Tag Archives: Craig Erwich

Nashville gets encore on CMT

Nashville stars Hayden Panettiere (left) and Connie Britton
Nashville, which stars Hayden Panettiere (left) and Connie Britton, is moving to CMT

These days, when a network cancels a scripted show, there is often a call from the creators, the acting talent and the hardcore fanbase for someone else to step in and save it.

Usually, this plea falls on deaf ears, but there have been a few instances of shows saved from extinction by third-party channels and platforms. Among the best examples are Ripper Street, The Mindy Project and Longmire, all of which were saved by the intervention of SVoD platforms (Amazon, Hulu and Netflix respectively).

To this list of last-minute rescues we must now add country-and-western scripted series Nashville, produced by Lionsgate TV, ABC Studios and Opry Entertainment. The show aired for four seasons on ABC before being cancelled last month.

However, weeks of frenetic wheeler-dealing by Lionsgate TV group president Sandra Stern has resulted in the greenlight for a fifth season, which will air on Viacom-owned country-and-western channel CMT and Hulu (which will stream episodes of Nashville the day after they appear on CMT).

“CMT heard the fans,” said CMT president Brian Philips. “The wave of love and appreciation they have unleashed for Nashville has been overwhelming. Nashville is a perfect addition to our line-up. We see our fans and ourselves in this show and we will treasure it like no other network. Nashville belongs on CMT.”

The Last Kingdom
Netflix is coproducing the second season of The Last Kingdom, replacing BBC America

Equally effusive was Craig Erwich, senior VP and head of content at Hulu. “Nashville has long been a fan favourite show on Hulu and we are so proud to continue to make new episodes available for fans to stream the day after they air. We look forward to bringing more episodes of this series to its passionate and devoted audience.”

“CMT and Hulu are the perfect combination for Nashville and we want to thank the incredible fans for their unwavering support – #Nashies, you helped make this possible,” added Kevin Beggs, chairman of the Lionsgate Television Group. “We also want to extend our appreciation to the state of Tennessee, city of Nashville, and Ryman Hospitality for their unending support.”

While the resurrection of the show has very much been presented as a victory for fan power, there’s also a strong business case for all involved.

CMT, for example, will be drooling at the show’s audience. In a press statement, the partners on season five said: “The recently wrapped fourth season of Nashville attracted more than eight million weekly viewers across all platforms and ranks as one of television’s most DVR’d series. The series is particularly strong with women 18-34. Out of more than 180 broadcast dramas since fall 2012, Nashville ranks in the top 20.”

While it’s highly unlikely that all of the ABC fanbase will follow the show to CMT, Nashville is almost certain to deliver CMT an audience that is at the upper end of its usual anticipated viewing range.

The Bureau
The Bureau is heading to Amazon

For Hulu, the risk of getting involved is minimal because it already shows Nashville and will have a good idea of the kind of audience it can expect to attract. As for Lionsgate, the deal is about much more than just the US TV market. The series airs in 82 international territories, making it a significant asset in the distribution arena.

There is also the small matter of music spin-offs. Since its launch, the show has inspired 10 soundtracks, which have collectively sold more than one million album units and more than five million single-track downloads. As an added bonus, it has been nominated for Emmy, Golden Globe and Critics Choice awards.

The question is, will we see more deals like this? Well, it seems pretty likely. With more and more cable and SVoD channels in the market for scripted content, it stands to reason that they will be attracted to franchises that have built up brand awareness.

Another story that kind of underlines this point is the news that Netflix has replaced BBC America as the US coproducer of season two of The Last Kingdom, a historical drama that also involves BBC2. For Netflix, the beauty of this deal is that it has some tangible evidence of the show’s appeal in the US (the first season aired on BBC America). Armed with that knowledge, it has secured rights to the show in the US, Australia, New Zealand, Canada, Germany, Japan, Spain and Portugal. It will also add season one of the Carnival Films-produced show to its US portfolio later this year.

Aside from these deals, this week has more of an acquisition than a production feel to it. In the UK, for example, Amazon Prime Video has acquired two French dramas – spy thriller The Bureau and political drama Baron Noir from StudioCanal. The Bureau follows agents who assume false identities as they seek out and identify targets and sources, while Baron Noir centres on a French politician seeking revenge against his political enemies.

Rosewood
Alibi has picked up Rosewood

StudioCanal has also sold a package of shows to SBS Australia, including The Five, Section Zéro and Baron Noir. Previously, SBS acquired Spotless and The Last Panthers from StudioCanal. Commenting, Marshall Heald, director of TV and online content at SBS Australia, said: “Gritty crime thrillers like The Five, political dramas like Baron Noir and dark sci-fi series like Section Zéro bring something fresh and exciting to our world drama slate.”

Back in the UK, UKTV-owned channel Alibi has acquired crime series Crossing Lines from StudioCanal. It has also picked up US medical crime drama Rosewood from 20th Century Fox Television.

In Canada, meanwhile, Bell Media streaming service CraveTV has acquired exclusive SVoD rights to a slate of new US broadcast dramas. Among these are the Kiefer Sutherland political thriller Designated Survivor, legal drama Notorious, film adaptation Training Day and romantic drama Time After Time. Also in Canada, specialty channel Vision TV has acquired the first season of comedy drama Agatha Raisin, which just aired on Sky1 UK.

tagged in: , , , , , , , , , , , , , , , , , , , , , , , , , ,

Hulu tells Handmaid’s Tale

The Handmaid's Tale has previously been made into a feature film
The Handmaid’s Tale has previously been made into a feature film

Inevitably, the current TV drama boom has resulted in a lot of formulaic, derivative and half-baked series. But that has to be balanced against the impressive ambition of the industry.

This week, for example, Hulu announced that it has commissioned an adaptation of Margaret Atwood’s iconic novel The Handmaid’s Tale. The only bad news about this is that it didn’t come two years ago so it could help my daughter with her English exams.

Written in 1985, The Handmaid’s Tale centres on Offred, a reproductive slave who lives in the male-dominated totalitarian regime of Gilead. In Hulu’s TV version, Offred will be played by Elisabeth Moss (Mad Men, Top of the Lake), with Daniel Wilson, Fran Sears, and Warren Littlefield serving as executive producers (Wilson was also the producer of a 1990 film version of the story).

The adaptation will be written by Bruce Miller (The 100), with Atwood also on hand as a consulting producer.

Craig Erwich, senior VP and head of content at Hulu, said: “Hulu has established itself as a home for blockbuster television events and what better way to expand our originals offering than with a series based on this acclaimed, best-selling novel? Margaret Atwood’s The Handmaid’s Tale was seen as ahead of its time and we look forward to bringing it to life on our platform.”

The Handmaid’s Tale is produced by MGM TV and marks the first collaboration on an original series between Hulu and MGM. It will go into production later this year and will premiere in 2017. In a joint statement, MGM’s Mark Burnett, president, television and digital group, and Steve Stark, president, television development and production, said: “The Handmaid’s Tale is a project we have been committed to bringing to life as its story remains as powerful today as it did when Margaret first published her novel. It has inspired a film, a graphic novel, an opera, a ballet and, finally, for the first time, a compellingly immersive drama series.”

Elisabeth Moss will play lead character Offred (photo by Flickr user Dominick D)
Elisabeth Moss will play lead character Offred (photo by Flickr user Dominick D)

Attwood added: “I am thrilled MGM and Hulu are developing The Handmaid’s Tale as a series, and extra thrilled that Elisabeth Moss will be playing the central character. The Handmaid’s Tale is more relevant now than when it was written, and I am sure the series will be watched with great interest.”

This week’s other big story is that National Geographic Channel has greenlit its first scripted series (as opposed to docuseries or miniseries), with the first episode to be directed by Ron Howard.

The plan is for the show, called Genius, to be a multi-season anthology series, with a different subject in each run. The first season, based on Walter Isaacson’s book, Einstein: His Life and Universe, will be adapted by Noah Pink. Production is expected to begin this summer in Prague and the series will premiere on Nat Geo in 171 countries.

Genius is being made by Fox 21 TV Studios, Imagine TV, OddLot and EUE/Sokolow. Fox 21 president Bert Salke said: “Genius is a franchise with infinite possibilities. We think this instalment, which tells the fascinating back-story of the man who articulated the theory of relativity, is just the beginning of a long and successful partnership between our companies.”

Howard said the show will be “an ambitious but intimate and revealing human story behind Einstein’s scientific brilliance,” adding: “I hope his story, as well as those of other geniuses, will entertain and inspire the next generation of Einsteins.”

Albert Einstein will be the subject of National Geographic Channel's first full drama series
Albert Einstein will be the subject of National Geographic Channel’s first full drama series

Meanwhile, the migration of movie heavyweights into TV continues apace. Last week, it was Mel Gibson, and this week it’s Sylvester Stallone, who is set to star in a TV adaptation of Mario Puzo mafia novel Omerta (Puzo is best-known as the author of The Godfather).

The drama has yet to be attached to any network, but with Antoine Fuqua (Training Day) also on board as director, it presumably won’t be too long before that is sorted out. Omerta was published after Puzo’s death and had its fair share of critics. However, the halo effect of The Godfather will prove appealing to would-be suitors who can use it as a marketing hook.

While Hulu has stolen this week’s headlines, the other SVoD platforms have also been in the news. Netflix, for example, has ordered a second season of its new Ashton Kutcher comedy The Ranch – just a few weeks after the first season premiered. Set in modern-day Colorado, the series stars Kutcher as a failed semi-professional football player who returns home to manage the family ranch. There will be 20 episodes in the second season.

Sylvester Stallone will star in the TV adaptation of Omerta
Sylvester Stallone will star in the TV adaptation of Omerta

Meanwhile, Deadline reports that John Krasinski (The Office) will play the title role in a new Amazon series based on Tom Clancy’s CIA hero Jack Ryan. The new series, created by showrunner Carlton Cuse and writer Graham Roland, is reported to be “a new contemporary take on the character in his prime as a CIA analyst/operative, using the novels as source material.” For Amazon, the franchise will sit neatly alongside Bosch.

Finally, US indie studio IM Global has unveiled a slate of new TV projects this week. The company, which first got into the TV business in 2014, is working on five titles including Muscle Shoals, a project that has been in development for a while with partners Johnny Depp and Virgin Produced.

The other titles on the slate are I Rebel, LD50, The Lesser Dead and Planetoid. The Lesser Dead is an acclaimed vampire-themed novel from Christopher Buehlman, while Planetoid is a graphic novel first released in June 2012 by Image Comics. Written and drawn by Ken Garing, it focuses on Silas, a space pirate who crashes onto a planetoid where he must fight off various mechanical creatures, cyborgs and aliens.

tagged in: , , , , , , , , , , , , , , , , , , ,