Articles about FX
History boys
Turkish drama Aleph sees two detectives pursue a serial killer via a set of mysterious clues linked to the country’s past. Producer Metin Alihan Yalçındağ and director Emir Alper reveal how they pieced the series together.
Master of nuns
DQ reports from the set of Black Narcissus, the FX and BBC miniseries based on the classic novel that screenwriter Amanda Coe describes as “The Shining with nuns.”
Sher thing
Film and television producer Stacey Sher opens up about her 30-year career in Hollywood, working with Quentin Tarantino and how FX political drama Mrs America was brought to the screen.
Kansas calling
Fargo showrunner Noah Hawley, production designer Warren Alan Young and composer Jeff Russo tell DQ about reuniting for the fourth season of the FX anthology and explain how the new story chimes with contemporary events.
In development
Ex Machina creator Alex Garland considers the notion of free will and the power of big tech in eight-part thriller Devs, his first television series.
Turning the Scrooge
British screenwriter Steven Knight has reinvented A Christmas Carol for the BBC and FX. DQ speaks to some of the creative team to find out why this isn’t Peaky Blinders meets The Muppets.
Legion’s latest recruit
Mr Robot star Stephanie Corneliussen joins the cast for the third and final season of X-Men drama Legion. She talks to DQ about Noah Hawley’s psychedelic FX series, its treatment of mental illness and her extensive preparation for playing Gabrielle Haller.
Inside Mr Inbetween
Scott Ryan, writer and star of Mr Inbetween, and director Nash Edgerton talk about the making of the dark FX comedy-drama about a hitman juggling his personal and professional lives.
Telling the truth
Factual dramas are a staple of the scripted television landscape and can often be relied upon to bring in big ratings. DQ explores how these series are developed and brought to air, with contributions from the writers behind Waco and Kiri.
Dystopian blues
The television landscape is awash with series set in alternative – and not particularly bright – futures. Stephen Arnell casts his eye over the dystopian series on screen, and also finds sci-fi series with a more optimistic outlook.
Back to the 1980s
As a host of scripted series find inspiration in the 1980s, DQ speaks to the creatives behind these shows to find out how they recreated the era – and why it remains so popular almost 30 years after the decade ended.
Join the club
From Hulu’s The Path and the most recent season of FX’s American Horror Story to upcoming series Waco and Raven, TV dramas about cults have caught the zeitgeist. DQ takes a closer look at this trend.
Handmaid to measure
Former NBC Entertainment president Warren Littlefield discusses the success of The Handmaid’s Tale and the lessons he learnt making the leap from broadcaster to producer.
Cracking up
FX explores the crack cocaine epidemic that gripped LA in the 1980s in period drama Snowfall. DQ chats to showrunner Dave Andron about the series, which he describes as a “love letter” to the city.
There will be blood
Violence and sex have become common features of TV drama – but are these often graphic depictions key to the success of a show?
Noah’s art
With an eye for crafting unique worlds, Fargo and Legion creator Noah Hawley tells DQ why he is bringing movie methods to television.
Breaking Taboo
Best known for seminal Danish crime drama Forbrydelsen (The Killing), director Kristoffer Nyholm tells DQ why Tom Hardy-led thriller Taboo is like nothing ever seen on TV before.
Westworld and The Crown head Golden Globe noms
The nominations for the 2017 Golden Globes Awards were unveiled this week. As always, Game of Thrones will be the TV show to beat, but there are some strong contenders…
Discovery draws up its Manifesto
2017 looks set to be another exciting year for drama, with Discovery’s Manifesto and BBC/FX’s Taboo coming through, written by Andrew Sodroski and Steven Knight respectively.
Lethal Weapon, Westworld start strongly
As content buyers and sellers head for Mipcom, Fox will be pleased with the performance of its movie reboot Lethal Weapon, while HBO’s Westworld and FX’s American Horror Story also shine.