Tag Archives: Daniel Sharman

Renaissance man

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The cast and crew of Medici: Lorenzo the Magnificent reunited in Florence for the launch of this luxurious historical drama. DQ travelled to Italy to hear more about the series.

In the heart of the historic city of Florence, tourists and sightseers fill the walkways and pavements along Via Camillo Cavour, a bustling street that begins next to the Piazza San Marco and the grand church that overlooks the square.

There is particular excitement outside Cinema La Compagnia, where a black minibus has just pulled up. As the doors open, screams can be heard and flashbulbs pop as the stars of Medici: Lorenzo the Magnificent climb out and make their way into the venue for the official launch of the series.

Produced by Lux Vide in partnership with Italian broadcaster Rai, Big Light Productions and Altice Group, this is the second instalment in the Medici television series, following 2016’s Medici: Masters of Florence.

That first season ended with the birth of Lorenzo and now 20 years later, in 1469, the young man played by Daniel Sharman (Fear the Walking Dead) is obliged to take charge of the family’s powerful banking empire. Under his leadership, his family’s power in Florence increases while his enlightened views lead him to support artists such as Botticelli and Poliziano – putting him at odds with hated rivals the Pazzi family and even Pope Sixtus IV. Season two climaxes with the famous Pazzi conspiracy, in which Lorenzo and his brother Giuliano are the targets of an assassination attempt.

The series is directed by Jon Cassar (24) and Jan Maria Michelini, based on scripts by Frank Spotnitz, Alex von Tunzelmann, James Dormer, Mark Denton, Jonny Stockwood, Francesco Arlanch, Lulu Raczka and John Fay. Spotnitz and Lux Vide’s Luca Bernabei are the producers.

L-R: Eleonora Andreatta, Daniel Sharman, Frank Spotnitz and Luca Bernabei at the launch of Medici: Lorenzo the Magnificent

Filming took place in 30 locations across Tuscany, Lazio and Lombardy, including Volterra, the cathedral and the Palazzo Contucci in Montepulciano, and the cathedral and the Palazzo Piccolomini in Pienza. The costumes were once again designed by Alessandro Lai, who has created vibrant outfits that matched those of the Renaissance but did not restrict the performances of the actors wearing them. Around 5,000 items were made especially for the drama, with designers including Antonio Riva, Fendi, Rubelli and Tirelli also providing dresses, materials and clothing.

Along with the upcoming HBO coproduction My Brilliant Friend and other projects, Medici is at the heart of Rai’s focus on high-end English-language dramas that tell Italian stories for a worldwide audience.

With a third season of Medici already in production, focusing on the second half of Lorenzo’s life, Rai Fiction director Eleonora Andreatta says her intention is to showcase Italian history and culture on a global scale, with Medici imagined in the same way as a great historical novel.

“In the Medici production we see the best of what an international perspective can offer with unique Italian talents,” Andreatta says. “The Magnificent is Lorenzo, a young man who makes a great cultural and political revolution in his time, and that is the very embodiment of the Renaissance. Our narrative challenge was to tell this story through contemporary audience sensibility.

“This series is part of the mission of Rai as a big European public broadcasting service, a project of strong Italian identity and, at the same time, international. Frank, with Lux Vide, gave a fundamental contribution in creating a project in which each artistic choice – from the director to the cast, from the editing to the soundtrack – is of an international standing.”

The second instalment of the Medici series focuses on Lorenzo, played by Daniel Sharman (right)

For his part, former The X-Files showrunner Spotnitz says he’s “so proud of it. I would put it up against anything being made anywhere in the world. This is a story about the Renaissance but it’s being made for a modern audience. So one of our first challenges was to ask ourselves why a modern audience cares about a story about 15th century bankers.”

The story of Lorenzo reveals a young man born in privilege who determines that, given the advantages with which he was raised, he can make a better world, Spotnitz explains. “So he’s enormously intelligent, enormously capable and very idealistic. It’s the young generation seeking to change the established order, which is not easy.”

Standing in Lorenzo’s way is Jacopo Pazzi, played by Sean Bean, who represents the established order – one that is determined to crush Lorenzo’s idealism. “That was a story we felt had resonance for a modern audience,” Spotnitz continues. “You can look at the story of Lorenzo as we’ve told it in two chapters: this first season is the first chapter, ending in the Pazzi conspiracy, which is a searing defeat for Lorenzo; then the second season is about how Lorenzo recovers and goes on now that his idealism has been destroyed. So we felt it’s a very moving and meaningful story about the 15th century but also about today.”

The cast also includes Bradley James as Lorenzo’s playboy brother Giuliano, Julian Sands and Sarah Parish as their parents Piero and Lucrezia, Synnøve Karslen as Lorenzo’s wife Clarice Orsini and Matilda Lutz as Simonetta Vespucci, a married woman who begins a passionate affair with Giuliano.

“It wasn’t hard to be a mother to these two beautiful boys,” says Parish of working with Sharman and James. “It was a real honour to play Lucrezia because really, from my point of view, she was a feminist in a way – one of the first feminists in Renaissance times. She wrote poetry and plays, she was an amazing artist. To have all those talents in that day and age was quite incredible for a woman, so it was a real honour to play the part.”

Sarah Parish as Lucrezia, Lorenzo’s mother

The female characters play a hugely important role in the series, which shows the power they wield through their relationships with the male characters.

Karslen notes that Clarice comes into Lorenzo’s life and becomes the matriarch of the family, with Lucrezia still a driving force behind the scenes. “Jon said to me when we first started, ‘These men would be nothing without the women they have.’ Lucrezia is the brains behind so much of it, but the person who can act on it is Lorenzo,” she says. “That’s not just because he’s a man but because Lorenzo was extremely capable and talented. That’s what this series does really well. It brings the importance of these women and those relationships to the front of the show.”

Before shooting began last year, Sharman had asked the producers if he could arrive two weeks early. He used the time to lose himself in Tuscany, exploring the places where the real Lorenzo lived and worked.

“It’s something I wanted to do because the work that everybody has put in on this is incredibly detailed. It’s actually a pleasure to come to work because the actors you get to act with on this, the production, the costumes, the level of detail that’s gone into it is truly astounding. You want to do justice to this piece,” Sharman says. “But at some point you have to throw that all away and find the very human element in it that I can relate to, which is that this is a person who’s been groomed for power, who isn’t sure if he’s even good enough, who isn’t sure if he understands enough, which I relate to very much in terms of growing up as an actor. You’re always concerned with whether you’re good enough or whether something works.

“So, weirdly, the character and you kind of align in saying, ‘I don’t know if I can do this character or this person justice,’ just as Lorenzo doesn’t know if he can take on something as daunting as lifting Florence out of an extremely difficult situation. Then you just rely on people around you – the amazing directors we have had, the actors you get to work with – and it’s really your job to let it go and let your vulnerabilities show.”

Sean Bean plays antagonist Jacopo Pazzi

Streaming platform Rai Play launched the series on October 16, with its debut on Rai Uno set for October 23. Netflix is expected to roll out the series in English-speaking territories in early January. Distributor Beta Film also screened the first episode to international buyers this week at Mipcom in Cannes.

Meanwhile, the success of Medici season one, which starred Dustin Hoffman and Richard Madden, has also seen Rai partner with Lux Vide to produce more series about the Renaissance.

Following the official launch, the cast and crew gathered further along Via Camillo Camour at Palazzo Medici Riccardo, an ornate 15th century palace designed for the Medici family. On the first floor, overlooking a grand courtyard, costumes from the series are displayed in rooms covered with numerous works of art.

It’s here that British actor Bean, who won a Bafta earlier this year for his role in BBC drama Broken, says it was “refreshing” to appear in the historical drama, noting his own interest in the Renaissance period. “It wasn’t like working in that sense because it was actually a hugely enjoyable experience,” he says. “I didn’t really know a lot [about the Medicis]. I did read quite a lot about the family ties and lineage but, after that, it’s a matter of getting on set and saying the lines.”

Rather than playing real-life characters in a docudrama or biopic, Bean says he was given room to invent the character of Jacopo, admitting he had a lot of fun playing someone who was amused by creating chaos and then exploiting it for his own opportunism.

“It’s like Lord of the Rings,” recalls the actor, who played Boromir in Peter Jackson’s big-screen trilogy. “There was hardly any character description in Lord of the Rings, least of all Boromir. It just said he wears this crimson top and a blue thing and I thought, ‘Fuck, is that it?’ You do as much as you want really for this and it’s exciting. If it’s a drudge, it’s pointless. It’s like when you’re at school doing history; it was a drudge because you couldn’t picture anything and it didn’t make much sense. Something like this brings the characters to life.”

Jacopo relishes his position as a bad guy, Bean adds. “But first and foremost he’s pragmatic, realistic. He’s very black and white but, on his journey to achieve power, there’s a lot of fun and games to be had on the way.”

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Simply Magnificent

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Lorenzo the Magnificent takes centre stage in the second chapter of Renaissance drama Medici: Masters of Florence. As filming continues apace in Tuscany, DQ speaks to the star and producers of the Rai series, which has built a worldwide audience on Netflix.

The life of Lorenzo de Medici is widely associated with the golden age of the Renaissance. Politician, diplomat, magnate, he was also a patron of scholars, artists and poets. Who better, then, than Lorenzo the Magnificent, as he was known, to be at the centre of the next season of Medici: Masters of Florence.

The series – Medici: Masters of Florence – The Magnificent to give it its full title – begins in Florence in 1469, when an attempt on Piero de Medici’s life forces his son, Lorenzo, to assume leadership of the family-run bank.

Once in power, young Lorenzo resolves to do things differently. With his brother Giuliano and young artist Sandro Botticelli at his side he abandons the cynical politics of the past to usher in a new era of creative and political revolution. This sparks conflict with the head of Florence’s other powerful banking family, Jacopo Pazzi, leading to one of the most notorious political intrigues in history: the infamous Pazzi conspiracy.

Actor Daniel Sharman: “I just had to research that time and my job was to do it justice”

The Magnificent follows the first chapter of the anthology series, which focused on Lorenzo’s grandfather Cosimo (played by Richard Madden) and great grandfather Giovanni (Dustin Hoffman).

“Lorenzo the Magnificent is considered the greatest Medici of all,” says executive producer Frank Spotnitz of the Italian banking family and political dynasty. “He’s a remarkable guy who changed the course of history. It just so happens he was also the victim of one of the greatest conspiracies of all time. The drama is just irresistible. Assassins set upon Lorenzo and his brother in church during mass – you don’t have to make it up, you just have to try to do it justice. It’s an incredibly obvious, juicy target for a series. Why hasn’t anybody done this before?”

Spotnitz’s Big Light Productions coproduces the English-language series for Italian broadcaster Rai with Lux Vide, whose CEO, Luca Bernabei, also an executive producer, is quick to point out the differences between the first Medici series and this forthcoming show.

“This is a completely different; it’s not even season one and season two,” he asserts. “Every actor changes because we’re now in the middle of the Renaissance, so there’s more colour, more light, the costumes have more colour. And because we were surprised by the presence of a young audience who watched the first season, we are looking to this audience even more on this season because this story is really about a young group of people getting the power from the old nobles.”

To build on the young following of the show, the Medici producers also sought a young actor to play the role of Lorenzo, who was just 16 when he entered political life and assumed power four years later on his father’s death, in 1469. He went on to rule Florence until he died in 1492.

The new season is described by Bernabei as “completely different” from Medici: Masters of Florence

They found Lorenzo in the shape of London-born actor Daniel Sharman, who has played roles in Teen Wolf, The Originals and, most notably, Fear the Walking Dead. His co-stars include Bradley James, Sean Bean and Sarah Parish.

“It’s quite nice to have a basis for a show like a period of time that was obviously fascinating,” Sharman says. “The obvious way would be to do this story first, but it’s quite nice that there’s this precursor season because there’s a foundation there for what happens this season. This world is just incredibly dramatic and we’re dealing with the beginning of the Renaissance.

“You have geniuses being born within 30 or 40 years of each other, where all these influences were within this tiny geographical point. This series is dealing with that moment, that incredible alchemy. I didn’t have to be pitched it, I just had to research that time and my job was just to do it justice. You get out of the way of making it more dramatic than it already is.”

Sharman researched the period before the scripts — a move that he says paid off, because otherwise, “I never would have believed it was true,” he says. “Then I went down the rabbit hole of wanting to know everything about this family and about everything that influenced it and what it influenced.

“You get Machiavelli, Michelangelo, Botticelli, Leonardo Di Vinci – these are heavyweights of the world, and it’s all in the script because it’s a truly glorious time. I was working in Mexico at the time [he got the role] and was listening to a lot of audiobooks and reading and then I was in Africa reading this biography of Lorenzo. I’ll never forget being in the back of a truck in Uganda just becoming overwhelmed by this amazing period.”

Fans of Walking Dead spin-off Fear the Walking Dead, however, should be aware there won’t be too many similarities between Lorenzo and Troy Otto, the character Sharman plays in the AMC zombie drama.

Sharman’s new role follows his part in Fear the Walking Dead

“I don’t think I could imagine a more different part if I’d tried,” he adds. “An American prepper on the border with Mexico to Lorenzo the Magnificent was definitely a big jump, but that’s the joy in what you do. It’s a different rhythm, a different posture. That’s the lovely part about inhabiting someone else.”

From the outset, Spotnitz and Bernabei agreed that if they were going to do The Magnificent, it had to be better than the first Medici season, which drew record ratings in Italy as 7.5 million viewers watched the first episode in October last year.

“We wrote and wrote and wrote – it was quite a process,” says the former X-Files showrunner. “It took longer than we thought it would take because we’ve already done a Medici series, but this is completely different. The characters are different, the ideas were different and we under-estimated how hard it was going to be to get to the bottom of that. But to our credit, we didn’t give up until we thought we actually had it.”

Bernabei also teases a more action-packed series, with directors Jon Cassar (24, The Kennedys: After Camelot) and Jan Michelini (Don Matteo) behind the camera.

“The way he shoots, whether with a steadicam or a handicam, it’s fast,” he says of Cassar. “But he always pays attention to the heart of the scene. The actors are always moving on the sets and he’s always moving the camera, so actor and camera are always moving together.

“The first season was a bit more stagey. It is completely different visually. It appears the same but the way we are lighting it is very different. It’s going to be interesting. It’s still Medici but completely different. In the first season, there was less light, so you couldn’t see the backgrounds. But we have been studying a lot to achieve it. Even the costumes are much more modern.”

Sharman agrees that there’s a modernity and freshness to this period drama that will make it stand out from its stuffier peers.

“It’s all very well being historical accurate but if that’s all you are, then you’re missing something when these were times when people were pushing the boundaries of art and fashion,” the actor explains. “So in order to do that, you have to make costumes that suggest a period but have a modern influence, because then it feels energetic and new.

“Sometimes when you do a period piece you are almost a museum piece – you’re recreating a perfect sense of what it was back then. That misses the point, and if you’re doing something in the Renaissance, it has to have an energy and artistic flair people haven’t seen before.”

Filming is currently continuing across Tuscany, with the crew returning to locations such as Pienza and Montepulciano and adding new backdrops such as Mantua. Bernabei has been particularly instrumental in securing access to the real locations to ensure this second chapter, distributed by Beta Film, is as authentic as possible.

“It’s something we’re really taking care of,” he notes, adding that he didn’t want the scenes to be recreated on a studio backlot. “We have a special deal with the Italian ministry of culture because they consider these locations national property. Because our series is conveying images of Italy, they’ve given us the opportunity to film in places they wouldn’t normally allow. We have to be really careful not to use certain lights, but it was more difficult using film because you need more light. Now, with digital, you can almost use natural light. It’s less complicated.”

Medici: Masters of Florence – The Magnificent is due to air on Rai next year, with Netflix also carrying the series around the world. A third season is already in the works, adds Spotnitz, who teases: “The saga continues.”

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