’s novel of the same name. The limited series also aired on AMC in the US and has been sold to around 180 countries worldwide by IMG. With a cast headed by Tom Hiddlestone, Hugh Laurie and Olivia Colman, the show was indicative of a couple of key trends – first, a shift towards Anglo-American drama coproductions; and, second, a realisation that some stories are better told through the medium of TV than film. At time of writing the show is in the running for a Golden Globe, having previously picked up a couple of Primetime Emmy Awards. One of these went to talent Danish director Susanne Bier. For more on The Night Manager, see this DQ feature.

Pasión y Poder (Passion & Power): This Mexican telenovela comes from the Televisa stable. A remake of a successful 1988 telenovela, it centres on the rivalry between two families. The show aired on Televisa from Autumn 2015 through to Spring 2016, comprising 80 episodes. It also aired on Univision in the US and became the channel’s number one telenovela of 2016. The finale was especially strong, attracting 5.2 million viewers – more than rival shows on CBS, NBC and Fox. Also airing on Hulu, Passion & Power was a big winner at the 2016 TVyNovelas Awards.

Public Enemy: Nobody knew much about Belgian drama Public Enemy until this year’s MipTV. All that changed after the Zodiak Rights-distributed show won the market’s first-ever Coup De Coeur. Sarah Wright, director of acquisitions at Sky and one of the executives that selected the show, said: “We chose Public Enemy because we felt it was brave, it was strong, it was fresh, it had twists and turns. It feels like something that will travel.” After its MipTV boost, that’s exactly what happened, with the show being picked up by Sky Atlantic in the UK and Germany and TF1 in France among others. Producer François Touwaide, Entre Chien et Loup, said: “Public Enemy is the result of a great initiative launched jointly by Wallonia Brussels Federation and RTBF in 2013 to develop Belgian talent across TV series. After a significant success in Belgium we are very happy with the international response to the show and the great job done by Zodiak Rights.”

This Is Us: On the US network front, Dan Fogelman’s family drama for NBC has been one of the most talked-about new shows of 2016. The show, which is currently on a winter break, averaged 9-10 million viewers per showing across its first 10 episodes and is expected to keep up that momentum when it returns for eight more instalments on January 10. Another Golden Globe nominee, it would be a major surprise if This Is Us doesn’t get a second season. Indeed, Fogelman recently said he has four seasons’ worth of stories sketched out. A marathon of the first 10 episodes will air on USA Network on January 7 ahead of NBC’s next episode. The show has been licensed overseas to broadcasters including Channel 4 UK. Click here for the Guardian’s assessment of the first season.

Trapped: This Icelandic drama actually aired on RÚV on 27 December 2015, but it seems churlish to exclude it from the class of 2016 on that basis. Created and directed by Baltasar Kormakur, the show has subsequently aired across Scandinavia and on BBC4, France 2 and ZDF in Western Europe. Other markets to acquire the show included Australia, Poland and the US, where The Weinstein Company purchased the rights. The tense thriller is part of a second wave of Nordic noir series that has seen Iceland, Norway and Finland all become significant international players. In September 2016, RÚV Iceland announced that a second 10-episode season had been commissioned for release in late 2018.

Westworld: There’s such a lot of great US drama in the market that it’s difficult to single out just one or two shows. But HBO’s movie reboot Westworld certainly deserves a mention. With a budget of around US$100m, the show is shaping up as a potential successor to the channel’s monster hit Game of Thrones. Nominated for a Golden Globe, Westworld recently finished its first season with an average audience of 1.8 million (same-day viewing). However, the most encouraging thing about the show is that its audience has been rising since episode five, with the finale achieving the show’s best ratings to date at 2.2 million. All of which bodes well for the second season, which is likely to air in 2018.

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Turkish TV drama shows resilience

It has been a miserable year for Turkey – yet despite a military coup, suicide bombings and the fallout from the Syrian Civil War, the country has somehow kept on pumping out great TV drama in 2016.

Wings of Love
Wings of Love is doing well on Fox Turkey

A lot of this creativity will be on show at the Mipcom market in Cannes from October 17. For example, Sweden-based distributor Eccho Rights has just announced an exclusive deal that will see it bring a slate of shows from one of Turkey’s leading drama producers, Ay Yapim, which is behind Ezel, Fatmagul, Forbidden Love, Karadayi, The End and more.

One of the most high-profile titles is Wings of Love (Bana Sevmeyi Anlat), which is achieving very strong ratings on Fox Turkey. The series premiered on August 22 and is currently number one on Friday nights. Also in the line-up is Brave and Beautiful (Cesur ve Güzel), set to premiere on Star TV later on this fall, with Turkish megastars Kıvanç Tatlıtuğ and Tuba Büyüküstün in the lead roles.

Another title in Eccho’s line-up is Insider (İçerde), which is loosely based on US movie The Departed. It debuted on Show TV on September 19 and proved a big ratings hit, also becoming the top-rated Turkish drama on IMDb with a score of 9.4. Gaining an audience share of almost 12%, Insider beat everything except for Orphan Flowers (Kirgin Cicekler), a popular ATV series that was launched in 2015 to great acclaim.

Karadayi
Fellow Ay Yapim drama Karadayi

With two more winter launches from Ay Yapim on the slate, Fredrik af Malmborg, MD of Eccho Rights, is understandably in bullish mood.

“We have been working closely with Ay Yapim ever since the global breakthrough of Turkish drama,” he said, “and we are very proud of the contribution we have made together in pushing the genre forward. Turkish drama is stronger than ever and Ay Yapim has always been a leader.”

Ay Yapim’s success on the international market isn’t just limited to completed show sales. It has also had success getting some of its formats away. A good example is The End, which was piloted in the US last year. More recently, the show has been greenlit for adaptation in four markets including Russia, Germany, the Netherlands and Spain. The latter version will be produced by Globomedia for broadcast on Telecinco in early 2017.

From left: Broken Pieces director Cevdet Mercan and stars Erkan Petekkaya and Nurgul Yeşilçay
From left: Broken Pieces director Cevdet Mercan and stars Erkan Petekkaya and Nurgul Yeşilçay

Eccho has also had notable recent successes with dramas from outside the Ay Yapim stable. For example, it recently sold Broken Pieces (Paramparça) to Swedish public broadcaster SVT. An Endemol Shine Turkey production for Star TV, Broken Pieces follows other Turkish dramas like The End onto SVT.

Eccho isn’t the only company to be heading for Cannes with Turkish drama in tow. Fox Networks Group is hosting an event on October 18 to highlight its Turkish drama slate, which runs to more than 700 hours. Among key titles is Pastel Film Production’s That is My Life (O Hayat Benim), which has already been sold to broadcasters in Latin America, Eastern Europe and Asia.

As in many markets, September to October is an important time of year in terms of new title launches on domestic TV. Aside from the aforementioned Insider, shows attracting attention include Black White (Siyah Beyaz) and You Are My Country (Vatanim Sensin).

The latter, produced by O3 Medya, is a big-budget period drama set just after the First World War. It tells the story of an army officer who is torn between loyalty to his country and the welfare of his family. Already sold to Croatia (a big fan of Turkish drama), the show is expected to prove popular with Mipcom buyers.

In terms of trends in Turkish drama this year, it seems as though some Western influences are creeping in. While Turkish viewers still tend to favour action, romance and historical drama, one of the most intriguing shows of the year was psychological thriller 46 Yok Olan, which aired on Star TV earlier this year.

O Hayat Benim
That is My Life has sold across the world

The series focuses on a professor of molecular biology who is trying to find a cure for his comatose sister. After trying a new potion on himself first, he releases an alter-ego that he cannot control and that seeks revenge for his father’s death and his sister’s illness.

While 46 Yok Olan didn’t draw huge ratings for Star, it did attract a fair amount of critical acclaim. So it will be interesting to see if it appeals to international buyers. The show is being marketed by Global Agency under the simplified title 46.

While a lot of attention in the next few weeks will be focused on Turkish drama exports, another story of significance is that SVoD platform Netflix has just launched a dedicated service in Turkey, with a fully localised user interface and local programming.

Signalling the seriousness of its ambition for the market, Netflix has also signed a deal with mobile provider Vodafone and is already working with Turkish TV manufacturer Vestel.

46
46 Yok Olan met critical acclaim

Commenting on the news, Netflix CEO Reed Hastings said: “Turkish people are great storytellers with their hugely popular and internationally recognised Turkish dramas, and Netflix aims to become one of [the industry’s] most vocal ambassadors. We’re delighted to offer a more localised Netflix in Turkey that will continue to grow with both our Netflix Original titles and licensed content.”

Although it is too early to tell what kind of local uptake the service will get, it could provide a useful revenue source for creators of Turkish drama. Shows that will appear on Netflix in Turkey include Leyla and Mecnun, Suskunlar (Game of Silence), Karadayı, Ezel, Kurt Seyit & Şura, The Revival: Ertuğrul and Filinta.

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