Some of the television industry’s biggest names reveal their choice of the most influential drama of the past 21 years.
Highlighting shows from The Sopranos to The West Wing, Lost to Friends, Seinfeld, The Wire, Breaking Bad, Game of Thrones, The Bridge, Mad Men, Dexter and others, leading writers, showrunners, producers and network execs pick over the titles that have been most transformative for the business. But what is their ultimate choice?
This DQTV special features contributions from: actors Michael C Hall and Jimmy Akingbola; Jack Ryan creators Carlton Cuse and Graham Roland; Netflix VP of international originals Erik Barmack; Narcos showrunner Eric Newman; AMC Networks programming chief David Madden; Paramount Network senior VP of scripted development Ted Gold; Scrubs and Spin City creator Bill Lawrence; The Mysteries of Laura creator Jeff Rake; Castle creators Terri Edda Miller and Andrew Marlowe; writer Danny Brocklehurst; Red Production Company founder Nicola Shindler; and many more.
Like office workers using up their holiday entitlement before the end of the year, TV channels are rushing to greenlight scripted shows before they shut up shop for the holiday season.
Among those celebrating this festive bounty is UK producer Neal Street Productions, which has just been given the greenlight by the BBC to produce a sixth season of period drama Call the Midwife. The new order comes despite the fact season five has yet to air.
Neal Street executive producer Pippa Harris said: “I am delighted the BBC has decided to commission season six of Call the Midwife even before we have gone on air with season five. It really demonstrates their commitment to and passion for the show. The success of Call the Midwife is down to the incredible writing skills of Heidi Thomas and the talent and dedication of our wonderful cast and crew. I hope the audience will enjoy watching season five, which I firmly believe is our strongest yet.”
In the US, meanwhile, protests in front of HBO’s offices seem to have paid off, with the premium pay TV channel announcing that it has ordered a third season of critically acclaimed drama The Leftovers.
Fans of the show were so desperate for a renewal that they took to the streets to make their feelings felt – and it seems the channel has listened: “It is with great enthusiasm that we welcome back Damon Lindelof, Tom Perrotta (the creators) and the extraordinary talent behind The Leftovers for its third and final season,” said HBO programming head Michael Lombardo. “This show has proven to be one of the most distinctive HBO series, and we are extremely proud of its originality, which has resulted in such a passionate following by our HBO viewers. We admire and fully support Damon’s artistic vision and respect his decision to bring the show to its conclusion next season.”
As Lombardo’s comments make clear, next year will be the final season of The Leftovers. This is a neat way of giving the fanbase what they want and allowing the show’s creators to achieve closure, while tacitly acknowledging the fact that the show has not done that well in the ratings.
“On behalf of our incredible crew and superb cast, we are all tremendously grateful that HBO is giving us an opportunity to conclude the show on our own terms,” said Lindelof in a statement. “An opportunity like this one rarely comes along, and we have every intention of living up to it.”
Over in Canada, public broadcaster CBC has greenlit a four-part miniseries from producer Shaftesbury and Sharon Mustos. Based on Ann-Marie MacDonald’s novel Fall On Your Knees, the story follows four sisters in the early 1900s.
Moving from Nova Scotia via the battlefields of the First World War to the emerging jazz scene of Harlem in New York City, the show is described as the riveting tale of a family beset by hidden desires, terrible secrets, intolerance and repression.
Mustos said: “I am proud to bring this much-loved, acclaimed novel to the screen in partnership with Shaftesbury. Celebrating the quiet heroism of women in the face of heartbreak, adversity and the sweeping changes of the early 20th century, it is a remarkable story.”
Published in 1996, Fall On Your Knees has been translated into more than 20 languages and will be adapted by Adriana Maggs.
Meanwhile, it’s not quite a renewal but NBC in the US has given a hefty vote of confidence to freshman medical drama Chicago Med, which has been awarded five extra episodes. Part of a Chicago trilogy of TV shows from Dick Wolf, the first four episodes of Med’s first season have averaged 8.9 million viewers in live + same-day ratings. With the new instalments, the total order for season one is up to 18 episodes.
Still with the US networks, Fox has ordered Shots Fired, a drama that will be written and executive produced by Gina Prince-Bythewood and Reggie Rock Bythewood. The show, set to air in 2016, looks at the tensions that arise when a black police officer shoots an unarmed white teen in a small town in Tennessee.
David Madden, president of entertainment at Fox Broadcasting Company, said: “Gina and Reggie have crafted a profoundly moving portrayal of a timely and sensitive issue that pervades our culture at this very moment. This is not only an important story to tell, but also an explosive mystery-thriller, and we couldn’t be in better hands both with the creative team behind this and Sanaa Lathan leading the cast.” Lathan plays an expert investigator who digs into the case, alongside a special prosecutor sent to the town by the Department of Justice.
One of the most hotly anticipated series of the new year is Fox’s six-part reboot of The X-Files, which debuts on January 24. The show has now been picked up by Channel 5 in the UK.
“Securing the UK premiere of the hugely anticipated return of The X-Files is a major coup for the channel and will create one of the TV events of 2016,” said Ben Frow, director of programmes at C5. “This acquisition underlines our ambition to deliver a diverse slate of brilliant, must-see programming on Channel 5.”
With Downton Abbey over, the key participants are now out there looking for their next job. Last week, we reported that season five and six producer Chris Croucher is now working on ITV drama The Halcyon, while creator Julian Fellowes has been crafting his version of Anthony Trollope’s Dr Thorne.
Meanwhile, US cable channel TNT has announced that it is going to series with Good Behaviour, the story of a thief and con artist that will star Michelle Dockery (Lady Mary in Downton). It’s not clear if Dockery will have to use an American accent in her new role, but if you’re wondering whether she can, watch this appearance on The Late Show With Stephen Colbert.
With Downton done, there are reports that the show’s production company Carnival has won a second-season commission from BBC2 for The Last Kingdom, which has just finished its first season. There has been no official confirmation yet but executive producer Gareth Neame has already sketched out the plot and character development for a follow-up. The show is based on a series of novels by Bernard Cornwell, whose work also gave rise to the long-running Sharpe franchise (set during the Napoleonic Wars).
Switching briefly to corporate news, this week has seen suggestions that SVoD platform Netflix is gearing up to launch in the Middle East next year, while rival streamer Amazon has started offering its users access to cable channels such as Showtime and Starz.
Under a new scheme entitled the Streaming Partners Programme, Amazon Prime members can pick and choose SVoD versions of famous TV channels – a move that may well push the pay TV subscribers further towards cord-cutting. Showtime and Starz will be available for US$8.99 per month, with the promise that the latest episodes of series will be available simultaneous with broadcast.
“The way people watch TV is changing, and customers need an easier way to subscribe to and enjoy multiple streaming subscriptions,” said Michael Paull, VP of digital video at Amazon. “With the Streaming Partners Programme, we’re making it easy for video providers to reach highly engaged Prime members, many of whom are already frequent streamers, and we’re making it easier for viewers to watch their favourite shows and channels.”
David Nevins, president of Showtime Networks, said: “By marrying Showtime with the powerhouse retail capabilities of Amazon, we greatly expand our footprint, making sure our service is available to new subscribers whenever and however they want to watch us.”
Starz CEO Chris Albrecht added: “Starz is excited to offer subscriptions to our premium hit shows like Outlander and Power, as well as our thousands of movies, to Amazon Prime customers.”
This summer, critics couldn’t decide whether M Night Shyamalan and Chad Hodge’s 10-part mystery-thriller Wayward Pines qualified as a hit. But the show’s host network Fox has now answered that question by giving the production a second season.
Fox Broadcasting Company’s entertainment president David Madden said: “Wayward Pines was a huge hit for us. We were absolutely blown away by the mysterious and surprising world that Night and his team created, and the twisting-and-turning storytelling that drew viewers in from day one. Season two is going to take the suspense, the vision of the future and the haunting character drama to whole new levels.”
A same-day audience of three to four million wasn’t especially impressive. But Fox has crunched the numbers and come up with the following analysis: “Season one of Wayward Pines ranked as summer 2015’s number-one broadcast scripted series among adults 18-49, averaging a 2.2/8 in the key demo. The series – about a Secret Service agent on a mission to find two missing federal agents in a sleepy town, and the shocking results of his investigation – ranked among summer 2015’s top 10 broadcast programmes overall among adults 18-49. It earned a multiplatform average audience of 9.4 million, which represents a +145% increase versus its Live+Same Day audience – the largest multiplatform lift versus Live+Same Day ever for a Fox drama.”
According to Fox, the second season will pick up in the wake of season one, when a new arrival in Wayward Pines finds himself in the middle of a serious rebellion, as the residents battle over how to preserve the endangered human race. Season one stars Matt Dillon and Toby Jones will not return, so there will be a lot of interest in who gets cast as the new lead.
This week has also seen renewals for Showtime’s Homeland and The Affair. This confirms our hunch that Homeland had done enough in season five to warrant a renewal, though the announcement has come later than expected.
Season five is finishing strongly, which appears to vindicate the decision to move central character Carrie (played by Claire Danes) to Berlin. Co-creator Alex Gansa has suggested that this could be the model going forward, with each season placing Carrie in a new geographic location.
There was also a renewal this week for NBC’s The Blacklist, which stars James Spader as a criminal mastermind working with the FBI. The drama, which will go into season four, averages a same-day of audience of around seven million. It’s also popular internationally, featuring on networks such as Sky Living and TF1 in France.
The timing of the announcement makes this an early renewal for the show, and creator Jon Bokencamp says he has known about The Blacklist’s return for a while. Speaking in a podcast interview this week, he commented: “We knew about that a while ago. It’s one of those things that’s hard to keep quiet. But yes, we’re renewed through to the fourth season. Hopefully we don’t tank that out – we’ve got a lot of story to tell.”
Back at Fox, one show that is certain to get a renewal is breakout hit Empire, which is now in the middle of its second run. However, the new season has been bumpy ride, akin to the ‘difficult second album’ syndrome. After opening to 16 million viewers (22.5 million when you add in the multiplatform/time-shifted figures), the music industry-based show dropped as low as 9.2 million (same-day rating) for episode nine. Episode 10 saw a bounceback (11.8 million) but the underlying critical narrative suggests the show has lost its way slightly.
The biggest complaint seems to be that this year’s plots and characters lack authenticity, with USA Today summing it up like this: “On social media, fans are griping about ever-more-outrageous storylines (‘cartoon garbage,’ sniffed one Twitter user), such as frantic efforts in (one) episode to find and dig up the body of Vernon, who was accidentally killed in last season’s finale, and park his decomposed corpse in a car to intimidate an attack-dog prosecutor. There’s pushback on the show’s heavy dose of celebrity cameos, from Chris Rock to Ludacris.”
Having said all this, Empire is still the strongest US network show by far. To put it in perspective, its rating among the all-important 18-49 demo far exceeds that of new shows such as Blindspot, Limitless and Quantico. So a renewal is as certain as anything can be in this life.
A likely beneficiary of its success is Rosewood, which airs straight after Empire. Having seen its ratings boosted as a result of Empire’s strong lead-in, it’s another show that is pretty much guaranteed a return.
Continuing on this topic, this week provided a superb example of the impact that a strong lead-in can have on a title’s ratings. Until recently, AMC’s Into the Badlands had been benefiting from airing directly after The Walking Dead. But with the latter now on a winter break, Badlands has seen its audience plummet. Same-day ratings for the first four episodes of the show go like this: 6.4 million, 4.8 million, 5.2 million, 2.4 million – the latter figure being the first week in which it didn’t have a boost from The Walking Dead.
This isn’t necessarily a problem for Badlands. It’s possible that, without TWD in the schedule, fans of the futuristic martial arts show have decided to record it and watch it another time (maybe earlier the next day). The real test of whether the show has managed to build a loyal audience will come with Live + 3 Day or Live + 7 Day ratings. That said, even at its new lower level, it’s still a strong shout for a renewal.
Moving away from renewals, this week saw the launch of a show that may soon be talked about as the latest Scandinavian hit.
Gasmamman (Mother Goose) is being described as Sweden’s answer to Breaking Bad. The story follows a mother-of-three who takes over the family’s illegal marijuana business after her husband is shot in a drug deal gone wrong.
The Endemol Shine-produced show is currently airing on pay TV platform C-More and will shift to Kanal 5 in spring 2016.
In an interview with Reuters, lead actress Alexandra Rapaport said: “When we pitched this we talked about it being a kind of Erin Brockovich meets Breaking Bad. The Bridge and The Killing were big inspirations for us. But I think we also add some humour to it, which is why we compare it to Breaking Bad.”
The Reuters report says the show’s producers plan to make four seasons in total.