Tag Archives: Godless

Good girl gone bad

Michelle Dockery sheds her Downton Abbey image in TNT thriller Good Behavior, which is returning for its second season this month. She tells DQ about leaving Lady Mary behind for a life of crime in the US drama – and previews her upcoming Netflix series Godless.

As Downton Abbey transformed from a quintessential British period drama into an international hit series, its young cast became overnight superstars. Subsequently, Lady Sybil Crawley and Matthew Crawley were both killed off as the actors who played them – Jessica Brown Findlay and Dan Stevens – went in search of new projects after two and three seasons respectively.

One star stayed put, however, alongside more established actors such as Maggie Smith and Hugh Bonneville. Michelle Dockery played Lady Mary Crawley in the ITV drama for its full six-season run (and several Christmas specials), perhaps running the risk of becoming singularly known for her part in the Julian Fellowes-penned series.

Michelle Dockery stars alongside Juan Diego Botto in Good Behavior

But while some viewers will always remember her as Lady Mary, the actor opted for a complete change of pace for her next role and put some distance between her and Downton. Quite literally, in fact, as she travelled to the US to star in cablenet TNT’s Good Behavior.

Following a successful pilot, a full 10-part first season debuted in November 2016, with season two set to launch in the US on October 15. The show is now also airing in the UK on Virgin Media, which launched season one on September 11, with the first six episodes immediately available on demand before subsequent episodes were rolled out ahead of the start of season two.

Pitched as a seductive thriller created by Chad Hodge and Blake Crouch, based on the books by Crouch, it tells the story of Letty Raines (Dockery), a thief and con artist whose life is always one step away from implosion. Fresh out of prison, she hopes to stay out of trouble while reuniting with her 10-year-old son, who is being raised by her mother Estelle (Lusia Strus), and fulfilling mandatory meetings with parole officer Christian (Terry Kinney).

Dockery as Lady Mary in Downton Abbey

But chaos ensues when she overhears a hitman (Juan Diego Botto) being hired to kill a man’s wife and sets out to derail the job, entangling both of them in a dangerously captivating relationship.

“I was still on Downton when this one came along,” recalls Dockery, who was nominated for Emmy and Golden Globe awards for her role as Lady Mary. “We were towards the end of the last season and my agent in America said, ‘You must read this pilot.’ She loved it and I read it and fell in love with the part.

“From the get-go, my heart was with Letty all the way. There’s something about the writing; it’s so character-driven and you instantly know this person and empathise with her. I just loved how flawed she was and with such complexity. Then they offered me the part. I was really surprised at the ease at which everything went after that. After Downton, I thought I’d have a big rest after six years, and suddenly I was on a flight to the States to do this pilot. So it wasn’t something I was actively seeking, nor was I seeking something so vastly different. It just came my way. She’s just a riot. She’s really fun to play.”

Good Behaviour returns to screens on October 15

Despite a radical move between genres, from a period drama to a thriller,  the differences between working in the UK and the US are less drastic – apart from longer hours, Dockery says. “In American television, it’s not unusual to do a 15-hour day, so you’re really on this hamster wheel and if you step off, you’ll end up in bed for a week with a cold so you have to keep going. But the filming process was very similar. For me, it was the hardest I’ve ever worked in my career.”

The actor reveals she was constantly learning lines – and perfecting her American accent – to keep on top of the nine-day shoots for each episode, with filming taking place in Wilmington, North Carolina. She found support in fellow actor JD Banks, who would run lines with her as well as helping Spanish actor Botto with his pronunciation.

The biggest difference, however, was moving from an ensemble player in Downton, albeit one of the main stars, to being the lead of a major US television drama.

Dockery also has a role in Netflix series Godless

“On Downton, Mary was a prominent role but I had time off when I wasn’t in it, and you are supported by everyone there. But here, if I have a day off, everyone has a day off,” Dockery says. “Letty’s in every scene so it was certainly a lot more pressure. I have to look after myself on a show like that, eating well and just sleeping as much as I can. But it’s a wonderful part to play. I really enjoy playing her.”

After Good Behavior, Dockery will next be seen in Netflix western Godless, which debuts worldwide on November 22. The six-part series centres around Frank Griffin (Jeff Daniels), a menacing outlaw who is terrorising the west as he hunts down Roy Goode (Jack O’Connell), his son-like partner turned mortal enemy. While Roy hides at Alice Fletcher (Dockery)’s ranch, Frank’s chase leads him to the quiet town of La Belle, New Mexico – which is mysteriously home only to women.

“It’s just this seven-part epic Western,” Dockery says. “But the thing that’s unusual about it, and wonderful and brilliant, is it’s very female-driven.

“Aside from that, being in a western is every actor’s dream. We had cowboy camp where we had gun training and horse-riding, which was very different from any riding I did on Downton. New Mexico [where Godless is set and filmed] is breathtaking and just being part of such a massive ensemble on that was amazing.”

After leaving Lady Mary behind – save for the finally confirmed Downton Abbey film – Dockery says she now intends to “keep mixing it up” in the search for more varied and challenging roles. “I’m always drawn to these women who are flawed, like real women, and that’s what we’re seeing more of in television,” she adds. “I feel part of this change now that’s happened in the last 10 years of television, where women are being portrayed in a much truer way. These last few characters I’ve played I’ve really been lucky with.”

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AMC feels Terror as Soderbergh goes west

Steven Soderbergh
Steven Soderbergh

US cable channel AMC is making headlines again this week by commissioning a 10-part anthology series based on a 2007 novel by Dan Simmons called The Terror.

Set in 1847, The Terror unfolds as a Royal Naval expedition searching for the Northwest Passage is attacked by a mysterious predator that stalks their ships and crew. The show continues the recent fascination with thrillers set against a backdrop of snow and ice (Fargo, Fortitude, Trapped and Liam Neeson movie The Grey, to name a few).

The Terror is being exec produced by Ridley Scott and will be adapted for the screen by David Kajganich, whose recent credits include the movie The Bigger Splash. Kajganich will also be a co-showrunner with Soo Hugh.

Joel Stillerman, president of original programming and development for AMC and SundanceTV, said: “Originality is still something that gets our attention every day, and the very unique mixing of historical non-fiction with a gripping and imaginative science-fiction overlay in Dan’s novel is something we hadn’t seen before. That, combined with an exceptional team behind the project, made this something we really wanted to bring to air on AMC.”

Meanwhile, Netflix has ordered an original western series from director Steven Soderbergh and screenwriter Scott Frank. Called Godless, it is set in a 19th century New Mexico mining town.

As yet there are no more details. However, the news is generating a lot of excitement because of the Soderbergh/Frank link-up. The last time they worked together was on the acclaimed movie Out of Sight. Since then, Soderbergh has shifted much of his energy in the direction of TV with shows such as The Knick, while Frank has been screenwriting movies including Minority Report, The Wolverine and Marley & Me.

Fuller House has already been given a second run on Netflix
Fuller House, a revival of Full House, has already been given a second run on Netflix

Netflix has also renewed its revival of US family sitcom Full House for a second season. The reboot, titled Fuller House, follows a pregnant and recently widowed woman who is living with her younger sister, best friend and teenage daughter. They all help to raise her two boys and prepare for the birth of the new baby. The original Full House aired on US network ABC from 1987 to 1995.

Elsewhere, projects now getting kickstarted out of the UK include Tina and Bobby, a three-part drama from ITV that will celebrate the life of England football legend Bobby Moore and his wife. The project writer is Lauren Klee, who has a strong track record on shows like EastEnders, Waterloo Road and Holby City.

Meanwhile, Colin Callender’s indie prodco Playground has picked up the rights to Guardian journalist Patrick Kingsley’s book The New Odyssey – The Story of Europe’s Refugee Crisis. It plans to make a TV series based on the book, which charts Kingsley’s journey to 17 countries where he met hundreds of refugees making their way across deserts, seas and mountains in a bid to reach Europe.

Discussing the decision to acquire the book, Sophie Gardiner, creative director of Playground’s UK office, said: “The New Odyssey is an epic piece of journalism that provides an intimate account of the people caught up in one of the biggest humanitarian crises since the Second World War. We believe this can be TV at its best – powerful, emotional and compelling storytelling that explores the complexities and human dimensions of the biggest story of our time.”

Playground Entertainment is making a TV version of The New Odyssey
Playground Entertainment is making a TV version of The New Odyssey

One of the most eye-catching stories to have come out of the US TV business in recent weeks was the news that Channing Dungey, executive VP of drama at Disney-owned network ABC, was being promoted to entertainment president, replacing incumbent Paul Lee. The story came as a surprise and got people wondering about how it might affect decisions over cancellations and renewals.

Well, Dungey hasn’t wasted any time making her mark, giving early renewals to a huge swathe of ABC shows this week. Among these are dramas like Quantico, Grey’s Anatomy, How To Get Away With Murder, Once Upon a Time and Marvel’s Agents of S.H.I.E.L.D. On the comedy front, Fresh off the Boat, The Goldbergs, Modern Family, Black-ish and The Middle got the nod.

Dungey’s renewals are interesting for a few reasons. First, because it looks like she is playing safe in season one. Rather than rip up the schedule, she has decided to play the percentages and give herself time to settle in. Second, because she has renewed the shows much earlier than Lee had a habit of doing. This is her way of quickly distinguishing herself from her predecessor.

Finally, Dungey’s list of renewals is also notable because of what she has not yet committed to. Long-running procedural Castle (nearly at the end of season eight), for example, has not yet been given the OK. Dungey has also delayed decisions on four other scripted series, Nashville, The Muppets, Marvel’s Agent Carter and Galavant.

Castle stands a reasonable chance of being renewed if star Nathan Fillion is prepared to sign up for a new season. However, the other series are harder to call.

Galavant's chances of renewal on ABC look shaky
Galavant’s chances of renewal on ABC look shaky

In January, Paul Lee said Nashville would probably be back for a fifth season. But the show has never really been a massive ratings hit, so it might not secure the same support from Dungey. In the case of The Muppets, a strong start has given way to sub-par ratings. But this is a Disney-owned property so ABC won’t necessarily want to give up on it just yet. Similarly, Agent Carter hasn’t been particularly strong in ratings terms but it does come from the Disney-Marvel stable of scripted shows.

Galavant, a musical comedy/fantasy series, is coming to the end of its second season and probably looks like the easiest of the five to say goodbye to. Ratings haven’t been especially strong and there’s no obvious Disney 360-degree reason to keep it alive. That said, it does have a top creator behind it in the shape of Dan Fogelman (Tangled, Cars). So that might be enough to persuade ABC to give the show another chance.

Finally, in Scandinavia, Swedish commercial broadcaster TV4 has ordered two 10-part seasons of a medical drama based on a Finnish format called Nurses, produced by Yellow Film & TV and distributed by Eccho Rights. Jan Blomgren, CEO of Swedish production company Bob Films, said: “The original version of Nurses is well written and produced. We believe the audience in Sweden will relate to real stories in a glossy drama series.”

This isn’t the first time a Finnish drama has been adapted for the other Nordic territories. It’s also just happened with DRG-distributed thriller Black Widows.

Although the Finns make dramas to a decent standard, tight budgets mean their shows often aren’t glossy enough to appeal to audiences in the other Nordic markets. In the case of Nurses, a third season is about to air on YLE in Finland. Eccho Rights, which licensed the format to Sweden, has also sold it into the UK. At the same time, it has licensed the first two Finnish seasons to ProSiebenSat.1. Eccho will also sell the Swedish version of the show internationally.

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