Tag Archives: Damien

Nordic drama in good company

Ole Søndberg produced the BBC version of Wallander starring Kenneth Branagh
Ole Søndberg produced the BBC version of Wallander starring Kenneth Branagh

London-based producer and financer Nevision has teamed up with Danish production company Good Company Films (GoodCo) to co-develop a new TV drama for the global audience.

The project in development is 10-part drama Midnights, which the partners describe as “a political thriller set in a present world that is both familiar and strange, about Nordic immortals who discover that they are dying amid the emerging Cold War in the Arctic.”

Midnights was created by Anna Reeves and will be produced by Stinna Lassen and Vibeke Windeløv. The executive producers are Ole Søndberg and Anni Faurbye Fernandez, who formed GoodCo in autumn 2014 along with Lassen and Windeløv. Søndberg is best known for starting Yellow Bird Films and for producing the Swedish and English versions of Wallander, the US version of The Girl with the Dragon Tattoo and the Millennium Trilogy based on Stieg Larsson’s novels. Fernandez was previously CEO and executive producer of Yellow Bird.

ABC in Oz has brought back legal drama Janet King for a third season
ABC in Oz has brought back legal drama Janet King for a third season

Also involved in the project is Nevision-backed About Premium Content (APC). APC will help source pre-sales and will handle international distribution for the series outside Scandinavia. Laurent Boissel, APC’s CEO, said: “Nevision and APC together are able to offer a bespoke studio-like solution where the producer’s independence and creativity is fully preserved.”

Nevision executive chairman James Cabourne added: “GoodCo is a very exciting company with a team that has an amazing track record in producing quality drama that resonates with a global audience. The success of Wallander is testament to this and we are excited to be partnering with GoodCo on Midnights.”

Elsewhere in the world of drama, Australian pubcaster ABC has renewed legal drama Janet King for a third season. The new eight-part run from Screentime Australia will go into production this year for 2017. It focuses on the life of a female prosecutor who returns from maternity leave to find her workplace even more demanding than when she left. DCD Rights distributes the series.

Cleverman is BBC3's first drama acquisition since it became a web-only network
Cleverman is BBC3’s first drama acquisition since it became a web-only network

Sticking with the subject of drama distribution, there have been a few notable stories this week. BBC3 in the UK, for example, has acquired Cleverman, its first drama purchase since the channel moved from traditional broadcasting to online streaming.

A six-hour series from Australia’s Goalpost Pictures and New Zealand’s Pukeko Pictures, Cleverman follows a group of non-humans battling for survival in a world where humans feel increasingly inferior and want to silence, exploit and kill them.

Sue Deeks, head of programme acquisition at the BBC, described the series as “incredibly original and ambitious.” The show, which is distributed by Red Arrow International, will be available first in the US (SundanceTV, June 1) and Australia (ABC, June 2). The UK screening of the show will come later in the year. Henrik Pabst, MD at Red Arrow International, said the series “is one of the biggest and most ambitious shows to come out of Australia and speaks to a growing world audience unafraid of adventurous TV.”

DRTV's Follow The Money will air on CBC in Canada
DRTV’s financial crime drama Follow The Money will air on CBC in Canada

In Canada, meanwhile, public broadcaster CBC has just announced a summer schedule that includes UK political thriller Undercover (written by Peter Moffat) and Danish financial crime drama Follow The Money. The latter, which comes from the successful DRTV stable, is being aired at 21.00 on Saturdays. This seems like a bold move for a non-English-language drama, though it has already aired on BBC4 in the UK. Other non-Nordic markets to acquire the show include Belgium and the Netherlands.

Also significant is the news that Amazon Prime Video has acquired new AMC show Preacher for the UK, Austria, Germany and Japan. The show is distributed internationally by Sony Pictures Television (SPT), which has also sold it to Viaplay across the Nordics, OSN across the Middle East and D-Smart in Turkey. AMC has an international channel of its own that could have acquired Preacher, but presumably SPT was able to extract more international revenue by putting together a multi-partner plan.

US VoD service Acorn TV has added UK biopic drama Cilla
US VoD service Acorn TV has added UK biopic drama Cilla

The news that US on-demand service Acorn TV has added two UK dramas to its programming line-up underlines the increased demand for scripted shows in the VoD space. They are police procedural Suspects, totalling 17 episodes, and Cilla, a three-part biopic about popular UK entertainer Cilla Black.

As we have noted in recent columns, this is a busy time of year for US channels as they unveil their plans for the summer and autumn seasons. Today’s headliner is Turner Broadcasting’s cable channel TNT, which has ordered a series about the life of a young William Shakespeare. It has also greenlit a pilot called Civil. Both are part of a wide-ranging channel overhaul that has involved a significant increase in scripted investment.

The Shakespeare series, Will, is written by Craig Pierce and follows the life of the young playwright in London. This being US television, the 10-part production will be a contemporary version of Shakespeare’s life played against a modern soundtrack. The theatre scene in 16th century England will be treated as though it was the punk rock revolution of its time.

Amazon Prime Video has taken AMC's Preacher for the UK, Austria, Germany and Japan
Amazon Prime Video has taken AMC’s Preacher for the UK, Austria, Germany and Japan

“Will has an energy and style that is unlike anything else on television today,” said Sarah Aubrey, executive VP of original programming for TNT. “Shakespeare was a 16th century rock star, and Will captures what that must have felt like for the young writer and his fans. We are delighted to be working with such an extraordinary team of executive producers and cast in putting a fresh, bold spin on the story of Shakespeare.”

As for Civil, the backdrop is a fiercely fought presidential election that plunges the US into a modern-day Civil War. It is written by Oscar nominee Scott Smith (A Simple Plan) and directed by Emmy nominee Allen Coulter (Damages, Nurse Jackie). Other new dramas coming through at TNT include Animal Kingdom, Good Behaviour, The Alienist and Tales from the Crypt.

Omen spin-off Damien has ended after a single season
Omen spin-off Damien has ended after a single season on A&E

Also in the US this week, some cancellation news. First, A&E has shut down its Omen spin-off Damien after a single season of 10 episodes. The decision comes after poor ratings, with the show starting moderately and fading to around 400,000 by the end of its run.

Showrunner Glen Mazzara confirmed the cancellation on Twitter: “This hurts to say but #Damien will not be getting a second season. Thank you from all of us to our amazing fans.”

Bates Motel aside, A&E hasn’t been having much luck with original scripted content recently. The Returned was cancelled after one season while Unforgettable has also bitten the dust (though after a longer run). A&E cancelled Longmire after three seasons and then had to stand by and watch as Netflix picked up the show and commissioned a couple more seasons.

Don Cheadle in Showtime's now-axed comedy House of Lies
Don Cheadle in Showtime’s now-axed comedy House of Lies

Also, Showtime has announced that the current season of House of Lies will be the last. Commenting on the show, which stars Don Cheadle, Showtime president and CEO David Nevins said: “House of Lies is a comedy that has frequently been ahead of the curve. The core cast of Don Cheadle, Kristen Bell, Ben Schwartz and Josh Lawson is one of the best comedy teams on television. They have brought the series to an incredibly satisfying conclusion with the historic final episode shot in Cuba.”

In ratings terms, the show is averaging around 350,000 – significantly down on season four and very poor in comparison with most other Showtime titles. The decision to cancel will have been made easier by the encouraging start made by Showtime’s new financial drama Billions.

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Networks bank on movie magic

limitless
Expect a renewal for Limitless

With reports this week that Sony Pictures Entertainment is planning a TV series based on the Angelie Jolie spy movie Salt, now seems as good a time as any to round up developments on the movie-to-TV adaptation front. At least 20 such projects are in production, development or distribution.

Limitless: Based on the 2011 movie starring Bradley Cooper, Limitless debuted on CBS in September 2015. After a strong start, CBS gave it a full season order of 22 episodes and started selling the show around the world. Currently 15 episodes in, the show is attracting around 6.4 million viewers on debut night and 9.8 million after time-shifting is factored in. This should be enough to guarantee renewal for season two despite being some way off the launch episode (14.2 million viewers including time-shifted).

Minority Report: A much-hyped but ultimately unsuccessful remake of the Tom Cruise movie that ran on Fox in autumn 2015. Initially awarded 13 episodes, the run was cut to 10 after poor ratings. It bowed out with an audience of around two million, but not before it had been sold to networks in the Middle East.

rush-hour
The Rush Hour movie franchise, starring Chris Tucker and Jackie Chan, comprises three films

Rush Hour: Based on the popular movie franchise that paired Jackie Chan and Chris Tucker, Rush Hour is another CBS reboot about an off-the-wall LAPD detective being required to work with a straight-laced Hong Kong police officer. The show will premiere on Thursday March 31 at 22.00 and has been picked up by E4 in the UK. CBS plans to give the show a big promotional boost by marketing it during the popular March Madness College Basketball tourney.

Training Day: Another CBS project, this is a reboot of the 2001 film that starred Denzel Washington as a corrupt narcotics cop and Ethan Hawke as his rookie partner. In the update, an idealistic young African-American police officer is partnered with an experienced but morally ambiguous Caucasian detective. This show, produced by WBTV and Jerry Bruckheimer, is currently moving towards a pilot, which will be directed by Danny Cannon.

uncle-buck-abc
The TV version of Uncle Buck

Uncle Buck: This is an ABC reboot of the 1989 cult comedy starring John Candy. In this version, which was given a greenlight to series in 2015, the cast will be black, with Mike Epps playing Uncle Buck, “a fun-loving but irresponsible guy who needs a job and a place to stay. By happy coincidence, his nieces and nephews’ nanny has just quit and his brother- and sister-in-law need his help. His unconventional personality just may make him the right fit for the family.” No details yet on launch date.

Lethal Weapon: The massive 1980s/1990s film franchise, starring Mel Gibson and Danny Glover, is being adapted for TV by Fox. In February 2016, Fox gave a formal pilot order to the show, which focuses on a former Navy SEAL who suffers the loss of his wife and baby and moves to Los Angeles to start anew as a cop. Matt Miller (Forever) will write the TV adaptation.

rambomovie
Sylvester Stallone as John Rambo

Rambo: Fox is planning a TV series entitled Rambo: New Blood, based on the iconic Sylvester Stallone-starring movie franchise. Stallone won’t be involved in the new project, which is from Entertainment One and Avi Lerner’s Millennium Films. There are no details yet as to where this is in terms of development.

Fargo: Based on the Coen Brothers movie of the same name, Fargo has already seen two critically acclaimed series aired on FX. In November 2015, midway through season two, FX ordered a third season from series creator Noah Hawley. “Year two of Fargo is an extraordinary achievement and, given Noah Hawley’s masterful storytelling, we can’t wait to see where the third, all-new version of Fargo takes us,” said FX Networks’ Eric Schrier.

cruel-intentions
1999’s Cruel Intentions

Cruel Intentions: NBC is planning a remake of the cult 1999 movie that was loosely based on Les Liaisons Dangereuses. The show, which has now been taken forward to pilot, will pick up 15 years after the movie left off and will focus on the teenage son of two of the film’s main characters. The original writer and director of Cruel Intentions, Roger Kumble, is attached to the pilot episode as director.

Taken: Based on the surprise hit movie franchise starring Liam Neeson, Taken the TV series is a modern-day prequel in which we learn how CIA operative Bryan Mills developed his “particular set of skills.” Homeland executive producer Alexander Cary has been signed up to write, executive produce and run the Taken TV series. Perhaps not surprisingly given the success of the movie franchise, NBC has given this show a straight-to-series order.

Time After Time: Based on a 1979 movie (itself based on a book), ABC’s new Time After Time series imagines HG Wells pursuing Jack the Ripper forward in time using his famous time machine. The project is from Kevin Williamson and has now been taken forward to pilot. In a similar vein, The CW is backing a TV adaptation of 1990 sci-fi time travel movie Frequency. In the CW pilot, the central character becomes a female police detective.

Haywire: A 2011 action movie starring Channing Tatum and Gina Carano, Haywire is another movie reportedly getting a TV remake. The Steven Soderbergh-directed film tells the story of a secret agent on a revenge spree after her agency betrays her. This project is in early development with Relativity TV.

Behind Enemy Lines: In September, Fox announced plans for a series based on the 2001 movie of the same name, which starred Owen Wilson and Gene Hackman. Fox’s show will be a high-octane military thriller about an American flight crew shot down while on a secret mission over the jungles of Latin America. The show is from 20th Century Fox Television, Temple Hill and Davis Entertainment, which produced the original version. At time of writing there was no further news on the project’s status.

notebookmovie
Ryan Gosling and Rachel McAdams in The Notebook movie

The Notebook: In August 2015, it was revealed that The CW had teamed up with author Nicholas Sparks to revive romantic movie The Notebook as a TV series (Sparks was the author of the original book, also a big success). A pilot is being written by Todd Graff, who will also executive produce alongside Sparks and Theresa Park. “The Notebook is a very well-received book and motion picture. It is going to be set after World War Two. At this point, the pilot is not done,” said CW president Mark Pedowitz in 2015.

The Exorcist: In January 2016, Fox ordered a pilot based on the 1971 novel/1973 movie of the same name. The one-hour drama pilot is described as “a propulsive, serialised psychological thriller following two very different men tackling one family’s case of horrifying demonic possession, and confronting the face of true evil.” Jeremy Slater is the writer-producer, with James Robinson, David Robinson and Barbara Wall on board as executive producers.

damien
Damien is based on The Omen films

Damien (The Omen): Damien is an upcoming A&E series based on The Omen horror film series, which centres on a small boy born of Satan and adopted by an affluent US family. Scheduled to launch on March 7, the TV series follows Damien Thorn, now a 30-year-old war photographer who has forgotten his Satanic past. Ann Rutledge (Barbara Hershey), who has protected Damien all his life, will now help him embrace his antichrist destiny.

Friday the 13th: Continuing the trend towards horror movie remakes (remember that Scream is already up and running on MTV, with a second season coming on April 20), The CW is planning a TV version of iconic film series Friday the 13th. The series adaptation will be written by Steve Mitchell & Craig Van Sickle, co-creators of the 1996 NBC series The Pretender.

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A&E grows darker

The Omen (1976) is the basis for A&E's Damien
The Omen (1976) is the basis for A&E’s Damien
Once upon a time, US cable channel A&E was a lovely place where gentle folk went to watch costume dramas and murder mysteries. But in recent years the channel has turned to the dark side. After offering its viewers psychos (Bates Motel) and zombies (The Returned), the channel has now announced plans for a series based around iconic 1970s antichrist movie The Omen.

Called Damien, the series was originally lined up for A&E’s sister channel Lifetime. But last week parent company A+E Networks decided A&E’s asylum would be a better home. At the same time, it revealed that the size of the series order was being bumped up to 10 episodes, having originally been planned as six.

The series is being written by Glen Mazzara, who is best known for being showrunner on series three of AMC’s The Walking Dead. Prior to that, he worked on Nash Bridges and The Shield.

Mazzara’s time on The Walking Dead didn’t end well. Despite the show achieving huge ratings during his watch, a difference of opinion about the programme’s direction saw Mazzara depart after just one series. So Damien is a big opportunity for him to really make his mark, building an ongoing scripted franchise from scratch. He is doing so via his own production company, 44 Strong Productions, which he launched after leaving The Walking Dead. Also involved is Ross Fineman, who developed the series concept with Mazzara.

Glen Mazzara
Glen Mazzara

The fact A&E has entrusted Mazzara with a 10-part series shows just how highly prized the alumni of hit series are. Reinforcing this point, US cable channel E! has just greenlit a project from Jonathan Abrahams, a writer who won a Primetime Emmy for his work on series four of Mad Men. Called The Arrangement, the new project tells the story of a young actress who is offered a part in a major movie on the condition that she has a relationship with the project’s male lead.

Mad Men, of course, comes to an end on May 17 after seven critically acclaimed seasons on AMC. Presumably, this means a wave of top script-writing talent will now be unleashed on the market. All told, eight people have been credited as writers on the final season, including the show’s creator Matthew Weiner.

Weiner has not given any indication what he plans to do after Mad Men. But he is undoubtedly going to be one of the most in-demand writers/showrunners in the US. If there is a career challenge for him, perhaps, it is to see if he can couple his creative talent to a higher-rating project. While other AMC shows such as The Walking Dead and Better Call Saul have delivered impressive ratings, Mad Men bumps along at around the two million mark.

Mad Men comes to an end later this month
Mad Men comes to an end later this month

Two other names closely associated with Mad Men are Andre and Maria Jacquemetton, who wrote numerous episodes before leaving at the end of season six. The husband/wife team was briefly attached to Zodiak Media’s lavish period drama Versailles, but ultimately their version was passed over in favour of a treatment by David Wolstencroft and Simon Mirren. As yet, there is no news of what the Jacquemettons are planning next.

An ongoing theme in the scripted TV world is the number of actors and directors coming over from film – and it seems writers are also tempted to make a similar move. A good example of this is Jeb Stuart, whose movie credits include late-night kebab and lager companion flicks Die Hard and The Fugitive.

Stuart has recently finished writing The Liberator for A+E’s History Channel, a miniseries based on the Second World War heroics of Colonel Felix ‘Shotgun’ Sparks, who fought his way up through Europe before liberating the Dachau concentration camp. History is obviously happy with Stuart’s work – he’s now writing a Vietnam drama for the channel. Called The Boys of ’67, the show is based on a book by historian Andrew Wiest and will tell its story from the point of view of an infantry division. It’s tempting to think Stuart might go on to round out a trilogy with an Iraq epic next.

Mad Men creator Matthew Weiner
Mad Men creator Matthew Weiner

While the US continues to be the world’s most dynamic drama market, Canada has built an excellent business on the back of demand for North American-style scripted shows. Canuck writers have benefited from this, with numerous shows created north of the border travelling into the US and other international markets. One Canadian writer in the news this week is Aaron Martin, whose credits include teen drama DeGrassi: The Next Generation. Martin is now writing a series called Slasher for NBCUniversal’s US horror channel Chiller and for Super Channel in Canada.

The show, which is being produced in Canada by Shaftesbury, is about a young woman who returns to the town where she was born, only to find herself embroiled in a series of horrifying copycat murders based on the gruesome killings of her parents. Sounds like a show that would also work on the new-look A&E…

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