Tag Archives: Dr Dre

Music shows strike a chord with networks

As a childhood fan of The Monkees, I can vouch for the fact that TV series about the music business are nothing new. But there’s no question that the current success of Fox US’s hip-hop drama Empire has inspired an unprecedented array of music-related scripted shows. So this week’s column takes a look at the writers who are riding the crest of this compositional wave.

Star: After the success of Empire, the show’s co-creator Lee Daniels is planning another music-based scripted show. Working alongside Tom Donaghy, he is making Star, a series about three girls who form a band and their rise to the top. Like Empire, Star is for Fox, at which Daniels has an overall deal. Daniels is good at doing diversity. His band will comprise one white girl, one black girl and one mixed-race girl (half white/half black). There is also a transgender black/Latino central character called Cotton. Donaghy, meanwhile, is a playwright who is also known for having worked on The Mentalist and for creating ABC’s The Whole Truth.

Vinyl

Vinyl has just started airing on HBO (February 14) to pretty good reviews. Based on an idea by Mick Jagger and Martin Scorsese, it tells the story of Richie Finestra, a record executive in the 1970s, played by Bobby Cannavale. The story credit goes to Jagger, Scorsese, Rich Cohen and Terence Winter, who also wrote the screenplay with George Mastras. As you’d expect with a project of this calibre, the writers are TV royalty. Winter, for example, was creator, writer, and executive producer of Boardwalk Empire, having previously worked on The Sopranos and written The Wolf of Wall Street. Mastras worked on all five seasons of AMC’s Breaking Bad and is also the author of a novel, Fidali’s Way. There are already reports that Winter wants to do a second season.

The Breaks has just been greenlit as a series by Viacom pay TV channel VH1, having debuted strongly as a TV movie in January. Based on the Dan Charnas book The Big Payback, it’s a history of the hip-hop business. The series story is being developed by Charnas and Seith Mann, with the latter writing, directing and executive producing. Mann’s credits include The Wire, The Walking Dead and Homeland. The story follows three young friends seeking to establish themselves as hip-hop artists in New York City in 1990.

Vital Signs is the new series Apple is reported to be making with rap legend and Beats Music co-founder Andre Young, better known as Dr Dre. The show will be a semi-autobiographical “dark drama.” Apple and Dr Dre have not yet commented on the nascent project, which means it is too early to know who will write it. One option might be Jonathan Herman and Andrea Berloff, the Oscar-nominated duo who wrote the screenplay for NWA biopic Straight Outta Compton – though both are embroiled in other projects. Berloff, for example, is writing Sleepless Night, a movie starring Jamie Foxx, whike Herman has been working on the Scarlett Johansson movie Ghost in the Shell.

Roadies

Roadies is a comedy from Showtime that, as its name suggests, goes backstage with a group of roadies. Directed by Cameron Crowe, the show will give an insider’s look at “the reckless, romantic, funny and often poignant lives of a committed group of roadies who live for music and the de facto family they’ve formed along the way. The music-infused ensemble comedy series chronicles the rock world through the eyes of music’s unsung heroes.” Crowe is a writer/director, mainly known for films such as Jerry Maguire and We Bought a Zoo. Less well known is the fact that he’s a huge music aficionado. After leaving college, Crowe worked for Rolling Stone, where he interviewed the likes of Dylan, Bowie and Clapton. His second film, Almost Famous, was about a teen music journalist who goes on the road with a band in the early 1970s.

New Edition project: Viacom-owned BET is making a miniseries based on the 1980s R&B heartthrobs New Edition – marking the network’s first scripted music-focused TV movie. A three-parter, the show has the backing of five of the band’s members, but not the most famous of the group, Bobby Brown. The film will chronicle New Edition’s beginnings in Boston’s Orchard Park Projects to success with tracks like Candy Girl and Cool It Now. The script is being written by Abdul Williams, who previously wrote the movie Lottery Ticket (which included Ice Cube in the cast).

Nashville

Nashville deserves a mention, even though it predates Empire by a few years. Now up to its fourth season, the show centres on the rivalry between country queen Rayna James and rising star Juliette Barnes. The show was created by Callie Khouri, who won an Academy Award in 1992 for the Thelma & Louise screenplay. Until Nashville, she mostly worked in movies, writing films such as Something to Talk About, Divine Secrets of the Ya-Ya Sisterhood and Mad Money. For season four, Khouri stepped back from writing but has directed some episodes. Writing was shared among a team of 10 writers, with the opening episode penned by Meredith Lavender and Marcie Ulin. The final episode, which will air this spring, is set to be written by Taylor Hamra, who was also involved in the recent TNT reboot of oil-industry soap Dallas.

The Get Down, which we discussed in a recent column, is a Baz Luhrmann music-driven drama that focuses on 1970s New York City: “broken down and beaten up, violent, cash strapped – dying.” It’s for Netflix, which says the six-part series is “a mythic saga of how New York at the brink of bankruptcy gave birth to hip hop, punk and disco – told through the lives and music of the South Bronx kids who changed the city, and the world… forever.” This is similar terrain to Vinyl, so it will be interesting to see how it pans out in comparison. Luhrmann’s creative team includes Oscar-winning designer Catherine Martin, hip-hop historian and writer Nelson George and writer Stephen Adly Guirgis. To date, Guirgis is best known as a playwright, having won the 2015 Pulitzer Prize for drama for Between Riverside and Crazy. However, he does have a few screenwriting credits to his name, including an episode of NYPD Blue from 2002 and a couple of short-lived dramas called Big Apple (CBS) and UC: Undercover (NBC). He is also an actor, appearing in movies such as Birdman.

Stop! In the Name of Love is a four-part miniseries for the BBC that will incorporate numerous Motown songs (a la Mamma Mia). The UK drama follows six smart thirtysomething women as they deal with love, friendship, success and failure. The show is a joint venture between Tony Jordan (Dickensian, Life on Mars), Duncan Kenworthy (Notting Hill, Four Weddings and a Funeral), Antenna Group MD and former president of NBCUniversal International Peter Smith, and music consultant and former chairman of Universal Music UK John Kennedy. Jordan, who is writing the series, says it will “offer something completely different from any other show on television. The music of Motown is iconic and mirrors the rich gamut of human emotion and experience as well as exploring universal themes that all cultures and ages can relate to. The musical arrangements and cutting-edge choreography will give us a uniquely modern take on a timeless genre of music.”

Mozart in the Jungle

Mozart in the Jungle is another show we’ve looked at recently following its Golden Globe triumph (Best Series – Music or Comedy). A quirky story of professional musicians working the New York concert circuit, Mozart is based on the memoir of an oboist called Blair Tindall. It was brought to the screen by a company called Picrow, with the pilot episode written by Roman Coppola, Jason Schwartzman and Alex Timbers. Once the show was commissioned as a 10-part series, a further eight people were credited with either writing scripts or providing stories. The most prominent names among these were John Strauss and Paul Weitz, the latter also directing a number of first season episodes. Season two, which was released on December 30 last year, involved some of the same writers but there were also five new additions – giving the show an ensemble feel both on and off the screen. Since we last wrote about the show, it has been give a third season.

Power isn’t quite a music series but it has strong music connections. Created and written by Courtney Kemp Agboh, the series follows James St. Patrick, nicknamed Ghost. Ghost is the owner of a popular New York nightclub – but also a major player in an illegal drug network. The show, which is produced by rapper Curtis ‘50 Cent’ Jackson has aired for two series on Starz and was recently renewed by the network for a third.

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Apple eyes TV collaboration with Dr Dre

Dr Dre
Dr Dre is developing a scripted series with Apple, according to reports

Assuming it turns out to be true, the biggest content story of the week comes courtesy of The Hollywood Reporter, which says that tech giant Apple is making a six-part TV series with rap legend and Beats Music co-founder Andre Young, better known as Dr Dre.

According to the story, which has subsequently been picked up by a number of major US media outlets, the show will be a semi-autobiographical “dark drama” that will be liberally laced with sex and violence. Apple and Dr Dre have not yet commented on the nascent project, which will be made available via the subscription service Apple Music.

The prospect of Apple moving into content has been mooted for some time. But with Amazon and Netflix rapidly ramping up their original content slates, the company is clearly starting to get anxious it is falling behind. Working with Dr Dre is, however, a great way to signal its ambition. The movie Straight Outta Compton, which looked at Dre’s involvement with the band NWA, grossed US$200m worldwide – suggesting there is a large potential audience for the new show (which will be executive produced by Dr Dre, just like Straight Outta Compton). Fox’s success with Empire and Starz’s success with Power reinforce the idea that the black music industry is fertile creative ground.

Meanwhile, SVoD platform Amazon Prime Instant Video has announced a couple of interesting commissions this week. Echoing developments at its arch-rival Netflix, it is now getting into non-English-language production with a German-language series called Wanted.

Wanted will star German actor-writer-director Matthias Schweighoefer and tells the story of a Berlin convention centre project manager who becomes the victim of a mysterious hacking attack. Schweighoefer’s company Pantaleon Entertainment, Warner Bros Entertainment and Warner Bros International Television Production Deutschland are attached to produce.

Mozart in the Jungle has been given a third season
Mozart in the Jungle has been given a third season

Christoph Schneider, MD of Amazon Video Germany, said: “With our first regional Amazon original production we implement not only the desire of many of our customers for exclusive German content but also extend our service to new audiences and establish Amazon Prime as an important partner for producers and creative professionals in this country.”

This week also saw Amazon order a third season of its Golden Globe-winning series Mozart in the Jungle. Mozart is a show about the politics and relationships in a leading symphony orchestra. Season two began streaming in December 2015.

Over at Netflix, meanwhile, there was also a renewal for Aziz Ansari’s Master of None. The show stars Ansari as Dev, a 30-year-old actor attempting to make his way through life in New York City. Netflix doesn’t release viewing data, but an 8.4 rating on IMDb suggests the show has picked up a pretty loyal audience.

Premium pay TV network Starz has been talking about doing a sequel to period drama The White Queen for two or three years now. Finally, it has committed itself to an eight-episode limited series called The White Princess, which will air in 2017. Like the previous series, this one is based on the novels of Philippa Gregory and will be adapted for the screen by Emma Frost.

Aziz Ansari's Master of None will return to Netflix
Aziz Ansari’s Master of None will return to Netflix

The White Princess, which is told through the eyes of a female protagonist, concludes the story of England’s War of the Roses and charts the rise of the House of Tudor. Starz MD Carmi Zlotnik said: “There is a dearth of programming that tells women’s stories and The White Queen was embraced with great success by audiences worldwide. The fanbase for Philippa Gregory’s historical novels is undeniable, and we are confident The White Princess will become the next must-see fandom drama series.”

The show will be produced by Company Pictures, with Playground’s Colin Callender on board as an executive producer.

In recent months there has been a lot of activity among Italian producers seeking to raise their profile on the international market. One of these is FremantleMedia-owned Wildside. This week, the company announced it is developing a series based on Elena Ferrante’s four acclaimed Neapolitan Novels. The plan is for each of Ferrante’s four female-centred books, which are set against Italian society changes from the 1950s to the present day, to become an eight-episode series (32 episodes in total). The show is being coproduced by Wildside with Domenico Procacci’s Fandango, which owns the rights and originated the project. Fandango was one of the producers on the hit series Gomorrah.

Deadline has also been running an interest story this week suggesting James Bond star Daniel Craig is to star in a new drama series called Purity, based on the book of the same name by Jonathan Franzen. Showtime, FX, Netflix, Amazon and Hulu are all still in the running to secure the series, according to Deadline.

War and Peace has sold to channels around the world
War and Peace has sold to channels around the world, including Russia’s Channel One

Meanwhile, Hulu is reported to have linked up with UK producer Stephen Garrett, who has recently launched a new drama indie called Character Seven. Garrett is developing a London-set supernatural series for Hulu called The Rook, in partnership with Twilight author Stephanie Meyer’s company Fickle Fish and Lionsgate.

Finally, BBC Worldwide (BBCWW) has announced a slew of new sales for its adaptation of Tolstoy’s War and Peace. Pick of the bunch is the sale to Russia’s Channel One, though the show has also been sold across Asia and Scandinavia and to France.

BBCWW president of global markets Paul Dempsey said: “It is fitting that Russian audiences will get the chance to enjoy this thoroughly modern adaptation of Tolstoy’s classic novel. They’ll join millions of viewers around the world who have been enthralled by Andrew Davies’ stunning interpretation of War and Peace.”

Previously, the Weinstein Company licensed the series to the A+E Networks in the US.

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