Tag Archives: Cleopatra

Cleopatra succeeds Tut

Elizabeth Taylor in the 1963 film Cleopatra, the most famous screen version of the Egyptian queen's story
Elizabeth Taylor in the 1963 film Cleopatra, the most famous screen version of the Egyptian queen’s story

After Tut, now comes Cleopatra. With the Egyptian boy king only recently departed from TV screens following the three-night event series on Spike TV, the girl queen is the subject of a new series being developed by feted director Shekhar Kapur (Elizabeth) and David Ellender, the former FremantleMedia exec who now operates under the Slingshot Global Media banner.

While it is inevitable that comparisons will be drawn between the projects, the creative sensibilities and commercial starting points underlying them should bring about different results. While Tut was written by US scribes for a US channel, Kapur and Ellender come from Indian and European backgrounds respectively. This will presumably affect their approach and funding model.

Kapur, who will write the series, said: “Cleopatra is probably the most famous and the least known/understood figure of all time. Her life will reflect a modern-day parable of our lives today.” Ellender added: “As he did with Elizabeth, Kapur will reveal the human being behind the myth. We couldn’t think of a better filmmaker than Kapur to tackle this subject.”

If there’s one name you’d love to see at the bottom of your production sheet, it’s Jerry Bruckheimer. With film and TV credits that include Pirates of the Caribbean, Beverly Hills Cop, Bad Boys, Con Air, Top Gun, CSI and Without a Trace, he is a bona fide hit machine. So US cable channel TNT must be dancing in the aisles having picked up a Bruckheimer pilot called Home this week.

TNT has picked up the pilot of Jerry Bruckheimer series Home
TNT has picked up the pilot of Jerry Bruckheimer series Home

Originally set up at Fox, Home explores the secrets festering behind the facade of an idyllic suburban family. It centres on a pregnant woman who has a successful business and a wonderful home life with her husband Joe, a respected prison psychologist, and his two sons, to whom she’s stepmother. But the peace and tranquillity are shattered when she discovers long-buried secrets.

Home’s package is further enhanced by the fact the pilot has been written by Aron Eli Coleite, whose credits include Crossing Jordan, Hostages and Heroes (for which he was writer and producer for most of its run). The show is designated as a Jerry Bruckheimer Television and Warner Horizon TV production.

A notable trend in the last few years has been to fictionalise the lives of famous historical figures. Da Vinci’s Demons is a classic case in point, as is ITV’s upcoming series Houdini & Doyle (and so, for that matter, are Tut and Cleopatra). The idea behind this approach is to get pre-transmission brand awareness that will help a show cut through the clutter of competition. Imagine if, for example, Da Vinci showrunner David Goyer had said he was going to make a series about the fantastical youth of a medieval Italian genius. He probably wouldn’t have got more than halfway through his pitch.

Seth Rogen in controversial movie The Interview
Seth Rogen in controversial movie The Interview

There is a parallel process that involves taking fictional characters and giving them new settings. Traditionally, this involves looking back at the youth of the character in question (The Young Indiana Jones Chronicles, Endeavour et al) or putting them in a different period (Sherlock). A novel take on this was announced this week by CBS, which is to pilot Sawyer & Huck. In this case, Mark Twain’s classic Mississippi characters Tom Sawyer and Huckleberry Finn are to be aged up and placed in modern-day America as adults.

Scripted by The Blacklist writers Brandon Margolis and Brandon Sonnier, the story will see Sawyer as a lawyer, who hires his boyhood friend Huck Finn as an investigator on a murder case. If the series progresses beyond pilot, the plan is for the characters to take on cases for people who don’t have anywhere else to turn.

In other news out of the US, NBC has acquired a drama project entitled The Bourbon Kings from Endemol Shine Studios. Based on a novel by JR Ward, the story centres on an aristocratic Kentucky family who make their fortune in the bourbon industry.

Interestingly (and what are the chances of this?), there are reports that Fox is also developing a TV series about a Kentucky bourbon empire. All that remains to be seen is whether either project will be filmed in Kentucky. A year ago, the answer to that would probably have been no. But in May the state increased its refundable tax credit from 20% to 30%, an aggressive move that will make it a viable alternative to Louisiana and Georgia, two US states that have made excellent use of film incentive schemes.

NHK Japan has picked up Partners in Crime
NHK Japan has picked up Partners in Crime

In the last couple of years, the scripted market has become accustomed to a steady stream of commissioning announcements from subscription VoD platforms like Netflix and Amazon. This week it’s Hulu’s turn to step up to the plate by announcing plans for a comedy pilot starring Seth Rogen.

The project, entitled Future Man, is about a gaming nerd who has to save the human race from being destroyed by aliens. Future Man is being produced by Sony Pictures Television and is the company’s first order from Hulu. Sounds like much safer territory than Rogen’s North Korea satire The Interview.

On the acquisition front, Asian broadcasters have been busy this week. RTL CBS Entertainment has announced it will premiere upcoming US drama Limitless in Asia within 12 hours of its broadcast in the States. Meanwhile, All3Media International has shipped new TV adaptation Agatha Christie’s Partners in Crime to a number of international broadcasters including NHK Japan.

The Japanese market is notoriously difficult to crack but “Japan is Christie heartland in terms of a fanbase for the author and this show will introduce a further generation to her work,” says Stephen Driscoll, senior VP for sales at All3Media International.

Equally upbeat is Junko Fukano, senior producer of NHK Japan, who says: “We are delighted that we can broadcast this wonderful show in Japan. Agatha Christie’s dramas have attracted a strong Japanese following, so we believe it will be hugely popular among Christie fans, and hope that it will bring even more audiences to NHK.”

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